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Bright and magnetic, Tina Biggar was an all-American girl from a picture-perfect family. She studied hard and played hard, and when a subject interested her, she couldn't let it go. At college, Tina worked on a research project, interviewing prostitutes about AIDS awareness. Later, she explored on her own the seedy world of the high-class call girl, and walked into a nightmare she's never return from. Living off-campus with her boyfriend, Todd, Tina's interest has taken a dangerous turn. One of her family and friends suspected that the twenty-three-year-old blonde was secretly working as a call girl for three shadowy escort services, providing sexual favors to strangers for one hundred dollars an hour. Then one day Tina was gone. Four weeks later, police found her decomposed body behind a vacant house--hidden there by a forty-one-year-old treacherous ex-con and regular client who would be charged with her violent death. Only with her tragic murder did the twisted story of Tina's shocking double life emerge before the horrified eyes of those who knew and loved her.
On January 22, 1994, two-year-old Renee Goode played happily with her sisters and cousin, enjoying an impromptu "slumber party" at the home of her father, Shane Goode. The next day Renee was dead. "To the Last Breath" reveals what Renee's grandmother had suspected all along: cold, calculating Shane Goode had murdered his own daughter to cash in on her death. of photos. Martin's Press.
A true account of the March 1, 1995 kidnapping of Kim Antonakos, a twenty-year old coed, follows her father and police on a search that would eventually lead them to the kidnappers and Kim's body. Original.
This chilling book takes a look at history's most repugnant criminals: the monsters who murder, mutilate, and carry out the most gruesome, unimaginable act of all--eating the flesh of their victims. of photos. Reissue.
In November 1983, David Hendricks's wife and three children were found butchered in their Bloomington, Illinois, home while Hendricks was away on business. Hendricks soon became the prime suspect in the murders of his family. Reissue.
The story of George Trepal, a member of Mensa found guilty of poisoning Peggy Carr and her family in 1988, and of Susan Goreck's undercover investigation of the murder.
From live productions of the 1950s like Requiem for a Heavyweight to big budget mini-series like Band of Brothers, long-form television programs have been helmed by some of the most creative and accomplished names in directing. Encyclopedia of Television Film Directors brings attention to the directors of these productions, citing every director of stand alone long-form television programs: made for TV movies, movie-length pilots, mini-series, and feature-length anthology programs, as well as drama, comedy, and musical specials of more than 60 minutes. Each of the nearly 2,000 entries provides a brief career sketch of the director, his or her notable works, awards, and a filmography. Many entries also provide brief discussions of key shows, movies, and other productions. Appendixes include Emmy Awards, DGA Awards, and other accolades, as well as a list of anthology programs. A much-needed reference that celebrates these often-neglected artists, Encyclopedia of Television Film Directors is an indispensable resource for anyone interested in the history of the medium.
Edgar Award Finalist: The true story of a serial killer who terrorized a midwestern town in the era of free love—by the coauthor of The French Connection. In 1967, during the time of peace, free love, and hitchhiking, nineteen-year-old Mary Terese Fleszar was last seen alive walking home to her apartment in Ypsilanti, Michigan. One month later, her naked body—stabbed over thirty times and missing both feet and a forearm—was discovered, partially buried, on an abandoned farm. A year later, the body of twenty-year-old Joan Schell was found, similarly violated. Southeastern Michigan was terrorized by something it had never experienced before: a serial killer. Over the next two years, five more bodies were uncovered around Ann Arbor and Ypsilanti, Michigan. All the victims were tortured and mutilated. All were female students. After multiple failed investigations, a chance sighting finally led to a suspect. On the surface, John Norman Collins was an all-American boy—a fraternity member studying elementary education at Eastern Michigan University. But Collins wasn’t all that he seemed. His female friends described him as aggressive and short tempered. And in August 1970, Collins, the “Ypsilanti Ripper,” was arrested, found guilty, and sentenced to life in prison without chance of parole. Written by the coauthor of The French Connection, The Michigan Murders delivers a harrowing depiction of the savage murders that tormented a small midwestern town.
Beginning in the 1960s through its heyday in the 1970s and beyond, the telefilm remains an important cultural artefact masquerading as disposable entertainment. Made specifically for the small screen, within the tight constraints of broadcasting standards, what these humble movies lacked in budget and star appeal, they made up for in other ways. Often they served as an introduction to genre films, particularly horror, mirroring their theatrical counterparts with a focus on sinister cults, women in prison, haunted houses and even animals in revolt. They were also a place to address serious contemporary issues—drugs, prostitution, sexual violence and justice—albeit in a cosy domestic environment. Production of telefilms continues to this day, but their significance within the history of mass media remains under-discussed. Are You in the House Alone? seeks to address this imbalance in a series of reviews and essays by fans and critics alike. It looks at many of the films, the networks and names behind them, and also specific genres—everything from Stephen King adaptations to superheroes to true-life dramas. So, kickback and crack open the TV guide once more for the event that is the Movie of the Week!
Bright and magnetic, Tina Biggar was an all-American girl from a picture-perfect family. She studied hard and played hard, and when a subject interested her, she couldn't let it go. At college, Tina worked on a research project, interviewing prostitutes about AIDS awareness. Later, she explored on her own the seedy world of the high-class call girl, and walked into a nightmare she's never return from. Living off-campus with her boyfriend, Todd, Tina's interest has taken a dangerous turn. One of her family and friends suspected that the twenty-three-year-old blonde was secretly working as a call girl for three shadowy escort services, providing sexual favors to strangers for one hundred dollars an hour. Then one day Tina was gone. Four weeks later, police found her decomposed body behind a vacant house--hidden there by a forty-one-year-old treacherous ex-con and regular client who would be charged with her violent death. Only with her tragic murder did the twisted story of Tina's shocking double life emerge before the horrified eyes of those who knew and loved her.