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A frustrating war and an endless occupation. The very real prospect of more conflict overseas. A military stretched beyond its breaking point. The stage is set for the resumption of the draft. Now, in an explosive and provocative book, Philip Gold, a former Marine and a disaffected conservative, reveals why selective service should never come to pass–but might. In The Coming Draft, Gold charts the path that brought us to this treacherous point and posits an “exit strategy” for America to change its course. In candid language and through authoritative research, he uncovers the flaws of forced enlistment from ancient to recent times and suggests serious and more effective methods to protect the homeland. “Plans/reality mismatch” is how Gold describes the Bush administration’s handling of the Iraq war. This conflict’s deadly, years-long duration–with overtaxed volunteer troops–has led to the Marines missing their monthly recruitment quotas by up to 25 percent, soldiers over sixty being called out of retirement to serve, and in some cases National Guard tours being extended to 2031. Though the House of Representatives made a show of voting against the draft idea in 2004, Gold believes that a collusion of neoconservatives and liberals could eventually cause conscription to be reinstated. The neocon argument for the return of universal conscription rests in the expectation that American military presence will need to increase in order to combat the spreading threat of terrorism, while the left wing hopes that the revival of the draft will expand the scope of the debate about U.S. military policy, thereby making American involvement in wars an issue that potentially touches every household. Asserting that selective service has been neither effective nor historically validated, The Coming Draft provides evidence that the Founding Fathers’ concept of common defense differed from our own and allowed for “proper refusal” in addition to service. More damning, Gold insists that starting with the Universal Militia Act of 1791, the draft has been rife with demoralizing corruption and bad faith, whether it was exceptions for civilian slave owners in the Civil War or loophole-laden systems from World War I to Vietnam. Gold’s practical and innovative alternatives include the redefinition of service (to include earthquake and weather-related relief work), and a drastic rethinking of the duties of the National Guard. All this, he believes, must begin with setting limits on any president’s ability to launch an undeclared war. Written with an acute awareness and fierce intelligence, The Coming Draft is an indispensable work for anyone who is, or who might have to be, a soldier–and any citizen concerned about the future of our country.
The definitive handbook for the novelist who is ready to revise This wise and friendly guide shows writers how to turn first-draft manuscripts into the novels of their dreams. A critic, longtime teacher, and award-winning novelist, Sandra Scofield illustrates how to reread a work of fiction with a view of its subject and vision, and how to take it apart and put it back together again, stronger and deeper. Scofield builds her explanations around helpful concepts like narrative structure, character agency, and core scenes, using models from classic and contemporary writers. The detailed, step-by-step plan laid out in The Last Draft offers invaluable advice to both novice and experienced writers alike. In Scofield, they will find a seasoned, encouraging mentor to steer them through this emotional and intellectual journey.
The Next Draft: Inspiring Craft Talks from the Rainier Writing Workshop brings together a selection of the “morning talks” delivered by the renowned authors who teach at the prestigious Rainier Writing Workshop MFA program. These morning talks are a highlight of the residencies at Pacific Lutheran University in Tacoma, Washington, featuring inspiring, innovative approaches to writing and literature across genres. For this collection, Brenda Miller has selected essays that feature diverse and illustrious writers such as Geffrey Davis, Marjorie Sandor, Barrie Jean Borich, Jenny Johnson, Oliver de la Paz, Lia Purpura, Kent Myers, Rebecca McClanahan, and others. Ranging from reading and writing in the Jewish tradition of midrash to the role of the writer as cultural critic in the 21st century, The Next Draft brings to life the kind of intellectual and creative excitement that underlies the intensive MFA experience at Pacific Lutheran University. Not only do these talks show innovative approaches to writing and literature across genres, they inspire the reader to think about how to read differently and thus bring their own work to a new level.
"Brilliant, time-tested and clear" advice that will help writers at all stages, in all genres, write their very best book-and then make it better. As a freelance editor for more than a decade, Williams has shepherded books from rough draft to polished manuscripts bought by Big Five houses, university and literary presses, and for independent publishers. Now, she distills everything she's learned from editing hundreds of drafts, coaching writers past creative blocks, and navigating authors through querying and publication, into this useful guide for every step from idea to book. Seven Drafts: Self-Edit Like a Pro from Blank Page to Book divides writing and revision into distinct stages, with a new focus in each draft. Williams' frank, funny voice encourages writers to tackle even big editing tasks with a sense of humor and a feeling that someone who understands is on their side. With plenty of fresh examples, insider wisdom, and snappy footnotes, Seven Drafts teaches story, character, elements of writing craft and structure, how to seek and use feedback, and the publication process.
