Download Free The Collected Stories Of Jean Stafford Book in PDF and EPUB Free Download. You can read online The Collected Stories Of Jean Stafford and write the review.

The appearance of these stories in one volume is an event in our literature. To have built up so distinguished a collection, each story excellent in its own way and each an original departure in relation to the others, is a triumph. --Guy Davenport, New York Times Book Review Miss Stafford's craftsmanship and her mastery of the short story form are by now so well known that it seems superfluous to praise these stories. That they are impeccably done is obvious. --Joyce Carol Oates, Book World She writes about people whom loneliness has driven slightly mad, but also about people who are secure and comforted; she explores childhood and old age, poverty and wealth, tragedy and comedy. The comedy is usually wry... but often moves one to laughter. Above all, Miss Stafford will not be hurried... To me, this book is most solidly achieved. --John Wain, New York Review Of Books Winner of the 1970 Pulitzer Prize for fiction, this collection of thirty stories includes some of Jean Stafford's best short fiction from the period 1944-1968. Including such favorites as In the Zoo, Children Are Bored on Sunday, and Beatrice Trueblood's Story, the collection offers the work of this popular writer of the 1940s and 1950s to a new generation of readers and critics.
Coming of age in pre-World War II California and Colorado brings tragedy to Molly and Ralph Fawcett in Jean Stafford's classic semi-autobiographical novel, first published in 1947.
Jean Stafford's unforgettable portrait of Marguerite Oswald, the mother of Lee Harvey Oswald. Curious about “the influences and accidents and loves and antipathies and idiosyncrasies” that shaped Lee Harvey Oswald, the novelist and short story writer Jean Stafford spent nine hours interviewing Marguerite Oswald in May 1965. A Mother in History (1966) is the acerbic result, an indelible portrait of a woman hungry for money, fame, and attention, full of righteous self-pity, and relentless in professing her son’s blamelessness: “Killing does not necessarily mean badness. You find killing in some very fine homes for one reason or another.” Stafford’s controversial profile elicited mixed reviews—Newsweek praised it as a “masterpiece of character study,” while Time called it “the most abrasively unpleasant book in recent years”—and angry readers accused her of seeking to “enthrone a wicked woman” and “demolish the sacred throne of motherhood.” It captures a moment in history when the trauma of Dallas was still raw, Lee Harvey Oswald’s guilt was widely accepted, and Marguerite Oswald, with her obsessive “research” into hidden “truths” and the machinations of an omnipresent “they,” appeared to be a singular prisoner of maternal delusion, and not a harbinger of the decades to come.
Elephi Pelephi, a well-known, intelligent, but lonely cat, smuggles a small foreign car into his Fifth Avenue apartment hoping for friendship and stimulating conversation.
This book displays at their height the wit, sensibility and psychological penetration that distinguish Miss Stafford's work. There are nine stories and a novella. They range in mood from the title story, a comic portrait of a resourceful child-criminal named Lottie Jump, to "The End of a Career," an elegiac and ironic tale of the declining years of a great beauty. In "A Reasonable Facsimile" Dr. Bohrmann, a retired professor philosophy, is unexpectedly rescued from an aggressively boring young house guest. "Cops and Robbers" is a chilling story of childhood horror and lovelessness that revolves around a father's trip to the barber with his five-year-old daughter. Several of the stories have as their common setting Miss Stafford's fiction town of Adams, Colorado—including an amusing saga of a girl's frustrated attempts to find a quiet spot to read ("A Reading Problem"), and two stories of failure ("In the Zoo") and success ("The Liberation") in the effort to escape from one's family. "Caveat Emptor" is a satire on the academic life and sub-life at the Alma Hettrick College for Girls; and in "The Captain's Gift" the sheltered and lavender-scented existence of old Mrs. Ramsey is violated by the reality of war. The major piece in Bad Characters is "A Winter's Tale," a haunting and evocative novella set in Heidelberg just before the outbreak of the war. It is dominated by the diabolic character of Frau Professor Persis Galt. This portrait of a former Bostonian who poses as an excessively devout convert is one of Miss Stafford's most brilliant fictional creations. This collection by Jean Stafford will be warmly welcomed by the many and devoted admirers of her novels and stories. To new readers the work of one of the best writers of our time will come as a joyful discovery.
An important moment in American literary history takes life in this stunning biography of Jean Stafford, one of the most successful, admired--and troubled--of the brilliant and influential midcentury circle of writers and critics that included Allen Tate, Caroline Gordon, Peter Taylor, Delmore Schwartz, Randall Jarrell, and Robert Lowell, Stafford's first husband. Ann Hulbert shows us how Stafford, raised in Colorado, the daughter of a failed writer of Westerns, came of literary age in the East, yet fiercely maintained her connection with her provincial background, forging the unique style that marked her highly acclaimed first novel, Boston Adventure; her Masterpiece, The Mountain Lion; her third novel, The Catherine Wheel; and the stories she published in The New Yorker and elsewhere, which were honored in 1970 with a Pulitzer Prize. We follow Stafford through the early experiences to which she returned again and again in her fiction, and which helped shape her disenchanted vision--her father's sudden loss of his fortune; her shame as an adolescent, living in a boardinghouse in Boulder run by her mother; her aesthetic experimentation as a member of the intellectually maverick "Barbarians" at the University of Colorado; her exciting but troubling Wanderjahr in Nazi Germany, where she watched civilization crumbling. We see her take her place as a forceful, attractive, witty, yet also insecure woman among a group of spirited young writers who were learning from and challenging their older mentors--the increasingly powerful Southern critics and the Partisan Review circle in New York. With her marriage to Lowell at twenty-four, she embarked on a feverishly creative but ill-fated coursethat held auguries of his and his fellow poets' tragic paths: she struggled with Catholicism, confronted domestic violence, battled with alcoholism and mental instability, and throughout it all wrote formally impeccable fiction. And we see her as she finds some happiness with her third husband, the writer A. J. Liebling, part of the New Yorker world that had become her home in the late 1940s. Throughout, we are made aware of Stafford's constant search for a bastion of order--a safe place, an escape from the unsettling sense of vulnerability that engulfed her, an interior castle--from which to approach her life and her art.
These Pulitzer Prize-winning stories represent the major short works of fiction by one of the most distinctively American stylists of her day. Jean Stafford communicates the small details of loneliness and connection, the search for freedom and the desire to belong, that not only illuminate whole lives but also convey with an elegant economy of words the sense of the place and time in which her protagonists find themselves. The Collected Stories of Jean Stafford includes the acclaimed story "An Influx of Poets," which has never before appeared in book form.