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. Renewal of Life by Transmission. The most notable distinction between living and inanimate things is that the former maintain themselves by renewal. A stone when struck resists. If its resistance is greater than the force of the blow struck, it remains outwardly unchanged. Otherwise, it is shattered into smaller bits. Never does the stone attempt to react in such a way that it may maintain itself against the blow, much less so as to render the blow a contributing factor to its own continued action. While the living thing may easily be crushed by superior force, it none the less tries to turn the energies which act upon it into means of its own further existence. If it cannot do so, it does not just split into smaller pieces (at least in the higher forms of life), but loses its identity as a living thing. As long as it endures, it struggles to use surrounding energies in its own behalf. It uses light, air, moisture, and the material of soil. To say that it uses them is to say that it turns them into means of its own conservation. As long as it is growing, the energy it expends in thus turning the environment to account is more than compensated for by the return it gets: it grows. Understanding the word "control" in this sense, it may be said that a living being is one that subjugates and controls for its own continued activity the energies that would otherwise use it up. Life is a self-renewing process through action upon the environment.
Provides a comprehensive overview for both beginning and advanced students of satiric forms from ancient poetry to contemporary digital media.
I know that to the majority of people who merely regard the theatre as a place for occasional recreation, it is a subject for amazement that others can exist who, not belonging to the theatrical profession, take an absorbing and lasting interest in the stage, and in those actors and actresses who have made its past history glorious, as well as in the artists who adorn and make it a delight in the present. I wonder how many of us truly realise the weight of Charles Dickens's words: "If any man were to tell me that he denied his acknowledgments to the stage, I would simply put to him one question-whether he remembered his first play?" Not only freely, but with gratitude, I acknowledge my indebtedness to the theatre, and it is certain that from that magic night when for the first time I saw the glitter of the footlights and watched the rise of the curtain, I entered upon a new and most fascinating life. Of course I was called "stage struck," and those who controlled me shook their heads, thought it a great pity, and did their best to thwart my inclinations.