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Part of Faber's critically acclaimed Poet to Poet series
NEW YORK TIMES BESTSELLER • From former U.S. Poet Laureate Billy Collins comes a twelfth collection of poetry offering over fifty new poems that showcase the generosity, wit, and imaginative play that prompted The Wall Street Journal to call him “America’s favorite poet.” The Rain in Portugal—a title that admits he’s not much of a rhymer—sheds Collins’s ironic light on such subjects as travel and art, cats and dogs, loneliness and love, beauty and death. His tones range from the whimsical—“the dogs of Minneapolis . . . / have no idea they’re in Minneapolis”—to the elegiac in a reaction to the death of Seamus Heaney. A student of the everyday, Collins here contemplates a weather vane, a still life painting, the calendar, and a child lost at a beach. His imaginative fabrications have Shakespeare flying comfortably in first class and Keith Richards supporting the globe on his head. By turns entertaining, engaging, and enlightening, The Rain in Portugal amounts to another chorus of poems from one of the most respected and familiar voices in the world of American poetry. Praise for The Rain in Portugal “Nothing in Billy Collins’s twelfth book . . . is exactly what readers might expect, and that’s the charm of this collection.”—The Washington Post “This new collection shows [Collins] at his finest. . . . Certain to please his large readership and a good place for readers new to Collins to begin.”—Library Journal “Disarmingly playful and wistfully candid.”—Booklist
'The Noise of a Fly' is the first collection from Douglas Dunn in sixteen years, and the first since he was awarded the Queen's Gold Medal for Poetry in 2013. It is a book brimming with warmth, mischief and a self-deprecating humour, as well as with a charming, 'Larkinesque' crankiness: a quarrel with ageing, an impatience with youth, the grievousness of losing friends and colleagues. But for all its intimate, hearthside rumination, this is a volume of poems that looks outward in equal measure: at Scottish independence, British politics and an international refugee crisis, and reflects unflinchingly on what it is to consider oneself a contributor to society.
A collection of more than 400 hundred poems from all around the world.
A first-person account of the Iraq War by a solider-poet, winner of the 2005 Beatrice Hawley Award. Adding his voice to the current debate about the US occupation of Iraq, in poems written in the tradition of such poets as Wilfred Owen, Yusef Komunyakaa (Dien Cai Dau), Bruce Weigl (Song of Napalm) and Alice James’ own Doug Anderson (The Moon Reflected Fire), Iraqi war veteran Brian Turner writes power-fully affecting poetry of witness, exceptional for its beauty, honesty, and skill. Based on Turner’s yearlong tour in Iraq as an infantry team leader, the poems offer gracefully rendered, unflinching description but, remarkably, leave the reader to draw conclusions or moral lessons. Here, Bullet is a must-read for anyone who cares about the war, regardless of political affiliation.
A collection of poems by World War II soldier Keith Douglas.
ptoand: This is the only complete edition of Keith Douglas's poems, 105 in all, with notes and variants from other mss. Desmond Graham is also Douglas's biographer (OUP, out of print) From Hughes's introduction: Each poem turns out to be an exercise... whatever they are, these 'exercises' display his striving towards and eventually, briefly, perfecting the qualities we value in him: the incisive, nimble glance, the uniquely tempered music, the simple, pointblank bull's eye statement, the tensiledelicacy.
Keith Douglas enlisted when World War II began, to fight and to try to make sense of history from within its turbulence. Like the major poets of World War I, his art was tried and tempered, and then curtailed. His letters tell the story of a man fully engaged by his art, his times and his loves.
The wealth of sense-impressions in Katherine Pierpoint's poems, the panache with which she musters them and the music thereby generated would be noteworthy in any volume, but they are all the more so in this first collection. Truffle Beds signals the arrival of a mature and truly original voice. Pierpoint has opened up her own geographical and emotional territory, and her eye for both outer and inner worlds is acute and sympathetic. A POETRY BOOK SOCIETY RECOMMENDATION