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This is a study of the role of regions in the development of modern nations in Latin America. Eduardo Posada-Carbo focuses on the Colombian Caribbean between 1870 and 1950. He examines the achievements and shortcomings of arable agriculture and the significance of the livestock industry, the links between town and countryside, the influence of foreign migrants and foreign capital, the relationship between local and national politics, and the extent to which regionalism represented a challenge to the consolidation of the national state in Colombia. This original study opens up the area to scholarly scrutiny, and has wider implications for Latin American historiography.
This unique richly-illustrated account of the landforms and geology of the world’s coasts, presented in a country-by-country (state-by-state) sequence, assembles a vast amount of data and images of an endangered and increasingly populated and developed landform. An international panel of 138 coastal experts provides information on “what is where” on each sector of coast, together with explanations of the landforms, their evolution and the changes taking place on them. As well as providing details on the coastal features of each country (state or county) the compendium can be used to determine the extent of particular features along the world’s coasts and to investigate comparisons and contrasts between various world regions. With more than 1440 color illustrations and photos, it is particularly useful as a source of information prior to researching or just visiting a sector of coast. References are provided to the current literature on coastal evolution and coastline changes.
After Brazil and the United States, Colombia has the third-largest population of African-descended peoples in the Western hemisphere. Yet the country is commonly viewed as a nation of Andeans, whites, and mestizos (peoples of mixed Spanish and indigenous Indian ancestry). Aline Helg examines the historical roots of Colombia's treatment and neglect of its Afro-Caribbean identity within the comparative perspective of the Americas. Concentrating on the Caribbean region, she explores the role of free and enslaved peoples of full and mixed African ancestry, elite whites, and Indians in the late colonial period and in the processes of independence and early nation building. Why did race not become an organizational category in Caribbean Colombia as it did in several other societies with significant African-descended populations? Helg argues that divisions within the lower and upper classes, silence on the issue of race, and Afro-Colombians' preference for individual, local, and transient forms of resistance resulted in particular spheres of popular autonomy but prevented the development of an Afro-Caribbean identity in the region and a cohesive challenge to Andean Colombia. Considering cities such as Cartagena and Santa Marta, the rural communities along the Magdalena River, and the vast uncontrolled frontiers, Helg illuminates an understudied Latin American region and reintegrates Colombia into the history of the Caribbean.
Approx.508 pages
In this inspiring travelogue, celebrated traveler and photographer Jessica Nabongo—the first Black woman on record to visit all 195 countries in the world—shares her journey around the globe with fascinating stories of adventure, culture, travel musts, and human connections. It was a daunting task, but Jessica Nabongo, the beloved voice behind the popular website The Catch Me if You Can, made it happen, completing her journey to all 195 UN-recognized countries in the world in October 2019. Now, in this one-of-a-kind memoir, she reveals her top 100 destinations from her global adventure. Beautifully illustrated with many of Nabongo's own photographs, the book documents her remarkable experiences in each country, including: A harrowing scooter accident in Nauru, the world's least visited country, Seeing the life and community swarming around the Hazrat Ali Mazar mosque in Afghanistan, Horseback riding and learning to lasso with Black cowboys in Oklahoma, Playing dominoes with men on the streets of Havana, Learning to make traditional takoyaki (octopus balls) from locals in Japan, Dog sledding in Norway and swimming with humpback whales in Tonga, A late night adventure with strangers to cross a border in Guinea Bissau, And sunbathing on the sandy shores of Los Roques in Venezuela. Along with beloved destinations like Peru and South Africa, you'll also find tales from far-flung corners and seldom visited destinations, including Tuvalu, North Korea, South Sudan, and the Central African Republic. Nabongo's stories are love letters to diversity, beauty, and culture—and most of all, to the people she meets along the way. Throughout, she offers bucket-list experiences for other travel-lovers looking to follow in her footsteps. For armchair travelers or readers planning a trip around the globe, this arresting collection will awe and inspire!
