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This book gives everyone the opportunity to learn how to dance Zouk. After a reflection on the issues of transmission of this dance and to open it to the world, Jean-Claude Occo wrote down what he already taught in his classes. The codification of Zouk, evokes the history of music Zouk, to eventually arrive at the dance. To understand the workings, Jean-Claude Occo defined seven essentials points to understand this dance: - The postures - The rhythms - The styles - The movements - The turns - Hips movements - Bust movements - Level changes. The codification of Zouk, is a reference to have a base to transmit. The steps are very detailed and named in Creole. " It doesn't matter what these are called when you're on a dance floor. Codification makes it possible to structure, to have a common vocabulary. It is clear that codification will not make it possible to become a good dancer...explain Jean-Claude." This version will also be available soon in 5 languages.
This book has been translated into japanese. It gives everyone the opportunity to learn how to dance Zouk. After a reflection on the issues of transmission of this dance and to open it to the world, Jean-Claude Occo wrote down what he already taught in his classes. The codification of Zouk, evokes the history of music Zouk, to eventually arrive at the dance. To understand the workings, Jean-Claude Occo defined seven essentials points to understand this dance: - The postures - The rhythms - The styles - The movements - The turns - Hips movements - Bust movements - Level changes. The codification of Zouk, is a reference to have a base to transmit. The steps are very detailed and named in Creole. " It doesn't matter what these are called when you're on a dance floor. Codification makes it possible to structure, to have a common vocabulary. It is clear that codification will not make it possible to become a good dancer...explain Jean-Claude." This version will also be available soon in 5 languages.
Special edition of the Federal Register, containing a codification of documents of general applicability and future effect ... with ancillaries.
British Dance, Black Routes is an outstanding collection of writings which re-reads the achievements of Black British dance artists, and places them within a broad historical, cultural and artistic context. Until now discussion of choreography by Black dance practitioners has been dominated by the work of African-American artists, facilitated by the civil rights movement. But the work produced by Black British artists has in part been within the context of Britain’s colonial legacy. Ramsay Burt and Christy Adair bring together an array of leading scholars and practitioners to review the singularity and distinctiveness of the work of British-based dancers who are Black and its relation to the specificity of Black British experiences. From sub-Saharan West African and Caribbean dance forms to jazz and hip-hop, British Dance, Black Routes looks afresh at over five decades of artistic production to provide an unparalleled resource for dance students and scholars. Appendix 2 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
From its earliest manifestations on the street corners of nineteenth-century Buenos Aires to its ascendancy as a global cultural form, tango has continually exceeded the confines of the dance floor or the music hall. In Tango Lessons, scholars from Latin America and the United States explore tango's enduring vitality. The interdisciplinary group of contributors—including specialists in dance, music, anthropology, linguistics, literature, film, and fine art—take up a broad range of topics. Among these are the productive tensions between tradition and experimentation in tango nuevo, representations of tango in film and contemporary art, and the role of tango in the imagination of Jorge Luis Borges. Taken together, the essays show that tango provides a kaleidoscopic perspective on Argentina's social, cultural, and intellectual history from the late nineteenth to the early twenty-first centuries. Contributors. Esteban Buch, Oscar Conde, Antonio Gómez, Morgan James Luker, Carolyn Merritt, Marilyn G. Miller, Fernando Rosenberg, Alejandro Susti
This is the story of an airpower-dominated campaign, one that was deeply flawed in its design yet impressive in its efficiency. This quick-look study is based upon visits to damaged sites, villages, towns, and cities; discussions with government and military officials; and experience of having evaluated airpower and its effects in Afghanistan, Iraq, and the former Yugoslavia (and previously in Lebanon). Months of follow-up research included exchanges with Israeli, Lebanese, Hezbollah, and US experts. The intent was to develop a timely airpower narrative to enhance professional military education and planning. About the author: William M. Arkin is an independent military analyst, journalist, and author. He writes the "Early Warning" column for washingtonpost.com (where he previously wrote the "DOT.MIL" column from 1998 to 2003) and is a longtime NBC News military analyst.(Originally published by Air University Press)
Explore the relationship between music and society around the world This comprehensive introductory text creates a panoramic experience for beginner students by exposing them to the many musical cultures around the globe. Each chapter opens with a musical encounter in which the author introduces a key musical culture. Through these experiences, students are introduced to key musical styles, musical instruments, and performance practices. Students are taught how to actively listen to key musical examples through detailed listening guides. The role of music in society is emphasized through chapters that focus on key world cultural groups.
In Caribbean and Atlantic Diaspora Dance: Igniting Citizenship, Yvonne Daniel provides a sweeping cultural and historical examination of diaspora dance genres. In discussing relationships among African, Caribbean, and other diasporic dances, Daniel investigates social dances brought to the islands by Europeans and Africans, including quadrilles and drum-dances as well as popular dances that followed, such as Carnival parading, Pan-Caribbean danzas,rumba, merengue, mambo, reggae, and zouk. Daniel reviews sacred dance and closely documents combat dances, such as Martinican ladja, Trinidadian kalinda, and Cuban juego de maní. In drawing on scores of performers and consultants from the region as well as on her own professional dance experience and acumen, Daniel adeptly places Caribbean dance in the context of cultural and economic globalization, connecting local practices to transnational and global processes and emphasizing the important role of dance in critical regional tourism.
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The use of testamentary trusts is becoming an important part of estate planning. As a result, students who want to make a living as probate attorneys will need to know how trusts fit into estate planning. In addition, bar examiners realize that it is important for students to have a basic knowledge of trust law. That realization will result in bar examination questions that test that knowledge. This book is designed for use as a supplementary text for a course on wills and trusts and the primary text in a seminar or course exploring the law of trusts.