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The year is 1977, and America is finally getting over the nightmares of Watergate and Vietnam and the national hangover that was the 1960s. But not everyone is ready to let it go. Not aging comedian Koo Davis, friend to generals and presidents and veteran of countless USO tours to buck up American troops in the field. And not the five remaining members of the self-proclaimed People's Revolutionary Army, who've decided that kidnapping Koo Davis would be the perfect way to bring their cause back to life... The final novel from the legendary Donald Westlake!
BUT SERIOUSLY, FOLKS. The year is 1977, and America is finally getting over the nightmares of Watergate and Vietnam and the national hangover that was the 1960s. But not everyone is ready to let it go. Not aging comedian Koo Davis, friend to generals and presidents and veteran of countless USO tours to buck up American troops in the field. And not the five remaining members of the self-proclaimed People's Revolutionary Army, who've decided that kidnapping Koo Davis would be the perfect way to bring their cause back to life... The final, previously unpublished novel from the legendary Donald Westlake!
The final unpublished novel by MWA Grandmaster – a wild, romantic road trip across America by taxi cab – demonstrates why this beloved author is so fondly remembered and so dearly missed. “A book by this guy is cause for happiness.” Stephen King DONALD E. WESTLAKE GOES OFF THE BEATEN PATH In 1977, one of the world’s finest crime novelists turned his pen to suspense of a very different sort – and the results have never been published, until now. Fans of mystery fiction have often pondered whether it would be possible to write a suspense novel without any crime at all, and in CALL ME A CAB the masterful Donald E. Westlake answered the question in his inimitable style. You won’t find any crime in these pages – but what you will find is a wonderful suspense story, about a New York City taxi driver hired to drive a beautiful woman all the way across America, from Manhattan to Los Angeles, where the biggest decision of her life is waiting to be made. From Pennsylvania to Ohio, Indiana, Illinois, Missouri, Kansas, Colorado, Utah, Arizona and Nevada on the way to California, the characters’ odyssey takes them through uncharted territory – on the map and in their lives. It’s Westlake at his witty, thought-provoking best, and it proves that a page-turner doesn’t need to have a bomb set to go off at the end of it in order to keep sparks flying every step of the way.
Stephen Rosenfield, founder and director of the American Comedy Institute, the premier comedy school in the United States, has taught literally dozens of major standup comics in North America, and has also pioneered comedy as an academic discipline in many universities, a trend that is rapidly spreading. Mastering Stand-Up draws on Rosenfield's own extensive experience (and those of countless stars like Lenny Bruce, Richard Pryor, Chris Rock, Rodney Dangerfield, Louis C.K., Steve Martin, Roseanne, and Johnny Carson) to show the reader—and would-be comic—what works, what doesn't, and why. Forty sharply written chapters cover every conceivable angle of the joke and how to tell it. There are a number of books on comedy and how to do it, but none has the breadth and authority Rosenfield brings to his theme. It's not for nothing that the New York Times has described him as "probably the best-known comedy teacher in the country." Rosenfield's book is sure to become the classic text on its subject. And it should help thousands who long to make others laugh to realize their fondest hopes.
“With this charming, sardonic debut, stand up comedian and actor Todd Barry makes readers laugh as hard as the audiences at his shows” (Publishers Weekly) in this hilarious book of travel essays from his time on tour in the US, Canada, and Israel. Hello. It’s Todd Barry. Yes, the massively famous comedian. I have billions of fans all over the world, so I do my fair share of touring. While I love doing shows in the big cities (New York, Philadelphia), I also enjoy a good secondary market (Ithaca, Bethlehem). Performing in these smaller places can be great because not all entertainers stop there on tour; they don’t expect to see you. They’re appreciative. They say things like “Thank you for coming to Hattiesburg” as much as they say “Nice show.” And almost every town has their version of a hipster coffee shop, so I can get in my comfort zone. My original plan was to book one secondary market show in all fifty states, in about a year, but that idea was funnier than anything in my act. So, instead of all fifty states in a year, my agent booked multiple shows in a lot of states, plus Israel and Canada. Thank You for Coming to Hattiesburg is part tour diary, part travel guide, and part memoir (Yes, memoir. Just like the thing presidents and former child stars get to write). Follow me on my journey of small clubs, and the occasional big amphitheater. Watch me make a promoter clean the dressing room toilet in Connecticut, see me stare at beached turtles in Maui, and see how I react when Lars from Metallica shows up to see me at a rec center in Northern California. I’d love to tell you more, but I need to go book a flight to Evansville, Indiana.
