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George Rawlinson's 'The Collected Works of George Rawlinson' is an impressive collection of historical writings that delve into various ancient civilizations and events. Rawlinson's literary style is characterized by detailed research, vivid descriptions, and an engaging narrative that brings history to life for the reader. The book is a valuable resource for scholars and history enthusiasts interested in gaining a deeper understanding of the ancient world. Rawlinson's works are considered classics in the field of history and have stood the test of time due to their thoroughness and insightful analysis. George Rawlinson, a renowned British historian and scholar, was well-known for his expertise in ancient history and languages. His comprehensive knowledge and passion for the subject matter are evident in his meticulous research and detailed accounts of historical events. Rawlinson's background as a professor and scholar provided him with the foundation to produce authoritative works that have become essential references in the field of history. I highly recommend 'The Collected Works of George Rawlinson' to anyone interested in delving into the fascinating world of ancient civilizations. Rawlinson's writings offer a wealth of information and insights that will enrich the reader's understanding of history and provide a captivating journey through the past.
This volume explores how art and artifacts can tell women’s stories of war—a critical way into these stories, often hidden due to the second-tier status of reporting women’s accomplishments. This unique lens reveals personal, cultural, and historically noteworthy experiences often not found in records, manuscripts, and texts. Nine stories from history are examined, from the mythical Amazons of Ancient Greece to a female prisoner of war during World War II. Each of the social, political, and battlefield experiences of Penthesilea, Artemisia, Boudica, the feminine cavaliers, the Dahomey Amazons, suffragists, World War I medical corps, and a World War II prisoner of war are intertwined with a particular work of art or an artifact. These include pottery, iconographic images, public sculpture, stone engraving, clothing, decorative arts, paintings, and pulp art. While each story stands alone, brought together in this volume they represent a cross-sectional reflection on the record of women and war. The chapters cover not only a diverse range of women from around the globe - the African continent, the Hispanic territory of Europe, Carian and Ancient Greece and Rome, Iran, Great Britain-Scotland-ancient Caledonia, Western Europe, and North America—but also a diverse choice of artwork and artifacts, eras, and the nature of the wars being fought. This book will be of value to those interested in gender across history and its interplay in the field of war.