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Gale and Polden's postcards of British uniforms are now widely collected but little is known about the artists and few of their original paintings have survived. Now over 130 of these rare works by artists such as Harry Payne, Edgar A. Holloway, John McNeill, and Ernest Ibbetson are reproduced here for the first time in full colour with background information as to how the pictures were created. This book is a useful reference for postcard collectors, miniature modelers, as well as collectors and scholars of early twentieth century British uniforms.
Orlando Norie is considered to have been one of the foremost illustrators of the British army in the 19th century, with thousands of watercolors to his credit in public and private collections. His pictures are highly sought after and command high prices. Yet his life remained a mystery that is only now being uncovered. Many of these wonderful pictures are revealed here for the first time. The Anne S.K. Brown Military Collection in Brown University Library, Providence, Rhode Island, USA, possesses one of the largest, if not the largest public collection of original military watercolors by Orlando Norie. The pictures in the Brown military collection range from single figure uniform studies or composites, to genre and battle scenes and at least one named portrait. These are published as a group for the first time along with Michel Tomaseks masterful account of Nories life, including comments on the artists British pictures by Peter Harrington.
In their companion volume to British Army Cap Badges of the First World War, authors Peter Doyle and Chris Foster present an overview of the main cap badges worn by the British Army during the Second World War, which continued the rich and varied tradition of British regimental insignia. This book describes and illustrates, for the first time in high quality full colour, the main types of cap badge worn. With many amalgamations, war-raised units and special forces, British military insignia from the period have a surprising range that differs substantially from that worn by the soldiers of the previous generation. As in the first book, this volume contains contemporary illustrations of the soldiers themselves wearing the badges. Employing the skills of an established writer (and collector) and artist, it provides a unique reference guide for anyone interested in the British Army of the period.
Eighty-four full-color plates depict a wide range of the accoutrements and equipment of the ordinary soldier serving in the cavalry, infantry and artillery of the British Army between 1750 and 1900. Accoutrements include everything that is worn by a soldier that is neither his main uniform nor a weapon. This book features all the various types of accoutrements including: sword and bayonet belts, waist belts, pouches, water bottles, haversacks, mess tins, knapsacks, sabretaches, sword knots, musket and rifle slings, intrenching tools and the valise equipments of 1870, 1882 and 1888. Each page shows one accoutrement from all angles and there is a short historical description. All are drawn from actual surviving specimens and all are provided with a scale.
“Of great use to anyone interested in the 18th century British Army as well as illustrators and others who need detailed information.”—Classic Arms and Militaria Based on records and paintings of the time, this book identifies each cavalry and infantry regiment and illustrates changes in uniforms, their facing colors, and the nature and shape of lace worn by officers, NCOs and private soldiers from 1751 to 1783. Regiments that served in the American War of Independence are noted and the book includes more than 200 full-color plates of uniforms and distinctions. Divided into four sections, it not only details the cavalry and infantry uniforms of the period but also the tartans of the Highland regiments, some of which were short-lived, and the distinction of the Guards regiments. “A superb reference work, full of clearly researched details…it will be of value to family and military historians, re-enactors, figure painters, and wargamers.”—FGS Forum
In the theater of war, how important is costume? And in peacetime, what purpose does military spectacle serve? This book takes us behind the scenes of the British military at the height of its brilliance to show us how dress and discipline helped to mold the military man and attempted to seduce the hearts and minds of a nation while serving to intimidate civil rioters in peacetime. Often ridiculed for their constrictive splendor, British army uniforms of the early nineteenth century nonetheless played a powerful role in the troops' performance on campaign, in battle, and as dramatic entertainment in peacetime. Plumbing a wide variety of military sources, most tellingly the memoirs and letters of soldiers and civilians, Scott Hughes Myerly reveals how these ornate sartorial creations, combining symbols of solidarity and inspiration, vivid color, and physical restraint, enhanced the managerial effects of rigid discipline, drill, and torturous punishments, but also helped foster regimental esprit de corps. Encouraging recruitment, enforcing discipline within the military, and boosting morale were essential but not the only functions of martial dress. Myerly also explores the role of the resplendent uniform and its associated gaudy trappings and customs during civil peace and disorder--whether employed as public relations through spectacular free entertainment, or imitated by rioters and rebels opposing the status quo. Dress, drills, parades, inspections, pomp, and order: as this richly illustrated book conducts us through the details of the creation, design, functions, and meaning of these aspects of the martial image, it exposes the underpinnings of a mentality--and vision--that extends far beyond the military subculture into the civic and social order that we call modernity.
Memoirs of Sergeant William Lawrence, a hero of the Peninsula and Waterloo campaigns, published posthumously in 1886 and edited by George Nugent Bankes.