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A collection of short stories from celebrated author William Trevor in which he shines a light on the day-to-day life of Ireland and its citizens. From his debut collection, “The Day We Got Drunk on Cake,” published in 1968, to “Family Sins” (1990), William Trevor has crafted the short story to perfection, giving us brilliant and subtle stories full of the reversals, surprises, and shadowy truths we discover in life itself. To read this volume is not just to encounter an extraordinary literary stylist, but to understand life as surely as though we were looking through the eyes of his protagonists and—deeper still—into their hearts. William Trevor: The Collected Stories includes the tales from his seven previous books, as well as four stories that have never appeared in book form in America. They depict the comforts and frustrations of life in rural Ireland, the complexities of family relationships, and the elusive grace of love. They portray the almost invisible strands that bind people to each other as well as the chains that imprison them in solitary yearning.
Thirty one short stories that offer a picture of the Deep South.
Now a major motion picture from Luca Guadagnino starring Taylor Russell, Timothée Chalamet and Mark Rylance, screenplay by David Kajganich! Maren Yearly is a young woman who wants the same things we all do. She wants to be someone people admire and respect. She wants to be loved. But her secret, shameful needs have forced her into exile. She hates herself for the bad thing she does, for what it's done to her family and her sense of identity, for how it dictates her place in the world and how people see her--how they judge her. She didn't choose to be this way. Because Maren Yearly doesn't just break hearts, she devours them. Ever since her mother found Penny Wilson's eardrum in her mouth when Maren was just two years old, she knew life would never be normal for either of them. Love may come in many shapes and sizes, but for Maren, it always ends the same--with her hiding the evidence and her mother packing up the car. But when her mother abandons her the day after her sixteenth birthday, Maren goes looking for the father she has never known, and finds much more than she bargained for along the way. Faced with a world of fellow eaters, potential enemies, and the prospect of love, Maren realizes she isn't only looking for her father, she's looking for herself.
One of the most phenomenally acclaimed and successful books of recent years is now available as a paperback—with three just-discovered stories Here, gathered in one volume, are the stories that made Clarice a Brazilian legend. Originally a cloth edition of eighty-six stories, now we have eighty- nine in all, covering her whole amazing career, from her teenage years to her deathbed. In these pages, we meet teenagers becoming aware of their sexual and artistic powers, humdrum housewives whose lives are shattered by unexpected epiphanies, old people who don’t know what to do with themselves— and in their stories, Clarice takes us through their lives—and hers—and ours.
The forty-seven stories in this collection, selected by Singer himself out of nearly one hundred and fifty, range from the publication of his now-classic first collection, "Gimpel the Fool," in 1957, until 1981. They include supernatural tales, slices of life from Warsaw and the shtetls of Eastern Europe, and stories of the Jews displaced from that world to the New World, from the East Side of New York to California and Miami.
A beautiful hardcover edition of the collected stories of one of America's most revered and admired authors. BBC Culture’s Best Books of the Year Kirkus Reviews Best Books of the Year, Best Short Fiction Collected here for the first time in one volume are forty stories by Lorrie Moore—originally published in the acclaimed collections Self-Help, Like Life, Birds of America, and Bark and including three additional stories excerpted from her novels. Moore is one of America’s most revered writers, and this career-spanning collection showcases her exceptional talent for leavening tragedy with humor, for blending sorrow with subversive wit. Her keenly observed stories are peopled by a variety of lost souls—husbands, wives, lovers, tourists, professors, students, even a ghost—who are often grappling with pain or disappointment: a divorced man obsessed with self-help books, a washed-up Hollywood actress living in a hotel, a woman with a terminal illness. But however lovelorn or dislocated the characters—from the wisecracking wedding guest in “Thank You for Having Me” to the self-deluded musicians in “Wings” to the complicated parent-child pairs in “How to Talk to Your Mother (Notes)” and “The Kid’s Guide to Divorce”—their stories are always grounded in insight and compassion. Moore’s portraits of the parents of a seriously ill child in “People Like That Are the Only People Here” and of a woman haunted by guilt over the death of her friend’s baby in “Terrific Mother” achieve a notably unsentimental and yet quietly devastating power. Whether moving or darkly funny, all of these pieces channel the messiness of the human condition through Moore’s characteristically knowing, wry voice, and together they confirm her as a master of the short story.