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Set in the ancient Upper Egyptian village of Karnak against the backdrop of the British campaigns in Sudan, the Second World War, and the war in Palestine, The Collar and the Bracelet is the stunning saga of the Bishari family a family ripped apart by the violence of history, the dark conduits of human desire, and the rigid social conventions of village life. In a series of masterful narrative circles and repetitions, the novella traces the grim intrigues of Hazina al-Bishari and the inexorable destinies of her son, the exile and notorious bandit Mustafa, her daughter Fahima, tortured by guilt and secret passion, and the tragic doom of her beautiful granddaughter Nabawiya. Yahya Taher Abdullah's haunting prose distills the rhythmic lyricism of the folk story and weaves it into a uniquely modernist narrative tapestry of love and revenge that beautifully captures the timeless pharaonic landscapes of Upper Egypt and the blind struggles of its inhabitants against poverty, exploitation, and time themes that are echoed and amplified in the short stories included in this volume, which span the breadth of Abdullah's tragically short career as one of Egypt's most brilliant writers of modern fiction.
This volume offers a detailed consideration of the style, technology, and iconographic implications of the art of the Scythians, organized by object typology and chronology, and considered against a broader historical, expressive, and technical background; that of the Scythians' Eurasian sources, of earlier and contemporary West Asian cultures, and of the Hellenic culture which emerged beside that of the Scythians in the northern littoral of the Black Sea.
Caina Amalas is a Ghost nightfighter, an assassin and spy of the Emperor, and her cunning saved the city of Marsis from a brutal invasion. Now she must keep the war from becoming worse. The nobles of the Imperial city of Cyrioch plan to revolt, and assassins stalk the high lords of the Empire. Only Caina stand between the Empire and a ruinous civil war. But Caina faces a far more dangerous enemy than mere assassins. A enemy that whispers from the darkness of her own mind...
Innocence dies so easily. Evil lives again . . . and again . . . and again. One hundred years ago in Port Arbello a pretty little girl began to scream. And struggle. And die. No one heard. No one saw. Just one man whose guilty heart burst in pain as he dashed himself to death in the sea. Now something peculiar is happening in Port Arbello. The children are disappearing, one by one. An evil history is repeating itself. And one strange, terrified child has ended her silence with a scream that began a hundred years ago.
This picture book features images of Ancient Egyptian Jewelry covering works from Pre-dynastic shell necklaces to intricately designed gold earrings of the Roman period. A brief introductory essay discusses the history of jewelry and the evolution of Ancient Egyptian jewelry craftsmanship.
The seals of Shayol Ghul are weak now, and the Dark One reaches out. The Shadow is rising to cover humankind. In Tar Valon, Min sees portents of hideous doom. Will the White Tower itself be broken? In the Two Rivers, the Whitecloaks ride in pursuit of a man with golden eyes, and in pursuit of the Dragon Reborn. In Cantorin, among the Sea Folk, High Lady Suroth plans the return of the Seanchan armies to the mainland. In the Stone of Tear, the Lord Dragon considers his next move. It will be something no one expects, not the Black Ajah, not Tairen nobles, not Aes Sedai, not Egwene or Elayne or Nynaeve. Against the Shadow rising stands the Dragon Reborn.....
In 1960s Egypt a group of writers exploded onto the literary scene, transforming the aesthetic landscape. Space in Modern Egyptian Fiction explores how this literary generation presents a marked shift in the representation of rural, urban and exilic space, reflecting a disappointment with the project of the postcolonial nation-state in Egypt. Combining a sociological approach to literature with detailed close readings, Yasmine Ramadan explores the spatial representations that embodied this shift within the Egyptian literary scene and the disappearance of an idealized nation in the Egyptian novel. This study provides a robust examination of the emergence and establishment of some of the most significant writers in modern Egyptian literature, and their influence across six decades, while also tracing the social, economic, political and aesthetic changes that marked this period in Egypt's contemporary history.
Bronze ornaments of the Nordic Bronze Age were elaborate objects that served as status symbols to communicate social hierarchy. An interdisciplinary investigation of the artefacts (dating from 1500-1100 BC) was adopted to elucidate their manufacture and origin, resulting in new insights into metal craft in northern Europe during the Bronze Age.