If you think you’re funny, buy this book! Whether you dream of becoming a star . . . A better public speaker . . . A more effective communicator . . . A funnier, happier human being . . . You can learn to leave ‘em laughing! David Letterman learned to do it. Jay Leno learned to do it. Roseanne Barr learned to do it. So can you! Now successful stand-up comic Judy Carter—who went from teaching high school to performing in Las Vegas, Atlantic City, Lake Tahoe, and on over 45 major TV shows—gives you the same hands-on, step-by-step instruction she’s taught to students in her comedy workshops. She shows you how to do it: create an act, perform it, make money with it, or apply it to everyday life. Discover: • The formulas for creating comedy material • How to find your own style • The three steps to putting your act together • Rehearsal do’s and don’ts • What to do if you bomb • Ways to punch up your everyday life with humor
In Uganda in 1977, a particular trainload of coffee, mostly belonging to dictator Idi Amin, is worth six million dollars. As a group of scoundrels and international financiers hijack the train, the double and triple crosses pile up and the comic tension escalates in a brawling brew of buffoons, bumblers, beans and boxcars.
Like many ambitious New York City teenagers, Craig Gilner sees entry into Manhattan's Executive Pre-Professional High School as the ticket to his future. Determined to succeed at life—which means getting into the right high school to get into the right college to get the right job—Craig studies night and day to ace the entrance exam, and does. That's when things start to get crazy. At his new school, Craig realizes that he isn't brilliant compared to the other kids; he's just average, and maybe not even that. He soon sees his once-perfect future crumbling away.
From Mystery Writers of America Grand Master Donald E. Westlake comes the eagerly anticipated return of unlucky master crook John Dortmunder. Dortmunder doesn't like manual labor. So when Andy Kelp relays the offer of a grand to help dig up a grave in a far-flung cemetery, he balks...until he begins to wonder just why Fitzroy Guilderpost, criminal mastermind, wants to pull a switcheroo of two 70-years-dead Indians. Central to the plan is Little Feather Redcorn, the ex-Vegas showgirl and great-granddaughter of the newly-switched stiff. She will pose as the last remaining member of the Pottaknobbee tribe, one-third owners of the largest casino in the east. When the remains of the last known Pottaknobbee are dug up, down there in Queens, the DNA will prove that it's her ancestor. But when the scam goes into play, it's Dortmunder and his band who must step in to make sure everything runs smoothly.
“Funny [and] fascinating . . . If you’re a comedy nerd you’ll love this book.” —Pittsburgh Post-Gazette Named a Best Book of the Year by Kirkus Reviews, National Post, and Splitsider Based on over two hundred original interviews and extensive archival research, this groundbreaking work is a narrative exploration of the way comedians have reflected, shaped, and changed American culture over the past one hundred years. Starting with the vaudeville circuit at the turn of the last century, the book introduces the first stand-up comedian—an emcee who abandoned physical shtick for straight jokes. After the repeal of Prohibition, Mafia-run supper clubs replaced speakeasies, and mobsters replaced vaudeville impresarios as the comedian’s primary employer. In the 1950s, the late-night talk show brought stand-up to a wide public, while Lenny Bruce, Mort Sahl, and Jonathan Winters attacked conformity and staged a comedy rebellion in coffeehouses. From comedy’s part in the civil rights movement and the social upheaval of the late 1960s, to the first comedy clubs of the 1970s and the cocaine-fueled comedy boom of the 1980s, The Comedians culminates with a new era of media-driven celebrity in the twenty-first century. “Entertaining and carefully documented . . . jaw-dropping anecdotes . . . This book is a real treat.” —Merrill Markoe, TheWall Street Journal