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Hand painting ceramics is a creative and practical art accessible to everyone. Clear step-by-step instructions for every step of the ceramic process are combined with suggestions for finding inspiration. Color photographs illustrate professional results you can achieve on tiles, vases, dinnerware, and small murals. Indeed, any clay surface can become a canvas for self-expression.
Whether you are a potter, painter or hobbyist, you'll find that creative painting on ceramics will provide you a canvas for self-expression, and add an extra dimension to your work; will personalize your environment and help you create one-of-a-kind gifts for family, friends and clients. Clear step-by-step instructions and seven design projects are combined with suggestions for finding inspiration in a variety of source materials. A gallery of color photographs illustrate the beautiful and professional results you can achieve. Information on what supplies are needed and where they can be found, and on setting up a business will get you "fired up" about the possibilities.
"The vessels in the pages that follow open to us a world flickering with the light of a people's collective character and shared philosophy. These vessels have bodies of clay, but they float before us in the zero gravity of wisdom and belief."-- Edwin L. Wade Canvas of Clay tells the story of Hopi ceramics from the 14th century to recent times, offering a particularly close look at the art and life of the master potter Nampeyo (1860-1942). It analyzes the specific dynamics of nearly 100 jars and bowls, all richly illustrated, weaving in many insights into Hopi history, aesthetics, and symbolism. Included are original schematic drawings that will help readers understand how pottery decoration is built from ingeniously combined design elements. This book is a glorious testament to a brilliant art form and its practitioners, presented with passion, knowledge, and respect.
Forced into early retirement, Bennett Hall plans for a quiet and anonymous existence, no longer burdened by an unlovable, dependent aunt, and her own misperceived rejections. Unexpected encounters and a new job crack upon her social isolation. The arrival of Joe Muir, a widower with two adopted Ugandan children, awaken Bennett's long-ignored desires. Inspired to win Joe's love, she is determined to fly to Uganda to search for the children's missing sister, but must find the courage she has always lacked. In striving to become the person she longs to be, Bennett discovers that it is never too late to find friendship, love and even adventure.
William Millar's classic book "Plastering Plain and Decorative" is universally referred to as the 'Plasterer's Bible'. It was first published in 1897 and was clearly a great success, with a second edition following a couple of years later in 1899 and a third edition in 1905 (a reprint of the first edition is available from Donhead). In 1927 the publishers, B. T. Batsford Ltd, decided that it was time to republish Millar's 'magnus opus', but that the fourth edition should be revised and updated. They asked George P. Bankart, an architect/craftsman and author, who had already written another book for them, to take on this task. George Percy Bankart was an architect highly influenced by the 'Arts and Crafts' movement, who had chosen to work as a decorative craftsman. The 'Arts and Crafts' was an English movement dedicated to the idea that architecture could be inspired by a revival of traditional building crafts and materials. It started in the second half of the 19th century, based on the writings of Ruskin and was driven by the ideas Morris, amongst many others; and carried on into the first quarter of the 20th century. Bankart was born in Leicester on the 20th January 1866, and was a great friend of Ernest W. Gimson, another Leicester born architect, just over a year his elder. Both men studied and became architects, and shared a creative passion for the handicrafts. Whilst Gimson's career included embroidery design, traditional chair-making and furniture design, as well as decorative modeled plasterwork, Bankart concentrated primarily on plasterwork. Their different activities were true to the ideas of the Arts and Crafts movement, and their designs reflect the movement's interest in a return to nature. Bankart's career as an author started with "The Art of The Plasterer", which was published by B. T. Batsford Ltd in 1909. He seems to have taken a break from writing until, together with his son G. Edward Bankart, he produced two books "Modern Plasterwork Construction" in 1926, followed in 1927 by "Modern Plasterwork Design", both published by the Architectural Press. Also in 1927 he was back with B. T. Batsford Ltd for the publication of this fourth and revised edition of 'Millar'.
Ed : Brooklyn College and City University of New York, Revised edition, Includesnew texts, introduction, biography, overview.
Building on the success of the original volume, this revised edition of The Ceramics Bible features new techniques, terms, images, and artist profiles—as well as the tried-and-true step-by-step instruction and comprehensiveness that students, instructors, artists, and collectors have all come to appreciate. Since its debut in September 2011, The Ceramics Bible has been the go-to guide for anyone interested in this flourishing art form. The revised edition updates a quarter of the original content, while keeping the visually rich format and straightforward instruction that make the book such a valuable tool for makers and artists. Featuring a diverse array of contemporary artists, and a comprehensive guide to the best ceramics galleries, suppliers, residencies, workshops, and studios all over the world, this volume will teach you everything you want to know about making ceramics. AN EVERGREEN ART FORM: Ceramics and pottery never go out of style—in fact, these art forms continue to grow in popularity year after year. Whether you're a seasoned ceramicist searching for a reliable reference volume, or a new artist working your way through beginner techniques, this book is one you'll return to again and again. NEW AND IMPROVED: From social media marketing to 3D clay printing, the topics covered in this updated edition captures the technological and social changes that have shaped the practices and products of working ceramics artists. MORE THAN A HANDBOOK: With a plethora of gorgeous full-color photographs—including profiles of contemporary ceramics artists and examples of their work—The Ceramics Bible is both beautiful to behold and easy to use. This book will be equally at home on a living room coffee table as it is in the workshop. Perfect for: • Art and design students • Makers, craftspeople, ceramics artist, and pottery enthusiasts • Art instructors, educators, and collectors
Human Canvas combines Wolfe’s world-famous photography with his exquisite painting to create a groundbreaking collection of body art. What does it mean to be human? In Human Canvas, Art Wolfe uses his exceptional photography and his background in fine-art painting to transform skin into an abstract landscape. Inspired by the body-painting traditions of indigenous peoples Wolfe has photographed worldwide, and particularly those in Ethiopia and Papua New Guinea, Wolfe set out to present his own take on this art form and explore concepts of universal beauty. Through the use of lines, patterns, textures, and unusual points of view, Wolfe abstracts the human form and creates a unique and captivating look of the human body as art. The result is an energized expression of both artistic mastery and cultural impact. Over his expansive career, Wolfe has traveled to every continent. He has ventured from 19,000-foot heights on Mount Everest to the Danakil Depression in Ethiopia, 410 feet below sea level, as well as deep into sacred lands on the Tibetan Plateau, the Indian subcontinent, and the desert Southwest. He has visited indigenous tribes deep in the Amazon rainforest, high in the Baliem Valley in Western New Guinea, and in Ethiopia’s arid Omo River valley. Each new group of people he connected with showed him that, despite our cultural differences, inside we’re all just human. Through this fearless effort by a photographer uniquely qualified by study and life experiences in the cultural and artistic worlds, Wolfe manages to universalize the concept of human beyond race, gender, politics, or any other differentiating feature.
"The log of the clay worker": v. 100, p. 188-193.