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Centenary College of Louisiana began as a public institution known as the College of Louisiana on February 18, 1825, and has enjoyed a long and distinguished history. The years have brought a multitude of changes to the school--the name has changed, the location has changed, and the student population has changed. However, what remains steadfast at Centenary is a commitment to the highest standards of academic excellence, and an environment that fosters growth and achievement. Within these pages, students, alumni, faculty, and friends of the college will discover the Centenary of the past--the early days in Jackson, Louisiana, the devastation of the Civil War, the move to the Shreveport campus, and the championship football team that once was. Vintage photographs of the school's founders and supporters, the campuses, and the students will evoke memories of years past and reflect the traditions that continue at Centenary today. Accompanied by informative captions, the photographs include aerial views of the physical layout of the school, early sporting events, academic settings, and notable figures who contributed to the institution as graduates, teachers, and dynamic leaders.
This Miss Read story chronicle's the year Miss Read's school celebrates its 100th anniversary, with the help and sometimes hindrance of readers favorite Fairacre friends. 19 line drawings.
The Poetry of the Americas provides an expansive history of relations between poets in the US and Latin America over three decades, from the Good Neighbor diplomacy of World War II to 1960s Cold War cultural policy.
In celebration of its 100th anniversary of Boy Scouts of America and its publication Boys' Life, this book is a collection of the best Boys' Life pages of news, nature, sports, history, fiction, science, comics, and Scouting information. All pages in this collection are facsimile reproductions of the magazine's original pages.
Lavishly illustrated with exotic images ranging from Renoir's forgotten Algerian oeuvre to the abstract vision of Matisse's Morocco and beyond, this book is the first history of Orientalist art during the period of high modernism. Roger Benjamin, drawing on a decade of research in untapped archives, introduces many unfamiliar paintings, posters, miniatures, and panoramas and discovers an art movement closely bound to French colonial expansion. Orientalist Aesthetics approaches the visual culture of exoticism by ranging across the decorative arts, colonial museums, traveling scholarships, and art criticism in the Salons of Paris and Algiers. Benjamin's rediscovery of the important Society of French Orientalist Painters provides a critical context for understanding a lush body of work, including that of indigenous Algerian artists never before discussed in English. The painter-critic Eugène Fromentin tackled the unfamiliar atmospheric conditions of the desert, Etienne Dinet sought a more truthful mode of ethnographic painting by converting to Islam, and Mohammed Racim melded the Persian miniature with Western perspective. Benjamin considers armchair Orientalists concocting dreams from studio bric-à-brac, naturalists who spent years living in the oases of the Sahara, and Fauve and Cubist travelers who transposed the discoveries of the Parisian Salons to create decors of indigenous figures and tropical plants. The network that linked these artists with writers and museum curators was influenced by a complex web of tourism, rapid travel across the Mediterranean, and the march of modernity into a colonized culture. Orientalist Aesthetics shows how colonial policy affected aesthetics, how Europeans visualized cultural difference, and how indigenous artists in turn manipulated Western visual languages.
Vols. 1-64 include extracts from correspondence.