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During the first half of the twentieth century, Bess Streeter Aldrich became one of the most highly paid and widely read American authors of her time. Among the most noteworthy of frontier writers, Aldrich published her short work in such leading magazines as Cosmopolitan, Colliers, Ladies Home Journal, Good Housekeeping, and the Saturday Evening Post. Her most famous novel, A Lantern in Her Hand, has remained a favorite since it was first published in 1928. All of her subsequent novels were also bestsellers. Aldrich’s portrayals of pioneers, farm people, and small town traders—their spirit and enterprise—won the admiration of the nation. Unlike such contemporaries as Sinclair Lewis and Hamlin Garland, Aldrich saw the better side of Main Street. Honesty, hard work, friendship, and family life are constant themes in her writings. This second volume of The Collected Short Works brings together over thirty of Aldrich’s short stories and essays published between 1920 and 1954, the year of her death. With this collection Aldrich’s admirers have ready access to many hard-to-find works. Some of the stories appear here for the first time since their original publication.
During the first half of the twentieth century, Bess Streeter Aldrich became one of the most highly paid and widely read American authors of her time. Among the most noteworthy of frontier writers, Aldrich published her short work in such leading magazines as Cosmopolitan, Colliers, Ladies Home Journal, Good Housekeeping, and the Saturday Evening Post. Her most famous novel, A Lantern in Her Hand, has remained a favorite since it was first published in 1928. All of her subsequent novels were also bestsellers. Aldrich’s portrayals of pioneers, farm people, and small town traders—their spirit and enterprise—won the admiration of the nation. Unlike such contemporaries as Sinclair Lewis and Hamlin Garland, Aldrich saw the better side of Main Street. Honesty, hard work, friendship, and family life are constant themes in her writings. This second volume of The Collected Short Works brings together over thirty of Aldrich’s short stories and essays published between 1920 and 1954, the year of her death. With this collection Aldrich’s admirers have ready access to many hard-to-find works. Some of the stories appear here for the first time since their original publication.
In the first half of the twentieth century Bess Streeter Aldrich became one of America's best loved, most widely read, and highly paid writers. Her short works appeared in such major journals as Ladies Home Journal, Harper's Weekly, The American Magazine, Colliers, McCalls, and The Saturday Evening Post. Her most famous novel, A Lantern in Her Hand, has remained a favorite since first published in 1928. Her portrayals of pioneers, farm people, small-town residents, their activities, and their relationship with their surroundings won the admiration of the nation. Honest romance, marital concord, and parental love were her constant themes. She was much more concerned with what kept people together than with what drove them apart. Widowed in 1925 with four children who relied on her for support, Aldrich knew all too well the tensions between motherhood and working for pay. Collected Short Works contains twenty-six works written for publication between 1907 and 1919. Aldrich's admirers now have ready access to works that long ago were relegated to archives and library stacks. Scholars will appreciate how much of herself Aldrich invested in her fiction and how well she appreciated the changes occurring around her. Carol Miles Petersen is the author of a forthcoming biography of Aldrich, to be published by the University of Nebraska Press. She formerly taught at the University of Nebraska-Lincoln.
The T. S. Eliot Studies Annual features the year’s best scholarship on this major literary figure.
This is a unique new reference book to English-language writers and writing throughout the present century, in all major genres and from all around the world - from Joseph Conrad to Will Self, Virginia Woolf to David Mamet, Ezra Pound to Peter Carey, James Joyce to Amy Tan. The survivors of the Victorian age who feature in The Oxford Companion to Twentieth-Century Literature in English - writers such as Thomas Hardy, Olive Schreiner, Rabindranath Tagore, Henry James - could hardly have imagined how richly diverse `Literature in English' would become by the end of the century. Fiction, plays, poetry, and a whole range of non-fictional writing are celebrated in this informative, readable, and catholic reference book, which includes entries on literary movements, periodicals, and over 400 individual works, as well as articles on some 2,400 authors. All the great literary figures are included, whether American or Australian, British, Irish, or Indian, African or Canadian or Caribbean - among them Samuel Beckett, Edith Wharton, Patrick White, T. S. Eliot, Derek Walcott, D. H. Lawrence, Tennessee Williams, Vladimir Nabokov, Wole Soyinka, Sylvia Plath - as well as a wealth of less obviously canonical writers, from Anaïs Nin to L. M. Montgomery, Bob Dylan to Terry Pratchett. The book comes right up to date with contemporary figures such as Toni Morrison, Ben Okri, Salman Rushdie, Carol Shields, Tim Winton, Nadine Gordimer, Vikram Seth, Don Delillo, and many others. Title entries range from Aaron's Rod to The Zoo Story; topics from Angry Young Men, Bestsellers, and Concrete Poetry to Soap Opera, Vietnam Writing, and Westerns. A lively introduction by John Sutherland highlights the various and sometimes contradictory canons that have emerged over the century, and the increasingly international sources of writing in English which the Companion records. Catering for all literary tastes, this is the most comprehensive single-volume guide to modern (and postmodern) literature.
More than fifty specialists have contributed to this new edition of volume 4 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
Providing the most complete record possible of texts by Italian writers active after 1900, this annotated bibliography covers over 4,800 distinct editions of writings by some 1,700 Italian authors. Many entries are accompanied by useful notes that provide information on the authors, works, translators, and the reception of the translations. This book includes the works of Pirandello, Calvino, Eco, and more recently, Andrea Camilleri and Valerio Manfredi. Together with Robin Healey's Italian Literature before 1900 in English Translation, also published by University of Toronto Press in 2011, this volume makes comprehensive information on translations from Italian accessible for schools, libraries, and those interested in comparative literature.