Download Free The Colonial Craftsman Book in PDF and EPUB Free Download. You can read online The Colonial Craftsman and write the review.

Excellent study examines lives and work of American cabinetmakers, silversmiths, pewterers, printers, painters, blacksmiths, and many other artisans, before 1775. "A fascinating study." — The New Yorker. 18 illustrations.
Describes the shops, working methods, and products of the different types of tradesmen and craftsmen who shaped the early American economy.
The aura and romance of Old California lives on in this treasury of inviting homes. The California House presents the magic of the "golden state," that land of infinite promise and dreams, the most tangible expression of which can be found in the homes built by early California dreamers. Here domestic visions of tranquility and repose were inventively realized—in stucco or stone, wood and wrought iron, plaster, and glass and tile. Spanish Colonial Revival–style homes with elaborate wrought-iron window grilles, romantic, shadowy interiors, and lush courtyard gardens stand beside other particularly Californian architectural wonders such as the San Francisco Victorian Painted Lady, the Monterey Colonial, Eurekan Queen Anne, and the homey California Arts & Crafts. Including houses designed by luminaries George Washington Smith, Stanford White, Greene & Greene, and Reginald Johnson, this book will fascinate both the architecture aficionado and interior design enthusiasts, as well as the everyday lover of homes. Including, but going beyond, the much-adored Spanish style (in its many manifestations) and Mission Revival, the book features as well the Victorian of San Francisco's Painted Lady and Eureka's Queen Anne, Monterey Colonial, California Arts & Crafts, French Chateau, classic Colonial farm house, and more. All new color photography of 25 houses in California ranging in style from Spanish Colonial Revival, Mission, Victorian, Queen Anne, California Arts & Crafts, Monterey, French Chateau, Colonial Farm House. The book includes little known California work by well known architect Stanford White, known primarily for his East Coast work (designer of the original Penn Station with McKim, Mead & White, and original Madison Square Garden, and many others); as well as the Magdelena Zanone House (Queen Anne late Victorian style home in Eureka, CA); the Murphy House, San Francisco (Classic French Chateau); a Gothic Victorian 1860s home in Sonoma; Casa Amesti (Monterey style home); "El Cerrito" designed by Russel Ray and Winsor Soule and built in 1913 in Santa Barbara (an amalgam of Mission and Spanish Colonial Revival); the Frothingham House designed by George Washington Smith in 1922 (Spanish Colonial Rev.); Cuartro Ventos House by Reginald Johnson, 1929 in Santa Barbara; William Edwards House by Roland E. Coate, Sr. in San Marino, 1926; Robinson House by Greene and Greene in Pasadena, 1905; Sack House in Berkeley (California Arts & Crafts) Brune-Reutlinger House in San Francisco (classic Painted Lady Victorian); a colonial mid-19th cent farm house in Sonoma; "Mariposa," classic Spanish style in Montecito; The Marston House in San Diego (Arts & Crafts/Tudoresque); Rancho Los Alamos De Santa Elena in Los Alamos (Span. Col. Rev.); Pepper Hill Farm in Balard.
Thomas Dennis emigrated to America from England in 1663, settling in Ipswich, a Massachusetts village a long day's sail north of Boston. He had apprenticed in joinery, the most common method of making furniture in sixteenth- and seventeenth-century Britain, and he became Ipswich's second joiner, setting up shop in the heart of the village. During his lifetime, Dennis won wide renown as an artisan. Today, connoisseurs judge his elaborately carved furniture as among the best produced in seventeenth-century America. Robert Tarule, historian and accomplished craftsman, brilliantly recreates Dennis's world in recounting how he created a single oak chest. Writing as a woodworker himself, Tarule vividly portrays Dennis walking through the woods looking for the right trees; sawing and splitting the wood on site; and working in his shop on the chest—planing, joining, and carving. Dennis inherited a knowledge of wood and woodworking that dated back centuries before he was born, and Tarule traces this tradition from Old World to New. He also depicts the natural and social landscape in which Dennis operated, from the sights, sounds, and smells of colonial Ipswich and its surrounding countryside to the laws that governed his use of trees and his network of personal and professional relationships. Thomas Dennis embodies a world that had begun to disappear even during his lifetime, one that today may seem unimaginably distant. Imaginatively conceived and elegantly executed, The Artisan of Ipswich gives readers a tangible understanding of that distant past.
An Archetype Press book.
The drama and beauty of historic homes in California are studied and displayed here in a deeply researched text and over 350 stunning colour and over 50 black and white photographs. Southern California's Spanish Revival monuments are pictured here-such as Hearst Castle at San Simeon, the Adamson House in Malibu, Casa del Herrero in Montecito. You will enjoy Rancho Revival landmarks like the Lummis House on Pasadena's arroyo, and Will Rogers' ranch near Pacific Palisades. These are all different portrayals of the California Colonial, its romantic past and its manner of settling into California's climate and landscape. Vernacular and religious structures built between 1769 and 1848, during the Spanish Mission and Mexican Rancho eras, gave California its unique character; a look that was subsequently fictionalised in the revival architecture produced since those colonial days. Particularly influential on residential work, the colonial styles have indulged in the rich associations with Spain's culture-employing styles and ornament from the country's provincial Andalusian, Plateresco, Churrigueresco, and Desornamentado styles and its ever-present Mudéjar crafts -- or burrowed into its rustic pioneer roots and depicted as individual visions of earthy rancho haciendas.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This book presents a comprehensive socio-cultural history of crafts and crafts persons in pre-colonial Eastern India. It focuses on the technology of crafts as being integral to the traditional lives of the crafts persons and explores their cultural and social world. It offers an in-depth analysis of the complexities of craft technologies in the three sectors of cotton textile, sericulture and silk textile and mining and metallurgy in the regions of Bihar and Jharkhand in Eastern India in the seventeenth and eighteenth centuries. Apart from technology, the book discusses a range of socio-economic themes including craft production systems; marketing and financing patterns; impact of contact with the world market; craft persons’ identities in terms of caste affiliations and group divisions; negotiations for upward caste mobility; contestations and dissent of lower castes; power and social stratification; functioning of caste panchayats; gender division of craft labour; myths, beliefs and religiosity attributed to craft usages; social and ritual traditions; and contemporary craft traditions. Rich in archival and diverse sources, including oral traditions, paintings, and findings from extensive field visits and interactions with crafts persons, this book will be an essential read for scholars and researchers of crafts, medieval Indian history, social history, sociology and social anthropology, economic history, cultural history, science and technology studies, and South Asian studies. It will also interest government and non-governmental organisations, textile historians, craft and design specialists, contemporary craft industrial sector, and museums.
Provides a history of the South's cabinetmaking traditions
Stickley's Craftsman Homes presents valuable information that historic homeowners and buyers, architects and historians need in order to identify and preserve the surviving Stickley homes. For the first time, all 221 known Gustav Stickley house designs are collected together as originally published in The Craftsman magazine almost 100 years ago, along with exterior illustrations, floor plans and historical photos.