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This book reconsiders realism on the American stage by addressing the great variety and richness of the plays that form the American theatre canon.
Abstracts of dissertations available on microfilm or as xerographic reproductions.
Behrman's prolific career as a Broadway playwright and Hollywood screenwriter spans a period from the 1920s to the mid-1960s. As a writer for popular performance, he had to contend with commercial influences and with producers and directors involved in the dynamics of the collaborative process. Though eminently successful, his works have not received adequate critical scrutiny. His ouevre probably will never be fully determined because of collaboration, numerous rewrites, and the many unpublished and unproduced plays and scripts. Author Robert F. Gross here provides an immensely detailed record of the primary materials, published and unpublished, including plays, filmscripts, fiction, and essays, and of the critical response, both reviews and analytical studies. Focusing on Behrman as a dramatist, Gross has written extensive plot summaries and critical overviews for each of fifty-one plays. Where applicable, full production credits are given for premieres and revivals, and references are made to reviews and commentary about specific productions as well as to the plays in general. The annotated secondary bibliography is divided into chronologically organized sections for reviews and for books, parts of books, and articles. Fully cross-referenced, the material is also accessible through an author index to the secondary bibliography and a general subject index. In an opening appraisal, Gross expresses his appreciation for Behrman, whose high comedies he finds to be informed by a probing ethical conscience and whose goal of scrupulosity he emulates in his own work. This scrupulous playwright is here given his due in a comprehensive sourcebook of value for theatre historians and theatre professionals.
This bibliography assists and promotes research on how the theatre was used to teach, persuade, and proselytize for propagandistic and political ends. Its entries guide users to many rich but overlooked areas of investigation.
This “rare and compelling” (New York Magazine) bestseller examines childhood trauma and the enduring effects it has on an individual's management of repressed anger and pain. Why are many of the most successful people plagued by feelings of emptiness and alienation? This wise and profound book has provided millions of readers with an answer--and has helped them to apply it to their own lives. Far too many of us had to learn as children to hide our own feelings, needs, and memories skillfully in order to meet our parents' expectations and win their "love." Alice Miller writes, "When I used the word 'gifted' in the title, I had in mind neither children who receive high grades in school nor children talented in a special way. I simply meant all of us who have survived an abusive childhood thanks to an ability to adapt even to unspeakable cruelty by becoming numb.... Without this 'gift' offered us by nature, we would not have survived." But merely surviving is not enough. The Drama of the Gifted Child helps us to reclaim our life by discovering our own crucial needs and our own truth.
During the years 1880 to 1945, American theatre grew up, moving from entertainment-driven motives and melodramatic formulas to serious confrontations with issues of its time and to an experimentation with forms that would allow those confrontations to be frank and earnest. Many of the playwrights of this time wrote works of lasting significance, while others have impacted the work of contemporary dramatists. This reference is a guide to American theatre during this formative period. The volume includes alphabetically arranged entries for 40 American playwrights active between 1880 and 1945. Included are the most frequently canonized figures, as well as previously neglected women and minority playwrights whose work is a vital part of American theatre history. Each entry includes a biographical overview, a summary of the critical reception of major productions and significant revivals, a critical assessment of the playwright's career, and a listing of archival, primary, and secondary bibliographic material.
Historian Kenneth E. Hendrickson has compiled the most comprehensive English language bibliography ever on a single individual and his influence. With nearly 10,000 entries, this unprecedented resource contains references and annotations to all books, articles, and dissertations (written and published to 1994) concerning Franklin Delano Rooseve
A paradigm-shifting book in the vein of Sapiens that brings a crucial Indigenous perspective to historical and cultural issues of history, education, money, power, and sustainability—and offers a new template for living. As an indigenous person, Tyson Yunkaporta looks at global systems from a unique perspective, one tied to the natural and spiritual world. In considering how contemporary life diverges from the pattern of creation, he raises important questions. How does this affect us? How can we do things differently? In this thoughtful, culturally rich, mind-expanding book, he provides answers. Yunkaporta’s writing process begins with images. Honoring indigenous traditions, he makes carvings of what he wants to say, channeling his thoughts through symbols and diagrams rather than words. He yarns with people, looking for ways to connect images and stories with place and relationship to create a coherent world view, and he uses sand talk, the Aboriginal custom of drawing images on the ground to convey knowledge. In Sand Talk, he provides a new model for our everyday lives. Rich in ideas and inspiration, it explains how lines and symbols and shapes can help us make sense of the world. It’s about how we learn and how we remember. It’s about talking to everyone and listening carefully. It’s about finding different ways to look at things. Most of all it’s about a very special way of thinking, of learning to see from a native perspective, one that is spiritually and physically tied to the earth around us, and how it can save our world. Sand Talk include 22 black-and-white illustrations that add depth to the text.