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The catalog for an exhibition at the National Gallery of Art, Washington, DC, May to August 1998, displaying items of encyclopedic Dutch and Flemish collections from the 17th and 18th centuries. The collections were housed in the newly constructed Dutch Cabinet Galleries, small chambers suitable for the small paintings and objects typical of such collections. About half the reproductions are in color. No index. Annotation copyrighted by Book News, Inc., Portland, OR
Explore the wonderful world of antiques and collectables with Antiques Roadshow regular, Marc Allum. Go in search of stolen masterpieces, learn the secrets of the forgers, track down Napoleon's toothbrush and meet the garden gnome insured for £1 million. Eclectic, eccentric and brimming with remarkable tales from history, The Collector's Cabinet is for all those who are fascinated by the relics of the past.
For the first time, the pioneering book that launched the study of art and curiosity cabinets is available in English. Julius von Schlosser’s Die Kunst- und Wunderkammern der Spätrenaissance (Art and Curiosity Cabinets of the Late Renaissance) is a seminal work in the history of art and collecting. Originally published in German in 1908, it was the first study to interpret sixteenth- and seventeenth-century cabinets of wonder as precursors to the modern museum, situating them within a history of collecting going back to Greco-Roman antiquity. In its comparative approach and broad geographical scope, Schlosser’s book introduced an interdisciplinary and global perspective to the study of art and material culture, laying the foundation for museum studies and the history of collections. Schlosser was an Austrian professor, curator, museum director, and leading figure of the Vienna School of art history whose work has not achieved the prominence of his contemporaries until now. This eloquent and informed translation is preceded by Thomas DaCosta Kaufmann’s substantial introduction. Tracing Schlosser’s biography and intellectual formation in Vienna at the turn of the twentieth century, it contextualizes his work among that of his contemporaries, offering a wealth of insights along the way.
A collection of stories, taking cues from horror films, rock music and mythology, rendered in lavish black and white visuals.
Enchanted tattoos, slashed tires, and first kisses . . .Peek inside The Curio Cabinet for an assortment of 150 stories, each about fifty words long.Explore all four shelves:In Other WorldsMind-bending fantasy, sci-fi, and horrorLove in MiniatureRomance to savorRhythm & RhymeVibrant poetryCuriosEclectic, unique talesYou'll be delighted with the tiny treasures in The Curio Cabinet.
A collection of thirty-six forty eerie, mysterious, intriguing, and very short stories by the acclaimed authors Stefan Bachmann, Katherine Catmull, Claire LeGrand, and Emma Trevayne. The Cabinet of Curiosities is perfect for fans of Alvin Schwartz's Scary Stories to Tell in the Dark and anyone who relishes a good creepy tale. Great for reading alone or reading aloud at camp or school! The book features an introduction and commentary by the authors and black-and-white illustrations throughout.
Winner of the Daughters of the American Revolution’s Excellence in American History Book Award Winner of the Thomas J. Wilson Memorial Prize “Cogent, lucid, and concise...An indispensable guide to the creation of the cabinet...Groundbreaking...we can now have a much greater appreciation of this essential American institution, one of the major legacies of George Washington’s enlightened statecraft.” —Ron Chernow On November 26, 1791, George Washington convened his department secretaries—Alexander Hamilton, Thomas Jefferson, Henry Knox, and Edmund Randolph—for the first cabinet meeting. Why did he wait two and a half years into his presidency to call his cabinet? Because the US Constitution did not create or provide for such a body. Faced with diplomatic crises, domestic insurrection, and constitutional challenges—and finding congressional help distinctly lacking—he decided he needed a group of advisors he could turn to for guidance. Authoritative and compulsively readable, The Cabinet reveals the far-reaching consequences of this decision. To Washington’s dismay, the tensions between Hamilton and Jefferson sharpened partisan divides, contributing to the development of the first party system. As he faced an increasingly recalcitrant Congress, he came to treat the cabinet as a private advisory body, greatly expanding the role of the executive branch and indelibly transforming the presidency. “Important and illuminating...an original angle of vision on the foundations and development of something we all take for granted.” —Jon Meacham “Fantastic...A compelling story.” —New Criterion “Helps us understand pivotal moments in the 1790s and the creation of an independent, effective executive.” —Wall Street Journal
Let the inimitable aesthete Viktor Wynd guide you through a subversive celebration of curiosities, art, mess, decay, and self indulgence, passionately arguing that the world is full of wonder that is in danger of being sanitized and that collectors are the ultimate artists. The book visits rarified locations lovingly curated by bohemians and artists: from a rambling Devon farmhouse and its historic taxidermy to an Italianate villa in East London to the House of Dreams Museum. It also includes advice on how to start a collection of your own, covering details on auction houses, private dealers, flea markets and fairs, and shows that having distinctive taste does not necessarily require a massive budget.