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The Collected Poems and Prose of Jupiter Hammon compiles the works of Jupiter Hammon, America’s first published black writer. When his poem “An Evening Thought: Salvation by Christ, with Penitential Cries” appeared in print as a broadside in 1761, Hammon unknowingly changed American literature for generations to come. Born into slavery, Hammon was a highly talented poet and preacher whose subtle criticism of slavery employed Christian symbolism and promoted a vision of salvation through determination and faith in God. In 1786, Hammon gave “An Address to the Negroes in the State of New York” at the inaugural assembly of the African Society of New York City. In it, he proclaimed that “If we should ever get to Heaven, we shall find nobody to reproach us for being black, or for being slaves.” His message of hope and spiritual uplift employed Christian theology while responding to the needs and desires of enslaved African Americans. In “An Address to Miss Phillis Wheatley,” Hammon harnesses the communicative power of poetry to acknowledge and praise a pioneering young poet: “While thousands muse with earthly toys; / And range about the street, / Dear Phillis, seek for heaven’s joys, / Where we do hope to meet.” Through this shared passion for poetry and belief in life after death, the two poets—who never did meet in life—join in mind and in spirit despite their earthly status as slaves. Through humility and hope, Hammon expresses his solidarity with a kindred soul while igniting and inspiring countless others. With a beautifully designed cover and professionally typeset manuscript, this edition of The Collected Poems and Prose of Jupiter Hammon is a classic of African American literature reimagined for modern readers.
"This text will become the definitive collection of Hammon's work--not only because of the archival finds that Cedrick May features but also because of his careful and attentive reconstruction of Hammon's historical, political, social, and religious contexts."--Katy Chiles, author of Transformable Race: Surprising Metamorphoses in the Literature of Early America "This volume, which reflects those discoveries about the Hammon's life and work that have taken place since Ransom's earlier collection, will enable scholars, instructors, students, and other interested readers ready to access the most up-to-date assessment and presentation of this pioneering African American author's body of work."--Ajuan Mance, editor of Before Harlem: An Anthology of African American Literature from the Long Nineteenth Century Editor Cedrick May's The Collected Works of Jupiter Hammon offers a complete look at the literary achievements of one of the founders of African American literature: Jupiter Hammon (1711-1806?), the first Black writer to be published in what became the United States of America. With this collection--the most comprehensive volume on Hammon's works to date--May carefully reconstructs the historical, political, social, and religious contexts that shaped Hammon's essays and poems throughout the late eighteenth century. This fresh presentation and insightful reevaluation sets down a new rubric for how Hammon, an enslaved person from New York, can be studied and appreciated among literary scholars and readers alike.
Advice on conduct to slaves and freedmen.
The extraordinary writings of Phillis Wheatley, a slave girl turned published poet In 1761, a young girl arrived in Boston on a slave ship, sold to the Wheatley family, and given the name Phillis Wheatley. Struck by Phillis' extraordinary precociousness, the Wheatleys provided her with an education that was unusual for a woman of the time and astonishing for a slave. After studying English and classical literature, geography, the Bible, and Latin, Phillis published her first poem in 1767 at the age of 14, winning much public attention and considerable fame. When Boston publishers who doubted its authenticity rejected an initial collection of her poetry, Wheatley sailed to London in 1773 and found a publisher there for Poems on Various Subjects, Religious and Moral. This volume collects both Wheatley's letters and her poetry: hymns, elegies, translations, philosophical poems, tales, and epyllions--including a poignant plea to the Earl of Dartmouth urging freedom for America and comparing the country's condition to her own. With her contemplative elegies and her use of the poetic imagination to escape an unsatisfactory world, Wheatley anticipated the Romantic Movement of the following century. The appendices to this edition include poems of Wheatley's contemporary African-American poets: Lucy Terry, Jupiter Harmon, and Francis Williams. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
"A collection of essays on poetry and the experiences that influenced poet Robert Hayden. Contents include "The History of Punchinello: A Baroque Play in One Act," Hayden's introductory remarks to volumes like Kaleidoscope: Poems by American Negro Poet and The New Negro, and interviews with Hayden."
Matches quality children's books with each day of the year to provide a focus for story time. The lessons in this book will help children develop creative connections between reading and the world around them, introducing them to many other people and places throughout the world.
Traces the development of African-American community traditions over three centuries From the subaltern assemblies of the enslaved in colonial New York City to the benevolent New York African Society of the early national era to the formation of the African Blood Brotherhood in twentieth century Harlem, voluntary associations have been a fixture of African-American communities. In the Company of Black Men examines New York City over three centuries to show that enslaved Africans provided the institutional foundation upon which African-American religious, political, and social culture could flourish. Arguing that the universality of the voluntary tradition in African-American communities has its basis in collectivism—a behavioral and rhetorical tendency to privilege the group over the individual—it explores the institutions that arose as enslaved Africans exploited the potential for group action and mass resistance. Craig Steven Wilder’s research is particularly exciting in its assertion that Africans entered the Americas equipped with intellectual traditions and sociological models that facilitated a communitarian response to oppression. Presenting a dramatic shift from previous work which has viewed African-American male associations as derivative and imitative of white male counterparts, In the Company of Black Men provides a ground-breaking template for investigating antebellum black institutions.