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"National Portrait Gallery, Smithsonian Institution, Washington, D.C. in association with Princeton University Press, Princeton and Oxford".
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
"This volume is the first to explore fashion as a critical aspect of modernity, one that paralleled and many times converged with the development of Impressionism, starting in the 1860s and continuing through the next two decades, when fashion attracted the foremost writers and artists of the day. Although fashionable subjects have been depicted throughout history, for many artists and writers, including Charles Baudelaire, Stéphanie, Mallarmé, Êmile Zola, Gustave Caillebotte, Edgar Degas, Édouard Manet, Claude Monet, Berthe Morisot, and Pierre-Auguste Renoir, fashion became integral to the search for new literary and visual expression."--Book jacket.
This book is a rare and beautiful collection of silhouette portraits created by August Edouart, one of the leading silhouette artists of the 19th century. It includes over 600 portrait cuttings of prominent Americans, ranging from politicians and military leaders to artists and writers. This book is a valuable resource for collectors, art historians, and anyone interested in the art of silhouette portraiture. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
“An over-the-top romp through 1870s America . . . compulsively readable.” —Oprah.com Jean Zimmerman’s spectacular follow-up to The Orphanmaster has it all: Gilded Age romance, robber baron excess, detective story suspense, and a compelling female protagonist whom readers will fall in love with. In 1875, the Delegates, an outlandishly wealthy Manhattan couple on a tour of the American West, seek out a sideshow attraction called “Savage Girl.” Her handlers avow that the wild, seemingly mute Bronwyn has been raised by wolves. Presented with the perfect blank slate to explore the power of civilized nurture, the Delegates take her back east to be introduced into high society. Cleaned up, Bronwyn is blazingly smart and darkly beautiful; as she takes steps toward her grand debut, a series of suitors find her irresistible—and begin to turn up murdered.
One of the foremost artists of 19th century France, Alexandre Cabanel (1823 - 1889), will be featured in his first exhibition at the Wallraf in Spring 2011. In cooperation with Musée Fabre in Montpellier, the Wallraf in Cologne will present over 60 works by a man who rose from the rank of a lowly carpenter's son to become court painter to Napoleon III. In order to give these graceful works by the last of the great salon painters just the right ambience, the Wallraf has secured the services of a distinguished compatriot of Cabanel: Star designer Christian Lacroix has been commissioned to design a special interior exclusively for the exhibition. Lacroix studied at the Academy of Arts in Montpellier the hometown of Cabanel and regards the painter as one of his all-time favourites. Exhibition: Wallraf-Richartz Museum, Köln (4.2-15.5.2011).