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Unlike many other art books only give recipes for mixing colors or describe step-by-step painting techniques, *Color and Light* answers the questions that realist painters continually ask, such as: "What happens with sky colors at sunset?", "How do colors change with distance?", and "What makes a form look three-dimensional?" Author James Gurney draws on his experience as a plain-air painter and science illustrator to share a wealth of information about the realist painter's most fundamental tools: color and light. He bridges the gap between abstract theory and practical knowledge for traditional and digital artists of all levels of experience.
Poetic and sparse, a bedtime story told by the elements.
We live in a world of optical marvels - from the commonplace but beautiful rainbow, to the rare and eerie superior mirage. But how many of us really understand how a rainbow is formed, why the setting sun is red and flattened, or even why the sky at night is not absolutely black? This beautiful and informative guide provides clear explanations to all naturally occurring optical phenomena seen with the naked eye, including shadows, halos, water optics, mirages and a host of other spectacles. Separating myth from reality, it outlines the basic principles involved, and supports them with many figures and references. A wealth of rare and spectacular photographs, many in full color, illustrate the phenomena throughout. In this new edition of the highly-acclaimed guide to seeing, photographing and understanding nature's optical delights, the authors have added over 50 new images and provided new material on experiments you can try yourself.
All of science springs from the observation of nature. In this classic book, the late Professor Minnaert accompanies the reader on a tour of nature's light and color and reveals the myriad phenomena that may be observed outdoors with no more than a pair of eyes and an enquiring mind. From the intriguing shape of the dapples beneath a tree on a sunny day, via rainbows, mirages, and haloes, the colors of liquid, ice, and the sky, to the appearance of the sun, moon, planets, and stars - Minnaert describes and explains them all in a clear language accessible to laymen. This new English edition is supplemented by 80 plates, over half of them in color, taken by the acclaimed photographer Pekka Parviainen, illustrating many of the phenomena - ordinary and exotic - discussed in the book.
Endorsed by the Society of Light and Lighting, this practical bookoffers comprehensive guidance on how colour, light and contrast canbe incorporated within buildings to enhance their usability. Thebook provides state-of-the-art, clear guidance as well as avaluable information source for busy professionals involved in thedesign or management of new and existing environments. The ways colour, light and contrast are used within builtenvironments are critical in determining how people interact withthe space, and how confident, safe, and secure they will feel whendoing so. They also have a major influence on a person’ssense of well-being and their ability to use the environmentindependently and without undue effort. Understanding how to use colour and contrast and how they areinfluenced by both natural and artificial lighting is vital for allthose involved in the design and management of the environments andspaces we all use. In recent years there has been a considerable amount of workundertaken to further our understanding of how colour, light andcontrast affect emotion and sensory abilities, and how they canassist or hinder people in their everyday lives. Other publications consider these issues individually but TheColour, Light and Contrast Manual: designing and managing inclusivebuilt environments draws knowledge and information together toproduce a unique, comprehensive and informative guide to how thethree elements can work together to improve the design andmanagement of environments for us all. Supporting website at: www.wiley.com/go/brightandcook
A unique investigation into the aesthetics of colour in Islamic art revealing its deeper symbolic and mystical meanings. The experience of colour in Islamic visual culture has historically been overlooked. In this new approach, Idries Trevathan examines the language of colour in Islamic art and architecture in dialogue with its aesthetic contexts, offering insights into the pre-modern Muslim experience of interpreting colour. The seventeenth-century Shah Mosque in Isfahan, Iran, represents one of the finest examples of colour-use on a grand scale. Here, Trevathan examines the philosophical and mystical traditions that formed the mosque's backdrop. He shows how careful combinations of colour and design proportions in Islamic patterns expresses knowledge beyond that experienced in the corporeal world, offering another language with which to know and experience God. Colour thus becomes a spiritual language, calling for a re-consideration of how we read Islamic aesthetics.
Despite modern appearances, colour light signalling has been around since the 1920s and is just as full of subtle details and variations as 'traditional' semaphore signalling. The inclusion of a working signalling system within a model railway layout is technically challenging but adds realism and 'wow' factor. This new book contains a brief history of the development and deployment of colour light signalling in the UK; a basic explanation of how track design influences signalling design; an overview of the different types of point motor and, finally, descriptions of the different components that make up a signalling system and how these components are used and controlled. It is an extensive guide to developing and adding realistic colour light signalling to a model railway layout.
Meditating with colour can be a powerful way to improve health and well-being and this simple handbook provides a full spectrum of new and easy-to-use colour meditation exercises. Red can be used to improve circulation and fight infection; blue to soothe the mind and lower blood pressure. Each chapter looks at a particular colour and its associated chakra, discusses the characteristics and healing properties, and offers a series of relaxing breathing exercises and transformative visualisations for working with the colour in question. Anyone can practice these simple meditations in the home, and they are ideal for colour therapists, energy healers, yoga instructors and meditation leaders to use with clients.