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A comprehensive reappraisal of Herod the Great’s coinage is undertaken. Hoard and archaeological evidence, together with iconographic, epigraphic and numismatic observations, contribute to innovative interpretations of the coins, a new relative chronology, and some historical ‘pegs’ towards an absolute chronology
The Coinage of Herod Antipas provides a comprehensive, multifaceted and up-to-date re-examination of the coins of Herod Antipas, the tetrarch of Galilee and Peraea between 4/3 BCE and 39/40 CE. Kogon and Fontanille classify about 800 coins by obverse and reverse dies. From this die classification they generate, for the first time ever for this tetrarch, about 300 composite die images. In addition, the authors examine both technical aspects of the coins (e.g. metrology, mint output) and non-technical aspects (e.g. inscriptions, iconography). They also review the geographic distribution of provenanced coins. Through this analysis of the coins of Herod Antipas, Kogon and Fontanille provide a greater understanding of the Sitz im Leben of first century Galilee.
The traditional date of 4 BCE for Herod's death, as set forth by E. Schurer (1896), has been accepted by historians for years without notable controversy. However, according to the texts of Luke and Matthew, Herod died shortly after Jesus' birth, which can be fixed in 2 BCE. Consequently, there is apparently a major chronological contradiction, however Josephus gives a dozen synchronisms that enable us to date his death on 26 January 1 BCE just after a total lunar eclipse (9 January 1 BCE) prior to the Passover. Two important events confirm the dating of Herod's death: the 'census of Quirinius' in Syria which was a part of the 'Inventory of the world' ordered by Augustus when he became 'Father of the Country' in 2 BCE and the 'war of Varus' after Herod's death conducted under the auspices of Caius Caesar, the imperial legate of the East, and dated during the year of his consulship in 1 CE."
An old, bloodthirsty tyrant hears from a group of Magi about the birth of the Messiah, king of the Jews. He vengefully sends his soldiers to Bethlehem with orders to kill all of the baby boys in the town in order to preserve his own throne. For most of the Western world, this is Herod the Great -- an icon of cruelty and evil, the epitome of a tyrant. Adam Kolman Marshak portrays Herod the Great quite differently, however, carefully drawing on historical, archaeological, and literary sources. Marshak shows how Herod successfully ruled over his turbulent kingdom by skillfully interacting with his various audiences -- Roman, Hellenistic, and Judaean -- in myriad ways. Herod was indeed a master in political self-presentation. Marshak's fascinating account chronicles how Herod moved from the bankrupt usurper he was at the beginning of his reign to a wealthy and powerful king who founded a dynasty and brought ancient Judaea to its greatest prominence and prosperity.
An 1888 exhibition catalogue of works of art and artefacts illustrating the history of English Jewry.