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This volume represents the accumulated richness of fifty years' work by one of Canada's most important poets, Patrick Lane. Here, the reader can see how he developed from an engaged recorder of hard experience--even traumatic violence--into a master poet whose meditations on nature, human frailty, and love allow him to balance the world's suffering with stunning moments of transcendent beauty and a vision of peace. He expresses himself in a variety of forms and tones--in turn despairing and rejoicing, tender and brutal, imagistic and elegiac, deeply personal and universal. As Nicholas Bradley observes, in an afterword written for this volume, "The journey that Lane's works trace has been long and hard, but, as this collection demonstrates, his poems achieve both understanding and grace." Edited by two distinguished scholars of Canadian literature, this long-overdue book gathers a lifetime of work. Ranging from Letters from a Savage Mind (1966) to Witness (2010), this collection contains more than four hundred poems (many revised for this publication) and demonstrates the breadth of Lane's achievement.
In this exquisitely written memoir, poet Patrick Lane describes his raw and tender emergence at age sixty from a lifetime of alcohol and drug addiction. He spent the first year of his sobriety close to home, tending his garden, where he cast his mind back over his life, searching for the memories he'd tried to drown in vodka. Lane has gardened for as long as he can remember, and his garden's life has become inseparable from his own. A new bloom on a plant, a skirmish among the birds, the way a tree bends in the wind, and the slow, measured change of seasons invariably bring to his mind an episode from his eventful past. What the Stones Remember is the emerging chronicle of Lane's attempt to face those memories, as well as his new self—to rediscover his life. In this powerful and beautifully written book, Lane offers readers an unflinching and unsentimental account of coming to one's senses in the presence of nature.
Believed by many to be one of the finest poets of his generation, Patrick Lane is also a passionate gardener. He lives on Vancouver Island, a place of uncommon beauty, where the climate is mild, the air is soft, and the growing season lasts nearly all year long. Lane has gardened for as long as he can remember, and sees his garden’s life as intertwined with his own. And when he gave up drinking, after years of addiction, he found solace and healing in tending to his yard. In this exquisitely written memoir, he relates stories of his hard early life in the context of the landscape he’s created. As he observes the seasonal changes, a plant or a bird or the way a tree bends in the wind brings to mind an episode from his storied past. Lane writes evocative descriptions of the animals, birds, insects, and plants that are his garden, and of the relationship he has to them all. Accompany Lane as he wanders his garden, where botanical “madeleines” release in him a flood of memory.
A posthumous collection of poetry from Patrick Lane, compiled and edited by Lorna Crozier. In this final collection, Patrick Lane cultivates the quiet of living in a body amongst so many other bodies--the trout in the lake, geese arriving with the wind, a raccoon fishing in a river--ultimately revealing a tangled web of life and a speaker who sees both beauty and pain brimming around him. Together, the poems in The Quiet in Me are a clear-eyed and sharp meditation on existing in a world pulsing between life and death, death and life. When the body is "a museum for what's gone" and a heart is "the sound of the wind seething," there is no answer but to learn the language of quiet; the language of an earth unfolding itself perpetually in the dawn: "the song of the falling water and wild birds." With incredible poetic precision, this collection is an offering--to come back to yourself and to lose yourself in sight, sound and sense. Playing in paradoxes--"empty marrow bones with their strings of red ants"--these poems cultivate dualisms: intimacy and realism, vulnerability and the roughness of youth, a scar that is a father's teaching, a blade that is a sigh. From one of Canada's most lyric writers comes a book steeped in the wisdom of the natural world. Told by an eye that never ceases to observe and a heart that is willing to make itself known--to invite others into its warmth and wilderness--this collection transposes leaf to leaf, stone to stone, reminding us that water will always return to water and so will we.
There are many truths in life we know of but fail to acknowledge because they cause too much pain. It is these dark places that Patrick Lane, one of Canada's most important writers, tackles in Mortal Remains. These poems will take readers deep into their own psyches and force them to examine issues close to the bone - if not close to the heart. This book is a must-read for poetry fans unfamiliar with Lane's haunting works.
The best of beloved poet Alden Nowlan's explicitly honest, direct, and insightful poetry. Now featuring an introduction by Susan Musgrave. Alden Nowlan, one of Canada's finest and most influential poets, died in 1983. He leaves a rich legacy of poetry that is accessible yet profound, and that speaks to people's lives with wry observation and keen insight. Alden Nowlan Selected Poems is for Nowlan fans and new readers alike. The poems included in this volume reflect the recurring themes that illuminate Nowlan's work, and it is truly the best of his poetry. Above all, this volume is a tribute to a poet who deserves to be treasured for all time.
