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In this book social scientists scrutinize the middle decades of the nineteenth century in Japan. That scrutiny is important and overdue, for the period from the 1850s to the 1880s has usually been treated in terms of politics and foreign relations. Yet those decades were also of pivotal importance in Japan's institutional modernization. As the Japanese entered the world order, they experienced a massive introduction of Western-style organizations. Sweeping reforms, without the class violence or the Utopian appeal of revolution, created the foundation for a modern society. The Meiji Restoration introduced a political transformation, but these chapters address the more gradual social transition. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This volume examines the Meiji Restoration through a global history lens to re-interpret the formation of a globally-cast, Japanese nation-state.
By 1853 Japan had been transformed from a sparsely populated land of nonliterate tribal peoples into an elaborately structured commercial society sustaining massive cities and a varied array of sophisticated cultural production. In this authoritative survey, Conrad Totman examines the origins of Japanese civilization and explores in detail the classical, medieval, and early-modern epochs, weaving interpretations of the major themes in Japan's cultural and political development into a rich historical narrative.
This biography introduces the young Fukuchi, in the first months after the Meiji Restoration of 1868, as a newspaper editor just beginning to write critically on social and political issues. His outspoken and politically indiscreet editorials soon made him the first journalist in history of Japan to be jailed for his writings. During the early Meiji years, he continued to grope for an ideal and a position, even joining the regime as a brash and innovative official. Only when he was independent of the government bureaucracy, however, did Fukuchi assume a position of pivotal importance. During the peak years of his career from 1874 to 1888, he demonstrated the crucial advantage enjoyed by those Japanese who had gained Western knowledge and, as editor of the Tokyo Nichi Nichi, made his most distinctive contributions to Meiji society and to journalism in Japan. Using a politically awakened press, which he had invigorated with Western techniques of journalism, Fukuchi provided the popular rationale for the course followed by the government and became the period’s leading nonofficial advocate of the “gradualist” approach toward constitutional government. He also founded Japan’s first “gradualist” political party. The Constitutionalist Imperial Party, during his years as an editor. Despite his great influence, Fukuchi left the press world in 1888, disappointed over failures and changing alliances, a vivid illustration of the precarious nature of leadership in a transitional period. Too long allied with the forces of innovation to become a casualty of change, however, he embarked on a new life as a writer of novels, plays, and history, and emerged in the 1890’s as Japan’s foremost playwright. In the life of Fukuchi Gen’ichirō is the story of a history-making figure, a man whose career embodied the response of Meiji Japan to the Western challenge of modernization, and yet a man whose personal life was inescapably subject to the tensions of an era of rapid social and political change. James Huffman’s fine biography is a notable book about an exciting man, a maker and mirror of his times.
Magisterial in vision, sweeping in scope, this monumental work presents a seamless account of Japanese society during the modern era, from 1600 to the present. A distillation of more than fifty years’ engagement with Japan and its history, it is the crowning work of our leading interpreter of the modern Japanese experience. Since 1600 Japan has undergone three periods of wrenching social and institutional change, following the imposition of hegemonic order on feudal society by the Tokugawa shogun; the opening of Japan’s ports by Commodore Perry; and defeat in World War II. The Making of Modern Japan charts these changes: the social engineering begun with the founding of the shogunate in 1600, the emergence of village and castle towns with consumer populations, and the diffusion of samurai values in the culture. Marius Jansen covers the making of the modern state, the adaptation of Western models, growing international trade, the broadening opportunity in Japanese society with industrialization, and the postwar occupation reforms imposed by General MacArthur. Throughout, the book gives voice to the individuals and views that have shaped the actions and beliefs of the Japanese, with writers, artists, and thinkers, as well as political leaders given their due. The story this book tells, though marked by profound changes, is also one of remarkable consistency, in which continuities outweigh upheavals in the development of society, and successive waves of outside influence have only served to strengthen a sense of what is unique and native to Japanese experience. The Making of Modern Japan takes us to the core of this experience as it illuminates one of the contemporary world’s most compelling transformations.
This pioneering collection of 15 essays argues that Japan's medieval age began in the 14th century rather than the 12th, and marks the beginning of a fundamentally new debate about how Japan's lengthy classical period finally ended.
The dynamic epic novel of political upheaval and societal change in late 1800s Japan, by the #1 New York Times bestselling author and unparalleled master of historical fiction, James Clavell This epic novel by master writer James Clavell, loosely based on the Namamugi Incident and Anglo-Satsuma War that took place in the late 1800s, is a richly researched, panoramic view of Japan’s budding relationship with the Western powers, its sweeping societal changes, and the political upheaval that followed. As Malcolm Struan, the son of Culum and Tess Struan, and a small band of Westerners travel down the Tōkaidō road, they are attacked by two Satsuma samurai, who mortally wound John Canterbury and seriously injure Malcolm, who then finds reprieve in the merchant village of Yokohama after a narrow escape facilitated by the unscathed Angelique. Angelique Richaud, Malcolm’s penniless but beautiful French companion, is thrown into a world of political intrigue, fierce devotion, unstable family dynamics, blackmail, and secrets as the trading houses battle for supremacy. With a cast of dynamic and fully recognized characters, Gai-Jin spins a tale of passionate love affairs, devastating loss, intense power struggles, and the fight to survive and thrive in a hostile new land that will leave readers longing for another foray into Clavell’s extraordinary Asian Saga.
The Cambridge History of Japanese Literature provides, for the first time, a history of Japanese literature with comprehensive coverage of the premodern and modern eras in a single volume. The book is arranged topically in a series of short, accessible chapters for easy access and reference, giving insight into both canonical texts and many lesser known, popular genres, from centuries-old folk literature to the detective fiction of modern times. The various period introductions provide an overview of recurrent issues that span many decades, if not centuries. The book also places Japanese literature in a wider East Asian tradition of Sinitic writing and provides comprehensive coverage of women's literature as well as new popular literary forms, including manga (comic books). An extensive bibliography of works in English enables readers to continue to explore this rich tradition through translations and secondary reading.
"With his easily readable and entertaining style, Hillsborough does a great job of elucidating the complex customs that ruled Edo Period life and politics. --The Japan Times"