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Featuring new, accessibly written scholarship by the curatorial staff, this book will be the definitive resource on this world-renowned collection.
This first comprehensive presentation of this collection from the Cleveland Museum of Art, includes paintings by Monet, Degas, Renoir, Boudin and Manet among other innovative artists of the Impressionist and Post-Impressionist period. Each painting is presented with descriptions detailing the artist's motifs and context of the work in the Impressionist era. The title, with its essays and over 100 colour plates, provides a thorough focus of the dramatic artistic development of the century between 1850 and 1950 through the remarkable pieces of this collection. 100 colour Illustrations
There have been previous books on the Cleveland Museum of Art published by Scala, but this is the first to explore the gardens surrounding the museum. The Cleveland Museum of Art is located in a parklike setting with other cultural and educational institutions. Built on land given by one of the museum's major donors, the museum opened to the public in 1916. The foreground of this majestic white marble structure, however, was a long-neglected parcel of land with a small lake owned by the City of Cleveland. In the 1920s the Garden Club of Cleveland took on the job of transforming this blighted plot into a garden everyone could enjoy. Mary Hoerner presents the history of the Fine Arts Garden, and Jeffrey Strean discusses the development of the museum's grounds since the 1930s as well as plans for the future. This lavishly illustrated and beautifully designed book presents a new aspect of the history of a distinguished institution.
Lavishly illustrated and loaded with stellar examples of helmets, shields, swords, crossbows, firearms, and more from the magnificent collection of the Cleveland Museum of Art, this volume traces the history of European arms and armor from antiquity through the 18th century. Published to celebrate the recent refurbishment of the museum's popular Armor Court, Arms & Armor explores such themes as medieval warfare, tournaments, the process of making and decorating armor, and the Renaissance culture of arms. It also provides a discussion of various forms of weapons. The museum's finest works -- all newly restored -- were specially photographed for the book's large colorplates and searching details. In addition, paintings, tapestries, and engravings show how the objects were used and worn.
Photographs by Ernst Scheidegger of Alberto Giacometti and his art work.
"The volume has been produced to accompany an exhibition of these rarely seen works, which will be presented in Cleveland and then travel to the Morgan Library in New York. It will be a treasured addition to the library of every lover of the art of drawing."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Linking two influential figures in American art, this fascinating catalogue explores the intersection between works by modern master Robert Rauschenberg (1925­-2008) and innovative contemporary artist Rachel Harrison (b. 1966). Taking its name from Gloria, an iconic Rauschenberg work in the collection of the Cleveland Museum of Art, the book covers multiple aspects of Harrison's career thus far, and uses her work as a lens to explore the lasting influence of Rauschenberg. Two essays underline the reason for this pairing: one, by Beau Rutland, takes a thematic approach to the interplay between Rauschenberg's and Harrison's practices; the other, by Johanna Burton, presents a more nuanced look at Harrison's oeuvre. Harrison herself debuts new digital collages created specifically for this publication. The first book to compare Rauschenberg and Harrison, Rachel Harrison: G-L-O-R-I-A brings a completely new perspective to these well-known subjects.
A major survey on both the art and decoration of Sta. Maria del Fiore in Florence, and early Renaissance art.
"In the middle of the first middle of the first millennium the political landscape of Europe was a lawless wasteland where widely scattered monasteries sheltered what remained of classical culture as well as the seeds of what would become the lofty achievements of medieval art, scholasticism, and humanism. In these sanctuaries and in towns fortified against constant warfare, precious objects, carefully wrought by hand, were made to glorify God and celebrate the pleasures of life at court. A thousand years of aesthetic culture, from the austere spirituality of the Byzantine Icon of the Virgin to the exalted frivolity of the French Table Fountain, is presented in this book, in pages filled with golden caskets set with jewels, tiny paintings in sacred books, and saints and angels in marble and gold"--Book jacket.