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A study of a largely forgotten optical device and its relation to notions of opacity, transparency, and imagination.
Set in the Welsh Borders in 1980, "The Claude Glass" charts an unlikely friendship between two neighbours: Robin, the seven year old son of English hippie sheep farmers, and Andrew, a child so neglected by his impoverished parents that he is left almost mute, seeking solace among the farm dogs. Exploring his parents' semi-derelict farmhouse, Andrew finds an antique convex mirror - a Claude Glass - and, gazing into it, the two boys see their wild, rural landscape strangely ordered. But this comforting vision proves fragile as tensions and sexual jealousy rock the adult world around them. Written with a lyricism and freshness that echoes the work of Bruce Chatwin and Esther Freud, "The Claude Glass" draws you into the lives of its startling characters and their tarnished romance with nature.
Glass is the oldest man-made material. Its invention about five thousand years ago should be considered as one of the crucial events in the history of mankind. Glass has given man the possibility to have daylight in his protected living environment and to compensate the defects of his sight. Glass containers and tableware have played and still play an important role in man's everyday life. Glass elements in microscopes and telescopes have given us the possibility to learn the secrets of micro- and macrocosm. Glass participates in the most sophisticated technologies: glass fibers have caused a revolution in telecommunication, glass is used as a material for many modern electronic devices. Although nowadays plastics often make a strong competition to glass, for many applications glass is still the best material due to its specific properties - its hardness, good transparency, resistance to chemicals, the easiness to shape glass articles, feasibility to change the composition of the glass in order to meet new specific demands, etc. Two peculiarities of glass should be pointed out. The first is the fragility of glass - it breaks easily due to tensile stresses. The second is the fact that in every glass item there exist residual stresses due to the complicated technological process during which glass from the state of a viscous liquid at high temperature turns into solid state, while cooled down.
Set in the Welsh Borders in 1980, "The Claude Glass" charts an unlikely friendship between two neighbours: Robin, the seven year old son of English hippie sheep farmers, and Andrew, a child so neglected by his impoverished parents that he is left almost mute, seeking solace among the farm dogs. Exploring his parents' semi-derelict farmhouse, Andrew finds an antique convex mirror - a Claude Glass - and, gazing into it, the two boys see their wild, rural landscape strangely ordered. But this comforting vision proves fragile as tensions and sexual jealousy rock the adult world around them. Written with a lyricism and freshness that echoes the work of Bruce Chatwin and Esther Freud, "The Claude Glass" draws you into the lives of its startling characters and their tarnished romance with nature.
"A history of shells in early modern Europe, and their rich cultural and artistic significance"--
Vybarr Cregan-Reid's Footnotes: How Running Makes Us Human presents a meditation on running, nature, and the pursuit of freedom in the modern world. Running is not just a sport. It reconnects us to our bodies and the places in which we live, breaking down our increasingly structured and demanding lives. It allows us to feel the world beneath our feet, lifts the spirit, lets our minds out to play, and helps us to slip away from the demands of the modern world. When Vybarr Cregan-Reid set out to discover why running means so much to so many, he began a journey which would take him out to tread London’s cobbled streets, the boulevards of Paris, and down the crumbling alleyways of Ruskin’s Venice. Footnotes transports you to the deserted shorelines of Seattle, the giant redwood forests of California, and to the world’s most advanced running laboratories and research centers. Using debates in literature, philosophy, neuroscience, and biology, this book explores that simple human desire to run. Liberating and inspiring, Footnotes reminds us why feeling the earth beneath our feet is a necessary and healing part of our lives.
NATIONAL BESTSELLER • From the bestselling, National Book Award–winning author of Three Junes comes a tender, riveting book of two sisters and their complicated relationship. Louisa Jardine is the older one, the conscientious student, precise and careful: the one who yearns for a good marriage, an artistic career, a family. Clem, the archetypal youngest, is the rebel: committed to her work saving animals, but not to the men who fall for her. In this vivid, heartrending story of what we can and cannot do for those we love, the sisters grow closer as they move further apart. All told with sensual detail and deft characterization, I See You Everywhere is a candid story of life and death, companionship and sorrow, and the nature of sisterhood itself.
This fully realized colour catalogue includes elegant contemporary illustrations of every animal, plant or mineral cited in Syme's edition of “Werner's nomenclature of colours”
"In the decades following World War II, artists and designers developed the land art movement, consisting of outdoor artworks that can exist only in a specific place. Major works within this genre include Walter De Maria's Lightning Field (1977) located on an isolated high-desert plain in New Mexico; Robert Smithson's Spiral Jetty (1970) in the Great Salt Lake, the concrete cylinders of Nancy Holt's Sun Tunnels (1976), located in the Great Basin Desert in Utah; and other projects that nestle into environments ranging from open fields to concrete cityscapes. These works are typically depicted as they were when originally constructed. Yet their environmental contexts have transformed due to weather, agriculture, climate change, land-use policy, and more. In Second Site, James Nisbet presents the first sustained argument on how to account for the passage of time and environmental change in site-specific artworks, ranging from Richard Serra's Shift (1970)-whose initial small-farm-setting is now a growing exurb of Toronto-to Ant Farm's Cadillac Ranch (1974) and Nancy Holt's Dark Star Park (1984). Nisbet argues for an ecological reading of the artworks' environments, and coins the term "second site" to argue that manmade artworks and non-living things have their own durations but co-exist in the continuous experience of an environment. Any single photograph or experience of a site can provide only one view of an ever-changing existence. Nisbet advocates for new methods of evaluation, conservation, and depiction in order to "read" the content of these sites of time. In doing so, he uses site-specific artworks to help understand what it means for humans and their cultural production to live in an ecologically volatile world"--