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Thirteen stories, most written in the style of "that curiously sophisticated thing, the later French fairy tale," as Saintsbury notes in his introduction.
CCBC Choices 2013 2014-2015 Children's Crown Award 2013-2014 Macy's Multicultural Collection of Children's Literature 2015 Louisiana Readers' Choice Master List A 2013 CBC/NCSS Notable Social Studies Trade Book for Young People 2013 Amelia Bloomer list 2013 IRA-CBC Children's Choices Best Children's Books of the Year 2013, Bank Street College Tells how Alice Coachman, born poor in Georgia, became the first African American woman to win a gold medal at the Olympics. Bare feet shouldn't fly. Long legs shouldn't spin. Braids shouldn't flap in the wind. 'Sit on the porch and be a lady,' Papa scolded Alice. In Alice's Georgia hometown, there was no track where an African-American girl could practice, so she made her own crossbar with sticks and rags. With the support of her coach, friends, and community, Alice started to win medals. Her dream to compete at the Olympics came true in 1948. This is an inspiring free-verse story of the first African-American woman to win an Olympic gold medal. Photos of Alice Coachman are also included.
This volume was intended as a sequel to Andersen’s 1864 Stories and Tales (see end pages of this book) and was aimed at slightly older children. This book of fairy tales and stories deals with more complex moral questions, without sacrificing Andersen’s characteristic imaginative and fantasy elements. The series of sketches of varying lengths in this book arose from the Andersen’s experiences when as a youth he went to seek his fortune Copenhagen, in the capital of his native land; and the story entitled "Under the Willow Tree" is said likewise to have its foundation in fact. Containing 45 stories and tales, it is Illustrated with 80 woodcuts done by the brothers Dalziel, from illustrations by Alfred Water Bayes. Some of the stories in this volume are: * What the Moon Saw * The Story of the Year * The Goblin and the Huckster * In a Thousand Years * The Bond of Friendship * Jack the Dullard * Under the Willow Tree * The Beetle * A Leaf from the Sky * The Dumb Book; plus many, many more. So, we invite you to download this ebook, find a comfy chair and settle in to be entertained for hours. 10% of the profit from the sale of this book will be donated to charities. ---------------------------- KEYWORDS/TAGS: Folklore, fairy tales, myths, legends, folk tales, children’s stories, bedtime, fables, culture, cultural, What the Moon Saw, Story of the Year, Good for Nothing, Difference, Everything, Right Place, Goblin, Huckster, Thousand Years, Bond, Friendship, Jack the Dullard, Something, Under, Willow Tree, Beetle, Old Man, Always Right, Wind, Waldemar Daa, Daughters, Ib, Christine, Ole, Tower-Keeper, Bottle-Neck, Good Humour, leaf, Sky, Dumb, Book, Jewish Girl, Thorny Road, Honour, Old Gravestone, Old Bachelor, Nightcap, Marsh King, Daughter, Last Dream, Old Oak Tree, Christmas Tale, Bell-deep, Puppet Showman, Pigs, Anne Lisbeth, Charming, Duck, yard, Trod, tread, stood, Loaf, bread, Sand dunes, Bishop of Borglum, Warriors, Snow Man, Two Maidens, Farmyard Cock, Weathercock, Pen, Inkstand, Child, Grave, Soup, Sausage Peg, Wise Men, Butterfly, Uttermost, Parts, Sea, Phœnix Bird, phoenix
A meticulously observed and macabre tale of hell on earth from the revolutionary German author of the famous play Marat/Sade Peter Weiss’s first prose work, The Shadow of the Coachman’s Body, was unanimously praised as an original and perfect work of art by critics when it appeared in 1960. Here, in poet Rosmarie Waldrop’s stunning translation, Weiss arranges a dark, vividly alive comedy of inert objects in a dismal boarding house—stones, buttons, hooks, needles, chairs, newspapers in an outhouse, clinking tin cups, celestial orbs, sewing machines, an overwound windup music box—which have oblique characters’ shadows as their supporting cast. Described by Weiss as a “micro-novel,” The Shadow of the Coachman’s Body can be obscene, trivial and brutal, and yet it is also peculiarly intimate and offers endless possibilities—like a telescope and kaleidoscope rolled into one.