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In Amado Muro and Me, ten-year-old Robert Seltzer discovers that his father, Chester, actually leads two lives—one as a newspaperman and father who somehow always knows what his son is thinking; the other as Amado Muro, a passionate and gifted writer whose pseudonym is adapted from the name of his Mexican immigrant wife. Chester was born in Cleveland, Ohio, but in Amado Muro’s stories, he channels an intense love of Mexican culture to create deep, strong roots in Chihuahua, Mexico. Throughout the pivotal year of this memoir, the family moves from El Paso, Texas, (home to Robert’s Mexican grandmother, Alita, and always home to Robert) to Bakersfield, California. Robert experiences everything from bullying and young love to racism and cross-culturalization. Chester guides his son through this difficult period with the wisdom he gained from the “dark turn” he himself faced as a young man. Robert, who knows his father as “the old man,” now begins to learn about “Young Chess.” Tying it all together is Amado Muro, who from time to time abandons Robert and his mother and hops freight trains in order to write his wonderful stories. Reaching beyond background research, Chester’s alter ego lives the life in order to share the tale. Robert’s ethnicity is the result of his mother’s ancestry, but his father chooses his Mexican identity. It is through this perspective, as a man who sees bridges where others see barriers, that the father helps his son deal with his first, jarring experience of racism and so much more.
Humor is serous business for human beings, including Texans. It is a great resource in time of trouble, an effective instrument for getting at the truth.
Nothing better represented the early spirit of American expansion than the railroad. Dominant in daily life as well as in the popular imagination, the railroad appealed strongly to creative writers. For many years, fiction of railroad life and travel was plentiful and varied. As the nineteenth century receded, the railroad's allure faded, as did railroad fiction. Today, it is hard to sense what the railroad once meant to Americans. The fiction of the railroad--often by railroaders themselves--recaptures that sense, and provides valuable insights on American cultural history. This extensively annotated bibliography lists and discusses in 956 entries novels and short stories from the 1840s to the present in which the railroad is important. Each entry includes plot and character description to help the reader make an informed decision on the source's merit. A detailed introduction discusses the history of railroad fiction and highlights common themes such as strikes, hoboes, and the roles of women and African-Americans. Such writers of "pure" railroad fiction as Harry Bedwell, Frank Packard, and Cy Warman are well represented, along with such literary artists as Mark Twain, Thomas Wolfe, Flannery O'Connor, and Ellen Glasgow. Work by minority writers, including Jean Toomer, Richard Wright, Frank Chin, and Toni Morrison, also receives close attention. An appendix organizes entries by decade of publication, and the work is indexed by subject and title.
Literary histories, of course, do not have a reason for being unless there exists the literature itself. This volume, perhaps more than others of its kind, is an expression of appreciation for the talented and dedicated literary artists who ignored the odds, avoided temptations to write for popularity or prestige, and chose to write honestly about the American West, believing that experiences long knowns to be of historical importance are also experiences that need and deserve a literature of importance.
"Directory and statistics" (called -1954 "Directory of Texas libraries") issued as Apr. number, 1954-58 (Apr. 1954 as Special ed.)
Elroy Bode’s books on nature and life have made him a favorite of readers and critics. Here he explores his home city of El Paso, the land and people of Central Texas, and his roles as teacher, father, and writer. These sharply observed, beautifully written pieces find the universal in the particular — a young boy in a barbershop, plaza life, a young couple in Smokey’s Barbecue. In a Special Light discovers pleasure in the lives of ordinary people, and joy in the worlds in which they live.
When the “counter-canon” itself becomes canonized, it’s time to reload. This is the notion that animates New Border Voices, an anthology of recent and rarely seen writing by Borderlands artists from El Paso to Brownsville—and a hundred miles on either side. Challenging the assumption that borderlands writing is the privileged product of the 1970s and ’80s, the vibrant community represented in this collection offers tasty bits of regional fare that will appeal to a wide range of readers and students. Among the contributions are: Introduction A “Southern Renaissance” for Texas Letters —José E. Limón The Texas-Mexico Border: This Writer’s Sense of Place —Rolando Hinojosa-Smith The Rain Parade —Paul Pedroza