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Hilton Kramer, well known as perhaps the most perceptive, courageous, and influential art critic in America, is also the founder and co-editor (with Roger Kimball) of The New Criterion. This comprehensive book collects a sizable selection of his early essays and reviews published in Artforum, Commentary, Arts Magazine, The New York Review of Books, and The Times, and thus constituted his first complete statement about art and the art world. The principal focus is on the artists and movements of the last hundred years: the Age of the Avant-Garde that begins in the nineteenth century with Realism and Impressionism. Most of the major artists of this rich period, from Monet and Degas to Jackson Pollock and Claes Oldenburg, are discussed and often drastically revaluated. A brilliant introductory essay traces the rise and fall of the avant-garde as a historical phenomenon, and examines some of the cultural problems which the collapse of the avant-garde poses for the future of art. In addition, there are chapters on art critics, museums, the relation of avant-garde art to radical politics, and on the growth of photography as a fine art. This collection is not intended to be the last word on one of the greatest as well as one of the most complex periods in the history of the artistic imagination. The essays and reviews gathered here were written in response to particular occasions and for specific deadlines--in the conviction that a start in the arduous task of critical revaluation needed to be made, not because a critical theory prescribed it but because our experience compelled it!
“David and Carmen’s contribution to the culture of the capital city in Washington was absolutely extraordinary.” —Mstislav Rostropovich, Former Musical Director, The National Symphony “David Kreeger was the cultural center of Washington before it was a cultural center, and to his actions and words, in great part, Washington owes its centrality.”—Isaac Stern, Internationally Renowned Concert Violinist Raised in different cultures, David Kreeger and Carmen Matanzo met in Puerto Rico while David was working as a lawyer for the Interior Department. They fell in love, married, and ultimately settled in Washington, DC. Both were accomplished amateur musicians who shared a passion for art, music, theater, and literature. In Inspiring Legacy, author Syril Levin Kline chronicles the Kreeger’s lifelong patronage of the arts in the nation’s capital. David’s success at the helm of GEICO insurance enabled the couple to make significant donations to major national arts institutions such as the Kennedy Center for the Performing Arts while also acquiring works by many 19th and 20th century European artists including Monet, Picasso, Degas, Renoir and Van Gogh as well as masterpieces of African art. As their collection grew, even the Kreeger's home—referred to in the media as “the jewel on Foxhall Road” for its stunning Mediterranean-inspired design by architect Philip Johnson—became a gateway to the arts. In 1990, only months before his death, David was presented with the National Medal of Arts Award at the White House. Four years later, Carmen and the couple’s children fulfilled David’s wish that their home become The Kreeger Museum, which is open to the public and displays about 180 works. Carmen died in 2003, but the couple’s enduring legacy of philanthropy and love of the arts lives on.
This is the first volume of the catalogue raisonne of the work of Mark Rothko, the abstract artist. It documents Rothko's entire output of paintings on canvas and panel, reproducing all the works in colour. An introductory text investigates the essential features of Rothko's art.