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There are many books out there about how to treat pain. The Colorful Art of Pain is different. It does not give any quick fix remedies or cures for pain. What it does is show you pain through the eyes of an artist. Daniel Quinlan was hooked on painkillers that were becoming less and less effective. He had battled with chronic pain for many years. When he and his wife moved to Tanzania in East Africa he decided to stop all pain medication and use painting as a way to get release from his pain. When he ran out of brushes he started using his fingers. In the space of 3 years he painted 125 large canvases with his fingers until he was forced to stop when his fingers became so raw and swollen he could no longer move them. Beautifully narrated by Cindy Vine and original artwork by Daniel Quinlan, The Colorful Art of Pain is a visual diary that tells you one man's journey to the Hell of Pain.
For over 150 years, Tlingit women artists have beaded colorful, intricately beautiful designs on moccasins, dolls, octopus bags, tunics, and other garments. Painful Beauty suggests that at a time when Indigenous cultural practices were actively being repressed, beading supported cultural continuity, demonstrating Tlingit women’s resilience, strength, and power. Beadwork served many uses, from the ceremonial to the economic, as women created beaded pieces for community use and to sell to tourists. Like other Tlingit art, beadwork reflects rich artistic visions with deep connections to the environment, clan histories, and Tlingit worldviews. Contemporary Tlingit artists Alison Bremner, Chloe French, Shgen Doo Tan George, Lily Hudson Hope, Tanis S’eiltin, and Larry McNeil foreground the significance of historical beading practices in their diverse, boundary-pushing artworks. Working with museum collection materials, photographs, archives, and interviews with artists and elders, Megan Smetzer reframes this often overlooked artform as a site of historical negotiations and contemporary inspirations. She shows how beading gave Tlingit women the freedom to innovate aesthetically, assert their clan crests and identities, support tribal sovereignty, and pass on cultural knowledge. Painful Beauty is the first dedicated study of Tlingit beadwork and contributes to the expanding literature addressing women’s artistic expressions on the Northwest Coast.
The presentation of bodies in pain has been a major concern in Western art since the time of the Greeks. The Christian tradition is closely entwined with such themes, from the central images of the Passion to the representations of bloody martyrdoms. The remnants of this tradition are evident in contemporary images from Abu Ghraib. In the last forty years, the body in pain has also emerged as a recurring theme in performance art. Recently, authors such as Elaine Scarry, Susan Sontag, and Giorgio Agamben have written about these themes. The scholars in this volume add to the discussion, analyzing representations of pain in art and the media. Their essays are firmly anchored on consideration of the images, not on whatever actual pain the subjects suffered. At issue is representation, before and often apart from events in the world. Part One concerns practices in which the appearance of pain is understood as expressive. Topics discussed include the strange dynamics of faked pain and real pain, contemporary performance art, international photojournalism, surrealism, and Renaissance and Baroque art. Part Two concerns representations that cannot be readily assigned to that genealogy: the Chinese form of execution known as lingchi (popularly the "death of a thousand cuts"), whippings in the Belgian Congo, American lynching photographs, Boer War concentration camp photographs, and recent American capital punishment. These examples do not comprise a single alternate genealogy, but are united by the absence of an intention to represent pain. The book concludes with a roundtable discussion, where the authors discuss the ethical implications of viewing such images.
Poetry. Art. Essays. African & African American Studies. Women's Studies. In an era of highly curated personas and unrealistic self-expectation, Kellie Richardson offers readers a stunningly honest account of her struggles with identity, relationships, mental health and self-love. THE ART OF NAMING MY PAIN collects Richardson's poetry, essays and art as she navigates what it is for a Black, queer, broken woman to seek joy in a world that says she doesn't deserve it. This book is an unfolding of her journey, bearing witness to the possibility of life after self-loathing. Richardson's voice is refreshingly candid in this sophomore collection, shedding light on issues we all face, though few have the courage to own in the public sphere.
Fiction. Lucia Berlin was born in Alaska, raised in Chili, and presently lives and works in California. Her stories have appeared in The Noble Savage, The Critic, The Atlantic, The London Strand, and Quilt, and many other magazines and journals. This is her second volume of short stories.
The Reverend Howard Finster was twenty feet tall, suspended in darkness. Or so he appeared in the documentary film that introduced a teenaged Greg Bottoms to the renowned outsider artist whose death would help inspire him, fourteen years later, to travel the country. Beginning in Georgia with a trip to Finster's famous Paradise Gardens, his jour...
How-to art instruction book teaching painters how to mix color.
Here also in a display of public courage are statements from celebrities who have lived with, and conquered, some of these disorders."--BOOK JACKET.
From the creator of the worldwide bestsellers Secret Garden and Lost Ocean, a beautiful new adult coloring book, printed on ivory paper and featuring delicate tangles of holly and ivy, bauble-laden Christmas trees, and mountains of exquisitely wrapped gifts. From flurries of delicate snowflakes to deliciously decorated gingerbread houses and reindeer-led sleighs, Johanna’s Christmas is a celebration of this wonderful holiday season that invites you to pick up your pens and pencils to color, complete, or embellish each of the festive artworks. Each of the 37 images in this book is printed single-sided on perforated paper, so you can color and remove the images—the perfect frameable holiday gift! Now printed on specially selected ivory paper. This paper has been specifically created for Johanna Basford’s coloring books. It has a medium tooth which is perfect for creating beautiful colored pencil effects or chalk pastel backgrounds but also wonderful for pens, which will glide effortlessly over its surface.
Fans of adult coloring books are invited to enter the weird and wonderful world of Kerby Rosanes, the illustrator behind internationally bestselling Animorphia, Geomorphia, Fantomorphia, and Mythomorphia. The perfect stocking stuffer gift for anyone who loves a coloring book challenge! A coloring book like you've never seen before—perfect for colored pencils, crayons, or markers! In Imagimorphia, animals and objects morph and explode into astounding detail. Bring each intricate image to life with color and find the objects hidden throughout the book. Printed on quality paper, Imagimorphia is a quirky coloring and search book for fans of adult coloring books like no other. An amazing adult coloring book challenge, featuring the strange and superdetailed images of artist Kerby Rosanes. Find your zen as you bring this beautiful art to life! Imagimorphia is packed full of intricate images of stunning creatures and landscapes morphing and shapeshifting into Kerby's signature, breathtaking scenes. The world that he imagines will excite and transport drawers, as he brings this beautiful fantasyscape and its creatures to life. Imagimorphia is an amazing adult coloring book challenge featuring his trademark strange and super-detailed images, and perfect for coloring then posting on the wall or framing. The perfect gift for anyone in your life who loves adult coloring books!