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Bringing together translation theory and literary history, this volume conveys how Pound in his influential and controversial Homage to Sextus Propertius enriched the art of translation. The work of Louis Zukofsky, Basil Bunting, J. V. Cunningham, and Peter Porter is also discussed.
Christians throughout the ages have written poetry as a way to commune with and teach about God, communicating rich truths and enduring beauty through their art. These poems, when read devotionally, provide a unique way for Christians to deepen their spiritual insight and experience. In this collection of over 90 poems by poets such as Emily Dickinson, T. S. Eliot, Ralph Waldo Emerson, Robert Frost, William Shakespeare, and over 30 more, literary expert Leland Ryken introduces readers to the best of the best in devotional poetry, providing commentary that helps them see and appreciate not only the literary beauty of these poems but also the spiritual truths they contain. Literary-inclined readers and first-time poetry readers alike will relish this one-of-a-kind anthology carefully compiled to help them encounter God in fresh ways.
This carefully crafted ebook: “The Merchant of Venice (The Unabridged Play) + The Classic Biography: The Life of William Shakespeare” is formatted for your eReader with a functional and detailed table of contents. William Shakespeare's The Merchant of Venice was probably written between 1596 and 1598, and was printed with the comedies in the First Folio of 1623. Bassanio, an impoverished gentleman, uses the credit of his friend, the merchant Antonio, to borrow money from a wealthy Jew, Shylock. Antonio pledges to pay Shylock a pound of flesh if he defaults on the loan, which Bassanio will use to woo a rich heiress, Portia. A subplot concerns the elopement of Shylock's daughter Jessica with a Christian, Bassanio's friend Lorenzo. Life of William Shakespeare is a biography of William Shakespeare by the eminent critic Sidney Lee. This book was one of the first major biographies of the Bard of Avon. It was published in 1898, based on the article contributed to the Dictionary of National Biography. William Shakespeare (1564 – 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His extant works, including some collaborations, consist of about 38 plays, 154 sonnets, two long narrative poems, and a few other verses, the authorship of some of which is uncertain. Sir Sidney Lee (1859 – 1926) was an English biographer and critic. He was a lifelong scholar and enthusiast of Shakespeare. His article on Shakespeare in the fifty-first volume of the Dictionary of National Biography formed the basis of his Life of William Shakespeare. This full-length life is often credited as the first modern biography of the poet.
This study focuses on Anthony Trollope's stylistic innovations in relation to Victorian liberalismIn his biography of William Makepeace Thackeray, Anthony Trollope posits the ideal of a man without style: 'I hold that gentleman to be the best dressed whose dress no one observes. I am not sure but that the same may be said of an author's written language'. Trollope's own appearance, unlike his written language, did not pass without observation, however. A contemporary poet recollects that he was 'hirsute and taurine of aspect'. This study unravels this paradox. It disentangles the many threads in Trollope's ostensibly transparent writing and reassembles the political and intellectual fabric that they weave, thus showing how Trollope's language exceeds and questions the concepts provided by contemporary ideologies.Key Features:Shows how Trollope's stylistic peculiarities perform his inflection of Victorian liberalismReads Victorian literature through the lens of German (post-)Romantic thinkers such as Goethe and Walter BenjaminPresents a panorama of Victorian liberalism in its literary, intellectual, and political contextExamines the writings from the last decade of Trollope's life that have received only scant critical attention, such as his novellas and his biographies
Philip J. Fisk offers a critical reappraisal of Jonathan Edwards's Freedom of Will, interpreting Edwards from within his own tradition, Reformed Orthodoxy (±1550-1750), avoiding the outdated paradigms of the conventional interpretation of Edwards and his tradition, a so-called deterministic, reconciliationist Calvinism, and demonstrating from primary sources, such as Harvard and Yale commencement theses and quaestiones, that Edwards departed ways with Reformed Orthodoxy's robust and highly nuanced view of freedom of will, contingency, and necessity.
This series shows us that it is the privilege and duty of every believer to diligently study God's Word. It reminds us that along with this privilege comes the responsibility to interpret the Bible correctly. Dr. R.C. Sproul teaches that interpreting Scripture, like all sciences, is governed by rules. He lays out the basic guidelines for correctly understanding, interpreting, and applying Scripture, using time-tested principles from Scripture to show how to find the true meaning of its contents. This series is a great study tool for both beginning and long-time Bible readers.--Ligonier website.
Ezra Pound makes his Penguin Classics debut with this unique selection of his early poems and prose, edited with an introductory essay and notes by Pound expert Ira Nadel. The poetry includes such early masterpieces as “The Seafarer,” “Homage to Sextus Propertius,” “Hugh Selwyn Mauberley,” and the first eight of Pound’s incomparable “Cantos.” The prose includes a series of articles and critical pieces, with essays on Imagism, Vorticism, Joyce, and the well-known “Chinese Written Character as a Medium for Poetry.” First time in Penguin Classics Includes generous selections of Pound's poetry, as well as an assortment of prose
A tool to sharpen your scripture study. 12 lectures concerning principles of Biblical interpretation.
Examines the overlap between film and philosophy in three distinct ways: epistemological issues in film-making and viewing; aesthetic theory and film; and film as a medium of philosophical expression.