Ashé-Caribbean Literary Aesthetic in the Cuban, Colombian, Costa Rican, and Panamanian Novel of Resistance contributes to understanding the important role that African-influenced spiritualcultures play in literature that challenges the concept that European aesthetics are superior to African-inspired cultures. Thomas W. Edison highlights the novels of four courageous Caribbean writers who have used their novels to integrate aspects of African ontology with literary techniques, themes, and history. The common element in these works is the inclusion of African-inspired faith traditions and culture. As a result of this perspective, their literature stands out as keen examples of Ashé-Caribbean resistance literature. While each writer presents their unique literary style in the works, collectively they draw on a foundation of the Afro-Caribbean. The Circum-Caribbean region will be the geographical unit because of its collective history of slavery, colonial rule, and parallel patterns of religious syncretism. This book makes an important literary connection among Caribbean Hispanophone nations.
This book tells the compelling story of postemancipation Colombia, from the liberation of the slaves in the 1850s through the country's first general labor strikes in the 1910s. As Jason McGraw demonstrates, ending slavery fostered a new sense of citizenship, one shaped both by a model of universal rights and by the particular freedom struggles of African-descended people. Colombia's Caribbean coast was at the center of these transformations, in which women and men of color, the region's majority population, increasingly asserted the freedom to control their working conditions, fight in civil wars, and express their religious beliefs. The history of Afro-Colombians as principal social actors after emancipation, McGraw argues, opens up a new view on the practice and meaning of citizenship. Crucial to this conception of citizenship was the right of recognition. Indeed, attempts to deny the role of people of color in the republic occurred at key turning points exactly because they demanded public recognition as citizens. In connecting Afro-Colombians to national development, The Work of Recognition also places the story within the broader contexts of Latin American popular politics, culture, and the African diaspora.
In An Aqueous Territory Ernesto Bassi traces the configuration of a geographic space he calls the transimperial Greater Caribbean between 1760 and 1860. Focusing on the Caribbean coast of New Granada (present-day Colombia), Bassi shows that the region's residents did not live their lives bounded by geopolitical borders. Rather, the cross-border activities of sailors, traders, revolutionaries, indigenous peoples, and others reflected their perceptions of the Caribbean as a transimperial space where trade, information, and people circulated, both conforming to and in defiance of imperial regulations. Bassi demonstrates that the islands, continental coasts, and open waters of the transimperial Greater Caribbean constituted a space that was simultaneously Spanish, British, French, Dutch, Danish, Anglo-American, African, and indigenous. Exploring the "lived geographies" of the region's dwellers, Bassi challenges preconceived notions of the existence of discrete imperial spheres and the inevitable emergence of independent nation-states while providing insights into how people envision their own futures and make sense of their place in the world.
The nineteenth century was an era of breathtakingly ambitious geographic expeditions across the Americas. The seminal Chorographic Commission of Colombia, which began in 1850 and lasted about a decade, was one of Latin America's most extensive. The commission's mandate was to define and map the young republic and its resources with an eye toward modernization. In this history of the commission, Nancy P. Appelbaum focuses on the geographers' fieldwork practices and visual production as the men traversed the mountains, savannahs, and forests of more than thirty provinces in order to delineate the country's territorial and racial composition. Their assumptions and methods, Appelbaum argues, contributed to a long-lasting national imaginary. What jumps out of the commission's array of reports, maps, sketches, and paintings is a portentous tension between the marked differences that appeared before the eyes of the geographers in the field and the visions of sameness to which they aspired. The commissioners and their patrons believed that a prosperous republic required a unified and racially homogeneous population, but the commission's maps and images paradoxically emphasized diversity and helped create a "country of regions." By privileging the whiter inhabitants of the cool Andean highlands over those of the boiling tropical lowlands, the commission left a lasting but problematic legacy for today's Colombians.