Patrick Warner's Perfection -- the follow-up to his award-winning Mole -- makes a carnival of our most potent and dangerous obsessions. A factory outlet sells designer human parts at cut-rate prices, a midlife crisis becomes a cleansing ritual, a chocolate-chip pancake stands accused at trial, and the predatory voice of anorexia speaks to a transfixed audience. In descending the rabbit hole of this wildly imaginative collection, we find ourselves amid a field of engagement where destructive ideals of beauty, politics, art, romantic love, and spirituality are ambushed by roguish parody, acerbic satire, life-affirming laughter, and a hard-won pragmatism. And while Warner's trademark playfulness and formal ingenuity remain intact, his classic arms-length objectivity gives ground to a private and autobiographical directness of style often evaded in his earlier work. In Perfection, where death is certain and certainty is hell-bent on death, Warner refuses to rest on his laurels, continuing to build on his reputation as one of the most respected voices in Canadian poetry.
Following the success of his award-winning memoir There is a Season (2004) and his bestselling novel Red Dog, Red Dog (2008), Patrick Lane felt his celebrated poetry career might be at an end and published his Collected Poems in 2011. But the process of revisiting his collected poetic works rekindled his first love and launched him on a new phase of poetry composition that resulted in this impressive and distinctive new book. Honest and self-aware, Washita evokes some of the most inexpressible experiences a human being can undergo: the loss of a parent, the breakdown of a body, the perversion of nature, the acquiring of wisdom. In "Hard-Rock," a boy begins to understand that his father will die: "His lungs created elaborate cathedrals from quartz dust, / a crystal symphony playing Mahler under water." In "Submission," a speaker struggles with losing his sight, capable only of expressing himself through metaphor. But amid this darkness sparks an awareness of the artistry of the world: "Vete a la mierda, hijo de puta! / Hate is beautiful in Spanish." As might be expected from a seventy-five-year-old poet, Washita is reflective in tone, exploring all facets of the poet’s own life as well as those others his has touched. Introducing a new style employing medium-length, end-stopped lines, terse diction and concrete imagery, Washita has a solidity and mastery that marks it as a new highlight in Lane’s distinguished career.
In the tradition of Cormac McCarthy, Russell Banks, and Annie Proulx, the much-anticipated new novel by the bestselling author of Red Dog, Red Dog is set over the course of 48 hours in a remote sawmill community where violence, complicity, and inaction run deep. World War Two vet Art Kenning is the alcoholic first-aid man in an isolated sawmill village in the interior of B.C., where he dreads the sound of the five whistles that summon him to the mill floor whenever a worker is hurt. Traumatized by an incident in Holland, when he stood by while members of his unit committed a horrific act, he loses himself in drink, and in memories of the love affair he had with a woman in wartime Paris. But the sad comfort of his self-imposed detachment is shattered when one of the most powerful men at the mill arrives at his door late one evening to ask for his help. What unfolds over the course of that night and following day will force Art to confront acts of evil, both in the present and the past, as well as the tragic consequences of his own inaction. .Alternating with Art's story are the stories of Joel, a teenaged runaway who owes his life to Art, Wang Po, the mill's cook and a survivor of the Rape of Nanjing, Alice, a young Indigenous girl sold from a residential school, and, Cliff, a Metis man with a hidden past. These lives, and more, intertwine to reveal a complex, morally ambiguous community where the undercurrents of violence and complicity are never far from the surface. Writing with exquisite precision and emotional force, Patrick Lane gives us a novel whose darkness is fractured by moments of light. Deep River Night is a riveting story about the burden of bearing witness to a terrible crime
A Globe and Mail 100 Best Book Finalist, Hilary Weston Writers' Trust Prize for Nonfiction Finalist, City of Victoria Butler Book Prize A deeply affecting portrait of a long partnership and a clear-eyed account of the impact of a serious illness, writing as consolation, and the enduring significance of poetry from one of Canada's most celebrated voices. When we ran off together in 1978, abandoning our marriages and leaving wreckage in our wake, I was a "promising writer," Patrick had just won the Governor General's Award. I was so happy for him, and I've continued to be every time an honour comes his way, but I knew if I didn't grow, if I remained merely someone who showed potential, we wouldn't last. I swore I wouldn't play the dutiful wife, cheerleader, and muse of the great male writer, and he didn't envision a partner like that. We aspired to flourish together and thrive in words and books and gardens. When Lorna Crozier and Patrick Lane met at a poetry workshop in 1976, they had no idea that they would go on to write more than forty books between them, balancing their careers with their devotion to each other, and to their beloved cats, for decades. Then, in January 2017, their life together changed unexpectedly when Patrick became seriously ill. Despite tests and the opinions of many specialists, doctors remained baffled. There was no diagnosis and no effective treatment plan. The illness devastated them both. During this time, Lorna turned to her writing as a way of making sense of her grief and for consolation. She revisited her poems, tracing her own path as a poet along with the evolution of her relationship with Patrick. The result is an intimate and intensely moving memoir about the difficulties and joys of creating a life with someone and the risks and immense rewards of partnership. At once a spirited account of the past and a poignant reckoning with the present, it is, above all, an extraordinary and unforgettable love story. Told with unflinching honesty and fierce tenderness, Through the Garden is a candid, clear-eyed portrait of a long partnership and an acknowledgement, a tribute, and a gift.