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The publication of volume two of this landmark collection celebrates the close of the centennial year of Thornton Wilder's birth. This volume collects 17 plays from the author's three-minute and five-minute plays for five actors series and includes the full-length play The Alcestiad, a major work by the author of Our Town and The Skin of Our Teeth which has long been unavailable.
Thornton Wilder, author of such landmark works for the stage as Our Town and The Skin of Our Teeth as well as the classic novel The Bridges of San Luis Rey is considered one of America's greatest man of letters. This two volume publication collects the complete short works for the stage, including a never-before-published one act play.
The publication of volume two of this landmark collection celebrates the close of the centennial year of Thornton Wilder's birth. This volume collects 17 plays from the author's three-minute and five-minute plays for five actors series and includes the full-length play The Alcestiad, a major work by the author of Our Town and The Skin of Our Teeth which has long been unavailable.
Volume One of the collected short plays by one of the greatest American playwrights of the Twentieth Century.
"Fresh examination of the works of Thornton Wilder emphasizing continuities in American literature from the seventeenth through twentieth centuries. Sees Wilder as a literary descendant of Edward Taylor who drew from the Puritan worldview and tradition. Includes indepth readings of Shadow of a Doubt, The Trumpet Shall Sound, and others"--Provided by publisher.
This book delineates how Thornton Wilder (1897–1975), a learned playwright and novelist, embeds himself within the classical tradition, integrating Greek and Roman motifs with a wide range of sources to produce heart-breaking masterpieces such as Our Town and comedy sensations such as Dolly Levi. Through this study of archival sources and close reading, readers will understand Wilder’s avant-garde staging and innovative time sequences not as a break with the past, but as a response to the classics. The author traces the genesis of unforgettable characters like Dolly Levi in The Matchmaker, Emily Webb in Our Town, and George Antrobus in The Skin of Our Teeth. Vergil’s expression, "Here are the tears of the world, and human matters touch the heart" haunts Wilder’s oeuvre. Understanding Vergil’s phrase as "tears for the beauty of the world," Wilder utilizes scenes depicting the beauty of the world and the sorrow when individuals recognize this too late. Wilder exhorts us to observe lovingly, alert to the wonder of the everyday. This work will appeal to actors and directors, professors and students in classics and in American literature, those fascinated by modern drama and performance studies, and non-specialists, theatre-goers, and readers in the general public.
Thornton Wilder is one of America’s greatest writers, and the only author to win Pulitzer Prizes in both fiction and drama. Equally well known for his plays and novels, his unique and diverse body of work also includes essays, journals, lectures, and film and television scripts. In The Thornton Wilder Encyclopedia, Thomas S. Hischak exhaustively covers Wilder’s life and extensive career. Entries not only contain every one of his novels, plays, and scripts, but also his letters, journals, and all other existing works by Wilder, published or unpublished. In addition, this valuable reference features entries on the individuals who worked with Wilder and friends and family members who were a great influence on him. With a biography of Wilder to introduce the work and a chronology and selected bibliography to augment the entries, The Thornton Wilder Encyclopedia is the most comprehensive reference available on one of America’s greatest playwrights and finest novelists.
The essays in this volume evolved from papers presented at the Second International Thornton Wilder Conference, held at Salve Regina University in Newport, Rhode Island, in June 2015. They examine Wilder’s work as both playwright and novelist, focusing upon how he drew on the collaborative mode of creativity required in the theatre, when writing both drama and fiction. The book’s authors use the term “collaboration” in its broadest sense, at times in response to Wilder’s critics who faulted him for “borrowing” from other, earlier, literary works rather than recognizing these “borrowings” as central to the artistic process of collaboration. In exploring Wilder’s collaborative efforts of different kinds, the essays not only consider how Wilder worked with and revised earlier literary texts and the ideas central to those texts, but also analyze how Wilder worked with and inspired other creative individuals and how recent productions of Wilder’s plays, both in the US and abroad, have been the products of unique forms of collaboration.
In Ancient Virtues and Vices in Modern Popular Culture, Eran Almagor and Lisa Maurice offer a comprehensive collection of chapters dealing with the reception of antiquity in popular media of the modern era (19th-21st centuries). These media include theatrical plays, cinematic representations, Television drama, popular newspapers or journals, poems and outdoor festivals. For the first time in Classical Reception Studies, ancient Jewish literature and imagery are included in the discussion. The focus of the volume is both the continuity and variance between ancient and modern sets of values, which appear in the new interpretations of the ancient stories, figures and protagonists.
Our town -- The skin of our teeth -- The matchmaker -- The Alcestiad -- The drunken sisters -- The marriage we deplore -- The unerring instinct -- Scenes from The emporium -- Plays for Bleecker Street -- The seven ages of man -- Writings on theater.