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The Coming Death explores the question of death and mortality in several key texts of East Asian literature and cinema. By exposing the specific fields of Japanology and Sinology to the more general discourse of thanatology, Richard Calichman aims to define death more expansively on the basis of loss and disappearance. Typically, death is understood to be purely separate from life: where death is, life is not; and where life is, death is not. Yet this view fails to account not only for the frequency with which living individuals encounter the death of others, but also—and far more radically—for the disturbing fact that life in its unfolding remains at each moment open to the possibility of its own destruction. In this regard, Calichman argues, death must be conceived not simply as an actual event, but even more fundamentally as a general possibility without which life itself could not develop. At issue is how death reveals the emptiness of all identity, which demands that life and death no longer be conceived as purely oppositional. If mortal death can appear at the very origin of life, then the fullness or presence of life is at each instant threatened by the possibility of its negation. Through a reading of the works of such major artistic and intellectual figures as Kurosawa Akira, Tsai Ming-liang, Lu Xun, and Takeuchi Yoshimi, The Coming Death argues for a fundamental rethinking of mortality.
One of the most famous literary works of the 20th century, the novella “Death in Venice” embodies themes that preoccupied Thomas Mann (1875–1955) in much of his work; the duality of art and life, the presence of death and disintegration in the midst of existence, the connection between love and suffering, and the conflict between the artist and his inner self. Mann’s handling of these concerns in this story of a middle-aged German writer, torn by his passion for a Polish youth met on holiday in Venice, resulted in a work of great psychological intensity and tragic power.
Douglas Ashe keeps a weekly record of historical and personal events in 1968, the year he turns seventeen, including the escalating war in Vietnam, assassinations, rampant racism, and rioting; his first girlfriend, his parents' separation, and a longed-for sister.
Michael Dobkowski and Isidor Walliman have edited a book that, although ominous, is not a fatalistic look at the future. The Coming Age of Scarcity lays out the perils of not recognizing the reality of genocide or of acknowledging the full implications of warfare. Showing how scarcity and surplus populations can lead to disaster, The Coming Age of Scarcity is about evil. It tells of "ethnic cleansing" and excavates the world's expanding killing fields. The writers in this volume are all too aware that the future suggests that present-day population growth, land resources, energy consumption, and per capita consumption cannot be sustained without leading to greater catastrophes. The essays in this volume ask: What is the solution in the face of mass death and genocide? As philosopher John K. Roth says in the Foreword, "The essays can sensitize us against despair and indifference because history shows that human-made mass death and genocide are not inevitable, and no events related to them will ever be."
In 1977, P.M.H. Atwater had an experience that changed her life: she died. Or rather, she almost died. Like millions of other people around the world, she had survived a Near-Death Experience (NDE). Compelled to share this experience with others, she wrote Coming Back to Life, an account that became an instant sensation, and is now considered a classic on the subject of NDE.
Adventure Time meets The Good Place in this zany-yet-philosophical graphic novel buddy comedy about the unlikely friendship between Death, a grim reaper who's never had a friend, and Sparkles, The Last Unicorn, a celebrity influencer who is somehow immune to Death's touch. Being Death is no way to live. Sure, you're all-powerful, but collecting souls involves a ton of paperwork, and it's impossible to have friends when everything you touch instantly dies. Being Sparkles the Last Unicorn isn't as fun as you'd imagine, either. Maybe it seems like the whole world wants to be your bestie, but really people just want you to pose with them for selfies, or use you to help them sell stuff. Everything changes when Death and Sparkles meet and realize they might just be one another's first chance at a real friend. But before they can even enjoy the bromance, the whole world starts freaking out about this unlikely pair. Will fame or BFFdom prevail? Laugh-out-loud hilarious, gently philosophical, and full of delightfully zany exuberance, this buddy comedy turns friendship on its head—literally—and will have readers believing in the power of cupcakes for breakfast and cosmic camaraderie. HILARIOUS BUDDY COMEDY: Move over, Wayne and Garth! Move over, Beavis and Butthead! Readers will love this spin on the classic mismatched BFF dynamic featuring two of the most powerful beings around: the guy in charge of taking everyone's life, and the most magical creature still in existence on Earth. Never have two beings been less alike or more adorable. PERFECT FOR RELUCTANT READERS: With bright, vibrant illustrations, big fun fonts, expressive sound effects throughout, an irreverent spirit, and a heart full of cupcakes, this graphic novel will entice even the most skeptical of young readers. BIG THEMES: Self-awareness; empathy; bravery; commercialism; celebrity influencers; and the courage to stand up for what you believe in, even if that's the hard thing to do—all of these important themes weave throughout the book in subtle ways that will resonate with readers without feeling heavy-handed. THE FIRST ADVENTURE OF MANY: This is the first book in a planned series about the adventures of Death and Sparkles. The next book will be out in Fall 2022! LIKE LIVING IN CANDYLAND: Rob Justus's expressive, vivid art makes readers feel like they're living in Candyland. With tons to see on every page, and countless visual gags per spread, this book will delight graphic novel fans and bring new readers to the genre. Perfect for: • Reluctant readers • Parents • Fans of graphic novels • Fans of unicorns • Educators
Do you have questions about life after death? The Coming Glory provides biblical answers to seven important concerns, such as "What happens right after death?" and "Wha is the meaning of 'new heavens and new earth?'"
Death is inevitable. But bad deaths-- accompanied by unnecessarily prolonged pain and suffering, often aggravated by immensely costly and frequently futile medical treatments-- can be avoided. This book offers clear and valuable examples of how, through frank communication with caregivers and loved ones and the use of Advance Medical Directives such as living wills, those who are facing the possibility of death in the foreseeable future, and those who help them cope, can greatly minimize or eliminate end-of-life turmoil, family dissension, and pain.
A lyrical story of star-crossed love perfect for readers of The Hate U Give, by National Ambassador for Children’s Literature Jacqueline Woodson--now celebrating its twentieth anniversary, and including a new preface by the author Jeremiah feels good inside his own skin. That is, when he's in his own Brooklyn neighborhood. But now he's going to be attending a fancy prep school in Manhattan, and black teenage boys don't exactly fit in there. So it's a surprise when he meets Ellie the first week of school. In one frozen moment their eyes lock, and after that they know they fit together--even though she's Jewish and he's black. Their worlds are so different, but to them that's not what matters. Too bad the rest of the world has to get in their way. Jacqueline Woodson's work has been called “moving and resonant” (Wall Street Journal) and “gorgeous” (Vanity Fair). If You Come Softly is a powerful story of interracial love that leaves readers wondering "why" and "if only . . ."