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Born in England in 1857, Agnes Mary Frances Robinson contributed to cultural and literary currents from nineteenth-century Victorianism to twentieth-century modernism; she was equally at home in London and Paris and prolific in both English and French. Yet Robinson remains an enigma on many levels. This literary biography integrates Robinson's unorthodox life with her development as a writer across genres. Best known for her poetry, Robinson was also a respected biographer, history writer, travel writer, and contributor of reviews and articles to the Times Literary Supplement for nearly forty years. She had a romantic friendship with the writer Vernon Lee and two happy – and celibate – marriages. Her salons in London and Paris were attended by major literary and artistic figures, and she counted amongst her friends Robert Browning, Oscar Wilde, John Addington Symonds, Gaston Paris, Ernest Renan, and Maurice Barrès. Reflecting a decade of research in international archives and family papers, A. Mary F. Robinson reveals the extraordinary woman behind the popular writer and critically acclaimed poet.
The Colbeck collection was formed over half a century ago by the Bournemouth bookseller Norman Colbeck. Focusing primarily on British essayists and poets of the nineteenth century from the Romantic Movement through the Edwardian era, the collection features nearly 500 authors and lists over 13,000 works. Entries are alphabetically arranged by author with copious notes on the condition and binding of each copy. Nine appendices provide listings of selected periodicals, series publications, anthologies, yearbooks, and topical works.
The aesthetic movement dominated the closing decades of the nineteenth century. It was significant for the role women played in it at a time when there were growing opportunities for them, both artistically and professionally. The material in this collection provides a representative selection of essays, fiction, poetry and drama by female authors.
The Romance of the Lyric in Nineteenth-Century Women’s Poetry: Experiments in Form offers a new account of the nature of the lyric as nineteenth-century women poets developed the form. It offers fresh assessments of the imaginative and aesthetic complexity of women’s poetry. The monograph seeks to redefine the range and cultural significance of women’s writing using the work of poets who have not, heretofore, been part of critical accounts of nineteenth-century lyric poetry. These new voices are set beside new readings of the poetry of established figures: for example, Christina Rossetti’s Goblin Market and Augusta Webster’s “Medea in Athens” and “Circe." The monograph draws substantially on the poetry of Rosamund Marriott Watson – who was lost to literary history before the restoration of her oeuvre through the scholarly and critical work of Professor Linda K. Hughes – to make the case that once neglected and lost voices provide new ways of determining the cultural centrality of women and the poetry they produced in one of the richest periods of poetic experimentation in the Western literary tradition. This monograph contends that Watson’s poetry and prose provide new ways of analyzing the complex and frequently transgressive nature of the lyric engagement of women with folklore and myth and with the growing understanding in the nineteenth century of the fragmented, fluid self in general and of the writer in particular.
Engaging critically with the political and aesthetic agenda behind the project of recovery, this collection of specially commissioned essays offers revisionary readings of both established canonical Victorian women poets and re-discovered writers.
“The Poet of the Woods” is a delightful poetry collection coupled with beautiful colour illustrations, containing a selection of classic poems about nightingales, written by various authors including John Keats, John Milton, William Cowper, and many others. Featured often in British Romantic poetry and nature poetry in general, the nightingale produces a powerful and beautiful song which has inspired poets since time immemorial and continues to be a recurring symbol in literature today. A perfect gift for poetry lovers, twitchers or birdwatchers that would make for a worthy addition to any collection. Contents include: “Birds and Poets, an Essay by John Burroughs”, “The Nightingale, by W. Swaysland”, “To the Nightingale, by Countess of Winchilsea Anne Finch”, “Song by Hartley Coleridge”, “The Nightingale, by Katharine Tynan Hinkson”, “Philomel by Richard Barnfield”, “The Nightingale's Nest by John Clare”, “The Nightingale, by Mark Akenside”, “The Nightingale; A Conversational Poem, by Samuel Taylor Coleridge”, “The Nightingale's Death Song, by Felicia Dorothea Hemans”, “To the Nightingale by Ann Radcliffe”, etc. Ragged Hand is proud to be publishing this brand new collection of classic poetry now for the enjoyment of bird lovers young and old.
An overview of British poetry from 1830 to 1901, with a glossary of literary terms and guide to further reading.