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WINNER OF THE SUE KAUFMAN PRIZE FOR FIRST FICTION FROM THE AMERICAN ACADEMY OF ARTS AND LETTERS What if our homes could tell the stories of others who lived there before us? To those who have ventured past it over the years, this small estate in a village outside Paris has always seemed calm and poised. But should you open the gates and enter inside, you will find rooms which have become the silent witnesses to a century of human drama: from the young American au pair developing a crush on her brilliant employer to the ex-courtesan shocking the servants, and the Jewish couple in hiding from the Gestapo to the housewife who begins an affair while renovating her downstairs. The stories of those who have lived within the estate have been many and varied. But as the years unfold, their lives inevitably come to haunt the same spaces and intertwine, creating a rich tapestry of the relationships, life-altering choices, and fleeting moments which have kept the house alive through the last hundred years. . . 'Sweeping, suspenseful, rich with surprises and eerie atmosphere' Jennifer Egan
150 Best Terrace and Balcony Ideas is the ultimate resource for innovative terrace, roof garden, patio, and balcony design ideas for outdoor spaces of all shapes and sizes. Featured inside this lavish guidebook are 150 never-before-shared tips and techniques provided by internationally renowned architects and designers, along with full-color photographs and diagrams of sixty-five uniquely beautiful projects from around the world. The design ideas reveal how to create exterior spaces that are clean, modern, and comfortable, as well as how to use cutting-edge materials that are practical, cost-effective, and environmentally friendly. Best of all, the design ideas featured inside are easy to follow and can be tailored to the unique tastes and needs of individual homeowners.
Do you live in an apartment with a balcony, fire escape or rooftop terrace? Most city dwellers neglect these spaces or use them for nothing more than hanging laundry and storing bicycles. And for a long time, so did I. Several years ago I decided to transform my under-used balcony from a lifeless concrete pad into a little garden in the sky. Every year I grow a small harvest of vegetables such as tomatoes, peppers, beans and peas, and more than enough herbs to satisfy our culinary needs. Sometimes I even grow watermelons. You don't need to live in the country or have a big yard to own a productive garden. This book will guide you through the challenges of container gardening in one of the most sterile of urban environments: a high-rise balcony. With topics including: Container gardening basics Small space composting and vermicomposting Starting plants indoors from seed Self-watering containers Hand-pollination Diagnosing common plant problems And detailed growing instructions for all of my favorite garden herbs and vegetables
What can political theory teach us about architecture, and what can it learn from paying closer attention to architecture? The essays assembled in this volume begin from a common postulate: that architecture is not merely a backdrop to political life but a political force in its own right. Each in their own way, they aim to give countenance to that claim, and to show how our thinking about politics can be enriched by reflecting on the built environment. The collection advances four lines of inquiry, probing the connection between architecture and political regimes; examining how architecture can be constitutive of the ethical and political realm; uncovering how architecture is enmeshed in logics of governmentality and in the political economy of the city; and asking to what extent we can think of architecture-tributary as it is to the flows of capital-as a partially autonomous social force. Taken together, the essays demonstrate the salience of a range of political theoretical approaches for the analysis of architecture, and show that architecture deserves a place as an object of study in political theory, alongside institutions, laws, norms, practices, imaginaries, and discourses.
It is the fall of 1939, and Lieutenant Grange and his men are living in a chalet above a concrete bunker deep in the Ardennes forest, charged with defending the French-Belgian border against the Germans in a war that seems unreal, distant, and unlikely. Far more immediate is the earthy life of the forest itself and the deep sensations of childhood it recalls from Grange’s memory. Ostensibly readying for war, Grange instead spends his time observing the change in seasons, falling in love with a young free-spirited widow, and contemplating the absurd stasis of his present condition. This novel of long takes, dream states, and little dramatic action culminates abruptly in battle, an event that is as much the real incursion of the German army into France as it is the sudden intrusion of death into the suspended disbelief of life. Richard Howard’s skilled translation captures the fairy-tale otherworldliness and existential dread of this unusual, elusive novel (first published in 1958) by the supreme prose stylist Julien Gracq.
Decamp with an innocent toiler and his mysterious female companion to a metaphoric world in the clouds—a strange, vertiginous perch that reveals startling insights about the twisted dynamics of love and power.
Longtime urban gardener Mitchell shows readers how to transform whatever space they have, from a balcony or rooftop to a fire escape or window box, into a profusion of fresh, seasonal produce.