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A sweeping history of racialized performance across the Anglophone imperial world from the eighteenth to the early twentieth century A material history of racialized performance throughout the Anglophone imperial world, Transoceanic Blackface: Empire, Race, Performance revises prevailing understandings of blackface and minstrelsy as distinctively US American cultural practices. Tracing intertwined histories of racialized performance from the mid-eighteenth through the early twentieth century across the United States and the British Empire, this study maps the circulations of blackface repertoires in theatrical spectacles, popular songs, visual materials, comic operas, closet dramas, dance forms, and Shakespearean burlesques. Kellen Hoxworth focuses on overlooked performance histories, such as the early blackface minstrelsy of T. D. Rice’s “Jump Jim Crow” and the widely staged blackface burlesque versions of Othello, as traces of the racial and sexual anxieties of empire. From the nascent theatrical cultures of Australia, Britain, Canada, India, Jamaica, South Africa, and the United States, Transoceanic Blackface offers critical insight into the ways racialized performance animated the imperial “common sense” of white supremacy on a global scale.
"At the instigation of William Gladstone, this challenge was met by implementing a controversial plan he had conceived, namely, the recruitment and importation of indentured workers from various places, but primarily from India, then the "jewel in the Crown" of the British Empire. This book is the story of these immigrants, who were transported from one side of the globe to another, almost exclusively in sailing ships."--BOOK JACKET.
Alias Blind Larry is a convict story, an adventure story, a colonial story, a Jewish story, a theatrical story. A story of cruelty, resilience, cheek and humour, and it is (mostly) true. Born in London in 1793, the son of a poor diamond cutter, young James Laurence travelled to Jamaica, the USA and Canada, clerking, acting, impersonating, singing, forging and defrauding before he was transported to NSW in 1814 for jewel theft. He served time in every penal settlement in NSW, singing and thieving when he was free. He wrote his memoir on Norfolk Island in 1842, just before his release. Then even more adventures followed. A fascinating piece of history, untold until now. Through the narrative of Laurence’s life, Alias Blind Larry re-creates a whole period of history.