Stories of men and women confronted by the Vietnam War. Contains personal stories of Vietnam War Veterans, people who fled the country, people who refused to go to war, people who beat the draft, people who obtained Conscientious Objector status, and people who loved and supported them.
An extraordinary "practical resource for beginners" looking to write their own memoir—​now new and revised (Kirkus Reviews)! The greatest story you could write is one you've experienced yourself. Knowing where to start is the hardest part, but it just got a little easier with this essential guidebook for anyone wanting to write a memoir. Did you know that the #1 thing that baby boomers want to do in retirement is write a book—about themselves? It's not that every person has lived such a unique or dramatic life, but we inherently understand that writing a memoir—whether it's a book, blog, or just a letter to a child—is the single greatest path to self-examination. Through the use of disarmingly frank, but wildly fun tactics that offer you simple and effective guidelines that work, you can stop treading water in writing exercises or hiding behind writer's block. Previously self-published under the title, Writing What You Know: Raelia, this book has found an enthusiastic audience that now writes with intent.
Laila Piedra doesn’t drink, doesn’t smoke, and definitely doesn’t sneak into the 21-and-over clubs on the Lower East Side. The only sort of risk Laila enjoys is the peril she writes for the characters in her stories: epic sci-fi worlds full of quests, forbidden love, and robots. Her creative writing teacher has always told her she has a special talent. But three months before graduation, Laila’s number one fan is replaced by Nadiya Nazarenko, a Pulitzer Prize–winning novelist who sees nothing at all special about Laila’s writing. A growing obsession with gaining Nazarenko’s approval—and fixing her first-ever failing grade—leads to a series of unexpected adventures. Soon Laila is discovering the psychedelic highs and perilous lows of nightlife, and the beauty of temporary flings and ambiguity. But with her sanity and happiness on the line, Laila must figure out if enduring the unendurable really is the only way to greatness.
It’s difficult to imagine today—when the Super Bowl has virtually become a national holiday and the National Football League is the country’s dominant sports entity—but pro football was once a ramshackle afterthought on the margins of the American sports landscape. In the span of a single generation in postwar America, the game charted an extraordinary rise in popularity, becoming a smartly managed, keenly marketed sports entertainment colossus whose action is ideally suited to television and whose sensibilities perfectly fit the modern age. America’s Game traces pro football’s grand transformation, from the World War II years, when the NFL was fighting for its very existence, to the turbulent 1980s and 1990s, when labor disputes and off-field scandals shook the game to its core, and up to the sport’s present-day preeminence. A thoroughly entertaining account of the entire universe of professional football, from locker room to boardroom, from playing field to press box, this is an essential book for any fan of America’s favorite sport.
Flexible and customizable, this revolutionary system can be modified to fit any writer's approach and style.
The long-awaited guide to writing long-form nonfiction by the legendary author and teacher Draft No. 4 is a master class on the writer’s craft. In a series of playful, expertly wrought essays, John McPhee shares insights he has gathered over his career and has refined while teaching at Princeton University, where he has nurtured some of the most esteemed writers of recent decades. McPhee offers definitive guidance in the decisions regarding arrangement, diction, and tone that shape nonfiction pieces, and he presents extracts from his work, subjecting them to wry scrutiny. In one essay, he considers the delicate art of getting sources to tell you what they might not otherwise reveal. In another, he discusses how to use flashback to place a bear encounter in a travel narrative while observing that “readers are not supposed to notice the structure. It is meant to be about as visible as someone’s bones.” The result is a vivid depiction of the writing process, from reporting to drafting to revising—and revising, and revising. Draft No. 4 is enriched by multiple diagrams and by personal anecdotes and charming reflections on the life of a writer. McPhee describes his enduring relationships with The New Yorker and Farrar, Straus and Giroux, and recalls his early years at Time magazine. Throughout, Draft No. 4 is enlivened by his keen sense of writing as a way of being in the world.