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If you think you’re funny, buy this book! Whether you dream of becoming a star . . . A better public speaker . . . A more effective communicator . . . A funnier, happier human being . . . You can learn to leave ‘em laughing! David Letterman learned to do it. Jay Leno learned to do it. Roseanne Barr learned to do it. So can you! Now successful stand-up comic Judy Carter—who went from teaching high school to performing in Las Vegas, Atlantic City, Lake Tahoe, and on over 45 major TV shows—gives you the same hands-on, step-by-step instruction she’s taught to students in her comedy workshops. She shows you how to do it: create an act, perform it, make money with it, or apply it to everyday life. Discover: • The formulas for creating comedy material • How to find your own style • The three steps to putting your act together • Rehearsal do’s and don’ts • What to do if you bomb • Ways to punch up your everyday life with humor
“Funny [and] fascinating . . . If you’re a comedy nerd you’ll love this book.” —Pittsburgh Post-Gazette Named a Best Book of the Year by Kirkus Reviews, National Post, and Splitsider Based on over two hundred original interviews and extensive archival research, this groundbreaking work is a narrative exploration of the way comedians have reflected, shaped, and changed American culture over the past one hundred years. Starting with the vaudeville circuit at the turn of the last century, the book introduces the first stand-up comedian—an emcee who abandoned physical shtick for straight jokes. After the repeal of Prohibition, Mafia-run supper clubs replaced speakeasies, and mobsters replaced vaudeville impresarios as the comedian’s primary employer. In the 1950s, the late-night talk show brought stand-up to a wide public, while Lenny Bruce, Mort Sahl, and Jonathan Winters attacked conformity and staged a comedy rebellion in coffeehouses. From comedy’s part in the civil rights movement and the social upheaval of the late 1960s, to the first comedy clubs of the 1970s and the cocaine-fueled comedy boom of the 1980s, The Comedians culminates with a new era of media-driven celebrity in the twenty-first century. “Entertaining and carefully documented . . . jaw-dropping anecdotes . . . This book is a real treat.” —Merrill Markoe, TheWall Street Journal
Ross, one of the meanest men in comedy, offers anecdotes and deconstructs themakings of a great roast.
Stand-up comedy has exploded as the hottest entertainment phenomenon of the '80s -- what rock and roll was to the '60s and '70s. Comedy clubs are franchising across the nation (with more than 300 now open). Comics star on "Latenight with David Letterman," "Saturday Night Live," Carson's "The Tonight Show" and other late-night talk shows. Stand-ups are featured on their own uncensored, often "live" cable specials. And stand-ups like Eddie Murphy, Robin Williams, Jay Leno and "Bobcat" Goldthwait who started behind the microphone have moved on to star in films and television specials, and draw thousands to standing-room-only concerts.
“With this charming, sardonic debut, stand up comedian and actor Todd Barry makes readers laugh as hard as the audiences at his shows” (Publishers Weekly) in this hilarious book of travel essays from his time on tour in the US, Canada, and Israel. Hello. It’s Todd Barry. Yes, the massively famous comedian. I have billions of fans all over the world, so I do my fair share of touring. While I love doing shows in the big cities (New York, Philadelphia), I also enjoy a good secondary market (Ithaca, Bethlehem). Performing in these smaller places can be great because not all entertainers stop there on tour; they don’t expect to see you. They’re appreciative. They say things like “Thank you for coming to Hattiesburg” as much as they say “Nice show.” And almost every town has their version of a hipster coffee shop, so I can get in my comfort zone. My original plan was to book one secondary market show in all fifty states, in about a year, but that idea was funnier than anything in my act. So, instead of all fifty states in a year, my agent booked multiple shows in a lot of states, plus Israel and Canada. Thank You for Coming to Hattiesburg is part tour diary, part travel guide, and part memoir (Yes, memoir. Just like the thing presidents and former child stars get to write). Follow me on my journey of small clubs, and the occasional big amphitheater. Watch me make a promoter clean the dressing room toilet in Connecticut, see me stare at beached turtles in Maui, and see how I react when Lars from Metallica shows up to see me at a rec center in Northern California. I’d love to tell you more, but I need to go book a flight to Evansville, Indiana.
Full of revealing portraits of many of the best-known comedic talents of the 1970s, "I'm Dying Up Here" is also a poignant tale of the price of success and the terrible cost of failure--professional and moral.
Judy Carter, guru to aspiring comedy writers and stand-up comics, tells all about the biz of being funny and writing funny in this bright, entertaining, and totally practical guide on how to draw humor from your life and turn it into a career. Do you think you’re funny? Do you want to turn your sense of humor into a career? If the answer is yes, then Judy Carter’s The Comedy Bible is for you. The guru to aspiring stand-up comics provides the complete scoop on being—and writing—funny for money. If you’ve got a sense of humor, you can learn to make a career out of comedy, says Judy Carter. Whether it’s creating a killer stand-up act, writing a spec sitcom, or providing jokes for radio or one-liners for greeting cards, Carter provides step-by-step instructions in The Comedy Bible. She helps readers first determine which genre of comedy writing or performing suits them best and then directs them in developing, refining, and selling their work. Using the hands-on workbook format that was so effective in her bestselling first book, Stand-Up Comedy: The Book, Carter offers a series of day-by-day exercises that draw on her many years as a successful stand-up comic and the head of a nationally known comedy school. Also included are practical tips and advice from today’s top comedy professionals—from Bernie Brillstein to Christopher Titus to Richard Lewis. She presents the pros and cons of the various comedy fields—stand-up, script, speech and joke writing, one-person shows, humor essays—and shows how to tailor your material for each. She teaches how to find your “authentic” voice—the true source of comedy. And, perhaps most important, Carter explains how to take a finished product to the next level—making money—by pitching it to a buyer and negotiating a contract. Written in Carter’s unique, take-no-prisoners voice, The Comedy Bible is practical, inspirational, and funny.
(Applause Books). Black Comedians on Black Comedy is the only up-to-date book to examine African-American humor. Comedian Darryl Littleton traces the history and evolution of "black comedy" in his narrative and through the 125 interviews he conducted with some of the top African-American comedians in the world. Those interviewed include Dick Gregory, Sinbad, Eddie Murphy, Mike Epps, Cedric the Entertainer, Nick Cannon, Bernie Mac, Eddie Griffin, Damon Wayans, Arsenio Hall, Chris Rock, Marla Gibbs, Robert Townsend, and John Witherspoon.
Today's top stand-up comedians sell out arenas, generate millions of dollars, tour the world, and help shape our social discourse. So, how did this all happen? The History of Stand-Up chronicles the evolution of this American art form - from its earliest pre-vaudeville practitioners like Artemus Ward and Mark Twain to present-day comedians of HBO and Netflix. Drawing on his acclaimed History of Stand-up podcast and popular university lectures, veteran comedian and adjunct USC professor Wayne Federman guides us on this fascinating journey. The story has a connective tissue - humans standing on stage, alone, trying to get laughs. That experience connects all stand-ups through time, whether it's at the Palace, the Copacabana, the Apollo, Mister Kelly's, the hungry i, Grossinger's, the Comedy Cellar, the Improv, the Comedy Store, Madison Square Garden, UCB, or at an open mic in a backyard.
A comedian's journey with some of the biggest names in showbiz.