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Prefaces and Introductions, Volume VI of The Collected Works of W.B. Yeats, brings together for the first time thirty-two introductions by Yeats to the works of such literary greats as William Blake, J.M. Synge, Lady Gregory, Oscar Wilde, Oliver St. John Gogarty, Lionel Johnson, and Rabindranath Tagore. The introductions, which span the Nobel laureate’s entire career, reflect the broad reach of Yeats’s literary and cultural interests. Always insightful and often charming, Prefaces and Introductions reveals the breadth of Yeats’s talent as essayist, critic, folklorist, and raconteur.
Prefaces and Introductions, Volume VI of The Collected Works of W.B. Yeats, brings together for the first time thirty-two introductions by Yeats to the works of such literary greats as William Blake, J.M. Synge, Lady Gregory, Oscar Wilde, Oliver St. John Gogarty, Lionel Johnson, and Rabindranath Tagore. The introductions, which span the Nobel laureate’s entire career, reflect the broad reach of Yeats’s literary and cultural interests. Always insightful and often charming, Prefaces and Introductions reveals the breadth of Yeats’s talent as essayist, critic, folklorist, and raconteur.
This book asserts that Oscar Wilde (1854 – 1900) was a major precursor of W.B. Yeats (1865 – 1939), and shows how Wilde’s image and intellect set in train a powerful influence within Yeats’s creative imagination that remained active throughout the poet’s life. The intellectual concepts, metaphysical speculations and artistic symbols and images which Yeats appropriated from Wilde changed the poet’s perspective and informed the imaginative system of beliefs that Yeats formulated as the basis of his dramatic and poetic work. Section One, 'Influence and Identity' (1888 – 1895), explores the personal relationship of these two writers, their nationality and historical context as factors in influence. Section Two, 'Mask and Image' (1888 – 1917), traces the creative process leading to Yeats’s construction of the antithetical mask, and his ideas on image, in relation to the role of Wilde as his precursor. Finally, 'Salomé: Symbolism, Dance and Theories of Being' (1891 – 1939) concentrates on the immense influence that Wilde’s symbolist play, Salomé, wrought on Yeats’s imaginative work and creative sensibility.
The essays in this collection examine Ireland at war and peace from the Revival period to the present day, examining key aspects of Irish literature and history—culturally rich but politically turbulent—from the late nineteenth century to the early twenty-first century. Ireland at War and Peace examines important social, political and aesthetic contexts which have shaped modern Irish society and culture, from the First World War and the Easter Rising of 1916 through to the Troubles and beyond. A key focus is on the ideological and artistic significance of Irish culture in a wide sense; the volume includes essays on the cultural significance of commodity culture and advertising in Ireland, images of the child in Irish culture, the importance of the horse in the Irish imagination, and the manner in which narratives of eighteenth and nineteenth-century Irish uprising, execution and imprisonment informed Irish theatre both before and after the 1916 Uprising. The book’s dual focus is exemplified in its opening essays on Padraig Pearse as both rebel-rousing separatist polemicist and Volunteer leader, and on his related careers as dramatist, story writer and educationalist. Subsequent essays deal with Yeats and the Easter Rising, consumer culture in James Joyce’s Ulysses, the riotous reception afforded J. M. Synge’s Playboy of the Western World and Sean O’Casey’s The Plough and the Stars, and Samuel Beckett’s vexed relationship with his homeland. There are also important essays here on the contemporary Irish writers Seamus Heaney and Deirdre Madden. The focus of the collection is wide, ranging from canonical literary figures such as Joyce, Beckett, and Yeats, modern-day authors such as Heaney, Paul Muldoon and Nuala Ní Dhomhnaill, through to popular-cultural phenomena from Dion Boucicault’s nineteenth-century melodrama Robert Emmet, to Alan Parker’s movie of Roddy Doyle’s The Commitments and that great Irish sitcom Father Ted.
This book comprehensively examines the relationship between literature and sculpture in the work of W. B. Yeats, drawing on extensive archival research to offer revelatory new readings of the poet. The book traces Yeats's literary and critical engagement with Celtic Revival statuary, public monuments in Dublin, the coin designs of the Irish Free State, abstract sculpture by the Vorticists and modernists, and a variety of carvings, decorative sculptures, and objets d'art. By charting Yeats's early art school education in Dublin, his attempts to raise funds for public monuments in the city, and to secure commissions for his favourite sculptors, the book documents a lifelong interest in the plastic arts. New and original readings of Yeats's poetry, drama, and prose criticism emerge from this concertedly inter-arts and interdisciplinary study.
The Collected Works of W. B. Yeats, Volume II: The Plays is part of a fourteen-volume series under the general editorship of eminent Yeats scholars Richard J. Finneran and George Mills Harper. This complete edition includes virtually all of the Nobel laureate's published work, in authoritative texts and with extensive explanatory notes. The Plays, edited by David R. Clark and Rosalind E. Clark, is the first-ever complete collection of Yeats's plays that honors the order in which the plays first appeared. It provides the latest and most accurate texts in Yeats's lifetime, as well as extensive editorial notes and emendations. Though best known as one of the most important poets of the twentieth century, from the beginning of his career William Butler Yeats understood the value of his plays and his poetry to be the same. In 1923, when he accepted the Nobel Prize for Literature, Yeats suggested that "perhaps the English committees would never have sent you my name if I had written no plays...if my lyric poetry had not a quality of speech practiced on the stage." Indeed, Yeats's great achievement in poetry should not be allowed to obscure his impressive and innovative accomplishments as a dramatist. In The Plays, David and Rosalind Clark have restored the plays to the final order in which Yeats planned for them to be published. This volume opens with Yeats's introduction for an unpublished Scribner collection and encompasses all of his dramatic work, from The Countess Cathleen to The Death of Cuchulain. The Plays enables readers to see clearly, for the first time, the ways in which Yeats's very different dramatic forms evolved over the course of his life, and to appreciate fully the importance of drama in the oeuvre of this greatest of modern poets.
Yeats and Women is a special issue of the distinguished Yeats Annual series and is the first collection of essays upon W.B.Yeats to focus upon his relation to women. Its critical and biographical approaches employ feminist and psychoanalytic theory, and social anthropology. The seventeen plates (many hitherto unpublished) include the tomb and coffin of Maud Gonne's first child, Florence Farr's occult Egyptian shrine, and the last photograph of Yeats.
This book focuses on W. B. Yeats’s critical writings, an aspect of his oeuvre which has been given limited treatment so far. It traces his critical work from his earliest articles, through to his occult treatises, and all the way to his last pamphlets, in which he sought to delineate the idea of a literary culture: a community of people willing to credit poetry with the central role in imagining and organising social praxis throughout society. The chapters of this study investigate the contexts in which Yeats’s thought developed, his many disputes over the shape of Irish cultural politics, the future of poetry and the place literature occupies in the world. What transpires is an image of Yeats who is strung between the impulses of faith in the existence of a supernatural order and ironic scepticism as to the possibility of ever capturing that order in language. This study is distinguished by its grounding of Yeats's critical agenda in a broader context through textual analysis. In addition, it organises and systematises his conceptions of poetry and its social role through its approach to his criticism as a fully-fledged area of his artistic practice. The monograph has been written within the framework of the project financed by The National Science Centre, Cracow, Poland, pursuant to the decision number DEC-2013/09/D/HS2/02782.