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Dorothy Whipple's key theme is `Live and Let Live'. And what she describes throughout her short stories are people, and particularly parents, who defy this maxim. For this reason her work is timeless, like all great writing. It is irrelevant that Dorothy Whipple's novels were set in an era when middle-class women expected to have a maid; when fish knives were used for eating fish; when children did what they were told. The moral universe she creates has not changed: there are bullies in every part of society; people try their best but often fail; they would like to be unselfish but sometimes are greedy. Like George Eliot, like Mrs Gaskell, like EM Forster, Dorothy Whipple describes men and women in their social milieu, which in her case is the inter-war period, and shows them being all- too human. But her books are not nostalgia reads either, any more than reading George Eliot or Forster is a nostalgia read, nor are they old-fashioned or simplistic. Her prose, it is true, is pure, uncluttered, straightforward, pared down to the bone and never labours the point; her subtlety is the reason why so many people - generally those who have not read her - overlook her excellence.
Stories of Sicily, immigration, and the lives of Sicilian women in the early 20th century.
Heedless. Stubborn. Disgraced. Small town Illinois, 1870: "My stepfather was not particularly fond of me to begin with, and now that he'd found out about the baby, he was foaming at the mouth" Desperate to avoid marriage, Nell Lillington refuses to divulge the name of her child's father and accepts her stepfather's decision that the baby be born at a Poor Farm and discreetly adopted. Until an unused padded cell is opened and two small bodies fall out. Nell is the only resident of the Poor Farm who is convinced the unwed mother and her baby were murdered, and rethinks her decision to abandon her own child to fate. But even if she manages to escape the Poor Farm with her baby she may have no safe place to run to.
Every Move You Make. . . Surveillance expert Seth Mackey knows everything about the women that his millionaire boss toys with--and tosses aside. Raine Cameron is something different. Night after night, Seth watches her on a dozen different video screens. Her vulnerable beauty haunts him and her fresh innocence stirs a white-hot passion that he can barely control. Raine is pure temptation, but Seth has something more important to take care of first. He's convinced that his boss, Victor Lazar, is responsible for his half-brother's murder. He cannot put his secret investigation at risk, but he can't stop wanting her--craving her--and soon he knows he can't let Victor have her. For Raine may be Victor's next victim. . . Every Breath You Take Raine knows she's being watched--but no one can see the secrets in her heart. She has reasons of her own to seek revenge on Victor Lazar, and she will, despite her fear--and the distracting presence of Seth Mackey. Though Raine has little experience with men, Seth's fiercely masculine good looks and animal sensuality stir her most erotic fantasies when she's along. . .and lead her to a bold plan. Offering her body to him, surrendering totally to his ruthless desire might well push her beyond all emotional limits--and beyond fear itself.
For twenty years, they had been closer than sisters, sharing girlhood secrets, their hopes and dreams for the future—and a soul-searing promise. Melissa was the only one who knew what had really happened to Jannie beyond the sacred walls of the Mormon Temple the night that changed her life forever.... UNTIL HER BEST FRIEND VANISHED WITHOUT A TRACE. Now Melissa has gone missing, just days after entrusting Jannie with a mysterious box that someone would kill to possess. And someone has—leaving in their murderous wake an innocent victim and a trail of blood that leads to the heart of Jannie's hidden burden. Desperate to protect her secret, and to find out what has happened to Melissa, Jannie trusts no one. Not the stranger whose piercing green eyes have already seen too much, nor the family and friends whose familiar fold may be shielding a cold-blooded killer who is lurking BEHIND CLOSED DOORS.
A powerful tale of love, the loss of innocence and the importance of family in difficult times by the acclaimed author of The Death of Bees, winner of the Commonwealth Book Prize 2013. ‘There are no strangers in Rothesay, Michael. Everyone knows who you are and always will. It’s a blessing but it’s also a curse.’ Eleven-year-old Michael Murray is the best at two things: keepy-uppies and keeping secrets. His family think he’s too young to hear grown-up stuff, but he listens at doors; it’s the only way to find out anything. And Michael’s heard a secret, one that might explain the bruises on his mother’s face. When the whispers at home and on the street become too loud to ignore, Michael begins to wonder if there is an even bigger secret he doesn’t know about. Scared of what might happen if anyone finds out, and desperate for life to return to normal, Michael sets out to piece together the truth. But he also has to prepare for the upcoming talent show, keep an eye out for Dirty Alice, his arch-nemesis from down the street, and avoid eating Granny’s watery stew. Closed Doors is the startling new novel from the acclaimed author of The Death of Bees. It is a vivid evocation of the fears and freedoms of childhood in the 1980s and a powerful tale of love, the loss of innocence and the importance of family in difficult times.
Josie has a secret: her mother is a hoarder. Tasha has a secret, too: her mother’s new boyfriend keeps trying to sneak into her room and seduce her. The two 16-year-olds don’t get along at school, but one night Tasha bolts from her dangerous home and finds herself at Josie’s door. Josie’s mother is in jail for debt, and the girls are alone in the cramped, crowded, bursting home. Slowly, they begin to talk about the challenges they face, a process of sharing that lessens their shame, guilt and fear. With each other’s support, they may even find a way to save themselves from their parents’ demons. Behind Closed Doors is an unflinching examination of the stigmas surrounding mental illness, abuse and poverty, and an affirming portrayal of the power of female friendships and the power of honesty to heal.
Suicide - the act of taking one's own life. Homicide - the act of taking someone else's. An unethical banker suffocates. A diamond dealer slits his wrists. A media magnate freezes in the snow. A disgraced CEO inhales exhaust fumes. Four unpopular businessmen, four apparent suicides. Until Interpol find the same DNA at each death. Beatrice Stubbs, on her first real case since 'the incident', arrives in Switzerland to lead the investigation. But there's more to Zurich than chocolate and charm. Potential suspects are everywhere, her Swiss counterpart is hostile and the secretive world of international finance seems beyond the law. Battling impossible odds by day and her own demons at night, Beatrice has never felt so alone. She isn't. Someone's watching. Someone else who believes in justice. The poetic kind. Behind Closed Doors is the first in the Beatrice Stubbs series.
The Sacred Door and Other Stories: Cameroon Folktales of the Beba offers readers a selection of folktales infused with riddles, proverbs, songs, myths, and legends, using various narrative techniques that capture the vibrancy of Beba oral traditions. Makuchi retells the stories that she heard at home when she was growing up in her native Cameroon. The collection of thirty-four folktales of the Beba showcases a wide variety of stories that capture the richness and complexities of an agrarian society’s oral literature and traditions. Revenge, greed, and deception are among the themes that frame the story lines in both new and familiar ways. In the title story, a poor man finds himself elevated to king. The condition for his continued success is that he not open the sacred door. This tale of temptation, similar to the story of Pandora’s box, concludes with the question, “What would you have done?” Makuchi relates the stories her mother told her so that readers can make connections between African and North American oral narrative traditions. These tales reinforce the commonalities of our human experiences without discounting our differences.