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The popularity of the circus in the United States reached its zenith in the early 1900s; as the century progressed, the circus gradually came to reflect traditional American values. In this book, Patricia L. Bradley analyzes the extent to which Warren's 1947 novella "The Circus in the Attic" and its use of the circus trope establishes a critical matrix for interpreting his fiction, poetry, essays, and literary criticism.
"Lang evaluates Chappell's major works, including the four novels preceding Midquest, the first five volumes of poetry, the remarkably different books of poems published between Castle Tzingal and Spring Garden: New and Selected Poems, and the two collections of short stories. An investigation of the varied connections between and achievements of the Kirkman tetralogy and Midquest concludes this analysis."--BOOK JACKET.
The Old Southwest flourished between 1830 and 1860, but its brand of humor lives on in the writings of Mark Twain, the novels of William Faulkner, the television series The Beverly Hillbillies, the material of comedian Jeff Foxworthy, and even cyberspace, where nonsoutherners can come up to speed on subjects like hickphonics. The first book on its subject, The Enduring Legacy of Old Southwest Humor engages topics ranging from folklore to feminism to the Internet as it pays tribute to a distinctly American comic style that has continued to reinvent itself. The book begins by examining frontier southern humor as manifested in works of Faulkner, Erskine Caldwell, Flannery O’Connor, Eudora Welty, Woody Guthrie, Harry Crews, William Price Fox, Fred Chappell, Barry Hannah, Cormac McCarthy, and African American writers Zora Neale Hurston, Ralph Ellison, Alice Walker, Ishmael Reed, and Yusef Komunyakaa. It then explores southwestern humor’s legacy in popular culture—including comic strips, comedians, and sitcoms—and on the Internet. Many of the trademark themes of modern and contemporary southern wit appeared in stories that circulated in the antebellum Southwest. Often taking the form of tall tales, those stories have served and continue to serve as rich, reusable material for southern writers and entertainers in the twentieth century and beyond. The Enduring Legacy of Old Southwest Humor is an innovative collaboration that delves into jokes about hunting, drinking, boasting, and gambling as it studies, among other things, the styles of comedians Andy Griffith, Dave Gardner, and Justin Wilson. It gives splendid demonstration that through the centuries southern humor has continued to be a powerful tool for disarming hypocrites and opening up sensitive issues for discussion.
To say that the entirety of human experience can be a novelist’s theme is to voice an absurdity. But, as Peter Swiggart convincingly argues, Faulkner’s work can be viewed as an extraordinary attempt to transform the panorama of man’s social experience into thematic material. Faulkner’s two-dimensional characters, his rhetorical circumlocutions, and his technical experiments are efforts to achieve a dramatic focus upon material too unwieldy, at least in principle, for any kind of fictional condensation. Faulkner makes use of devices of stylization that apply to virtually every aspect of his successful novels. For example, the complex facts of Southern history and culture are reduced to the scale of a simplified and yet grandiose social mythology: the degeneration of the white aristocracy, the rise of Snopesism, and the white Southerner’s gradual recognition of his latent sense of racial guilt. Within Faulkner’s fictional universe, human psychology takes the form of absolute distinctions between puritan and nonpuritan characters, between individuals corrupted by moral rationality and those who are simultaneously free of moral corruption and social involvement. In this way Faulkner is able to create the impression of a comprehensive treatment of important social concerns and universal moral issues. Like Henry James, he makes as much as he can of clearly defined dramatic events, until they seem to echo the potential complexity and depth of situations outside the realm of fiction. When this technique is successful the reader is left with the impression that he knows a Faulkner character far better than he could know an actual person. At the same time, the character retains the atmosphere of complexity and mystery imposed upon it by Faulkner’s handling of style and structure. This method of characterization reflects Faulkner’s simplifications of experience and yet suggests the inadequacy of any rigid interpretation of actual behavior. The reader is supplied with special eyeglasses through which the tragedy of the South, as well as humanity’s general inhumanity to itself, can be viewed in a perspective of simultaneous mystery and symbolic clarity.
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In this new edition, what was already an expansive work has been updated and further enlarged to include information not only on American and British novelists but also on writers in English from around the world.