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A three-volume guide to the early art and artists of Ohio. It includes coverage of fine art, photography, ornamental penmanship, tombstone carving, china painting, illustrating, cartooning and the execution of panoramas and theatrical scenery.
The guide provides Research Publications' fiche and reel numbers, with their contents, for City directories of the United States in microform; segment 1 (pre 1860), segment 2 (1861-1881) and segment 3 (1882-1901).
This study draws on research concerning the lives of Eugene O'Neill, his family and his circle. It corrects and expands the biographical record on him and distinguishes the man and his life from the creations that were inspired by, and drew on, that life. Included are his attempted suicide, his tuberculosis, and his relationship with his parents.
On August 26, 1861, one hundred volunteers met at Camp Wood and formed Company A. These men, for the most part, were well educated and left to us a series of letters to families and friends, diaries, letters to their local newspapers, official reports, and talks they gave after the war at reunions. Their correspondence differs from most others in that they do not simply record the temperature and what they had to eat. The story the correspondence of Company A tells allows the reader to know what it was really like to be a volunteer soldier. The men describe what they saw from their vantage points on the parts of the battlefield they could see. Their letters cover their discussions and arguments concerning slavery, the national draft, the right of “citizen soldiers” to confiscate property, and the use of blacks in combat. On a very personal level they describe what it was like to be captured and spend time in Confederate prisons awaiting exchange, what they felt when they had to leave wounded or dead comrades on the field when they had to retreat, whether to reenlist, the punishments they had to endure, the witnessing of military executions, and whether to mutiny. There are marvellous descriptions of the unauthorized truces the men arranged with the Confederates to trade tobacco for coffee or to bathe in a stream separating them.
From a Pulitzer Prize finalist, a pathbreaking history of the Civil War centered on a regiment of immigrants and their brutal experience of the conflict. The Civil War ended more than 150 years ago, yet our nation remains fiercely divided over its enduring legacies. In A Thousand May Fall, Pulitzer Prize finalist Brian Matthew Jordan returns us to the war itself, bringing us closer than perhaps any prior historian to the chaos of battle and the trials of military life. Creating an intimate, absorbing chronicle from the ordinary soldier’s perspective, he allows us to see the Civil War anew—and through unexpected eyes. At the heart of Jordan’s vital account is the 107th Ohio Volunteer Infantry, which was at once representative and exceptional. Its ranks weathered the human ordeal of war in painstakingly routine ways, fighting in two defining battles, Chancellorsville and Gettysburg, each time in the thick of the killing. But the men of the 107th were not lauded as heroes for their bravery and their suffering. Most of them were ethnic Germans, set apart by language and identity, and their loyalties were regularly questioned by a nativist Northern press. We so often assume that the Civil War was a uniquely American conflict, yet Jordan emphasizes the forgotten contributions made by immigrants to the Union cause. An incredible one quarter of the Union army was foreign born, he shows, with 200,000 native Germans alone fighting to save their adopted homeland and prove their patriotism. In the course of its service, the 107th Ohio was decimated five times over, and although one of its members earned the Medal of Honor for his daring performance in a skirmish in South Carolina, few others achieved any lasting distinction. Reclaiming these men for posterity, Jordan reveals that even as they endured the horrible extremes of war, the Ohioans contemplated the deeper meanings of the conflict at every turn—from personal questions of citizenship and belonging to the overriding matter of slavery and emancipation. Based on prodigious new research, including diaries, letters, and unpublished memoirs, A Thousand May Fall is a pioneering, revelatory history that restores the common man and the immigrant striver to the center of the Civil War. In our age of fractured politics and emboldened nativism, Jordan forces us to confront the wrenching human realities, and often-forgotten stakes, of the bloodiest episode in our nation’s history.