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The wonders of the Greek world are presented in a modern, accessible manner, perfect for those looking to refresh their acquaintance with the classics and for those who have yet to explore the exciting intellectual energy of ancient Greece. Atchity focuses not only on the big names but also on the less-familiar voices--the women, doctors, storytellers, herbalists, and romance writers of the time. 43 photos.
The Classical Hollywood Reader brings together essential readings to provide a history of Hollywood from the 1910s to the mid 1960s. Following on from a Prologue that discusses the aesthetic characteristics of Classical Hollywood films, Part 1 covers the period between the 1910s and the mid-to-late 1920s. It deals with the advent of feature-length films in the US and the growing national and international dominance of the companies responsible for their production, distribution and exhibition. In doing so, it also deals with film making practices, aspects of style, the changing roles played by women in an increasingly business-oriented environment, and the different audiences in the US for which Hollywood sought to cater. Part 2 covers the period between the coming of sound in the mid 1920s and the beginnings of the demise of the `studio system` in late 1940s. In doing so it deals with the impact of sound on films and film production in the US and Europe, the subsequent impact of the Depression and World War II on the industry and its audiences, the growth of unions, and the roles played by production managers and film stars at the height of the studio era. Part 3 deals with aspects of style, censorship, technology, and film production. It includes articles on the Production Code, music and sound, cinematography, and the often neglected topic of animation. Part 4 covers the period between 1946 and 1966. It deals with the demise of the studio system and the advent of independent production. In an era of demographic and social change, it looks at the growth of drive-in theatres, the impact of television, the advent of new technologies, the increasing importance of international markets, the Hollywood blacklist, the rise in art house imports and in overseas production, and the eventual demise of the Production Code. Designed especially for courses on Hollywood Cinema, the Reader includes a number of newly researched and written chapters and a series of introductions to each of its parts. It concludes with an epilogue, a list of resources for further research, and an extensive bibliography.
To enable the reader to shape, or perhaps reshape, an understanding of the Islamic tradition, F. E. Peters skillfully combines extensive passages from Islamic texts with a fascinating commentary of his own. In so doing, he presents a substantial body of literary evidence that will enable the reader to grasp the bases of Muslim faith and, more, to get some sense of the breadth and depth of Islamic religious culture as a whole. The voices recorded here are those of Muslims engaged in discourse with their God and with each other--historians, lawyers, mystics, and theologians, from the earliest Companions of the Prophet Muhammad down to Ibn Rushd or "Averroes" (d. 1198), al-Nawawi (d. 1278), and Ibn Khaldun (d. 1406). These religious seekers lived in what has been called the "classical" period in the development of Islam, the era when the exemplary works of law and spirituality were written, texts of such universally acknowledged importance that subsequent generations of Muslims gratefully understood themselves as heirs to an enormously broad and rich legacy of meditation on God's Word. "Islam" is a word that seems simple to understand. It means "submission," and, more specifically in the context where it first and most familiarly appears, "submission to the will of God." That context is the Quran, the Sacred Book of the Muslims, from which flow the patterns of belief and practice that today claim the spiritual allegiance of hundreds of millions around the globe. By drawing on the works of the great masters--Islam in its own words--Peters enriches our understanding of the community of "those who have submitted" and their imposing religious and political culture, which is becoming ever more important to the West.
A paperback anthology of essential Greek and Latin texts with facing English translations. "It is ideal reading for bar, bus, bed or beach. Everyone, teacher and taught alike, should have one. It is this year's must-have present."--The Journal of Classics Teaching This selection of lapidary nuggets drawn from thirty-three of antiquity's major authors includes poetry, dialogue, philosophical writing, history, descriptive reports, satire, and fiction--giving a glimpse at the wide range of arts and sciences, thought and styles, of Greco-Roman culture. The selections span twelve centuries, from Homer to Saint Jerome. The texts and translations are reproduced as they appear in Loeb volumes. The Loeb Classical Library is the only existing series that, through original text and English translation, gives access to all that is important in Greek and Latin literature. A Loeb Classical Library Reader offers a unique sampling of this treasure trove. In these pages you will find, for example: Odysseus tricking the Cyclops in order to escape from the giant's cave; Zeus creating the first woman, Pandora, cause of mortals' hardships ever after; the Athenian general Nicias dissuading his countrymen from invading Sicily; Socrates, condemned to die, saying farewell; a description of Herod's fortified palace at Masada; Cicero's thoughts on what we owe our fellow men; Livy's description of the rape of the Sabine women; Manilius on the signs of the zodiac; and Pliny's observation of the eruption of Vesuvius in AD 79. Here you can enjoy looking in on people, real and imaginary, who figure prominently in ancient history, and on notable events. Here, too, you can relish classical poetry and comedy, and get a taste of the ideas characteristic of the splendid culture to which we are heir.
A posthumously published collection of thirty-six essays offering Italo Calvino's invigorating and illuminating analysis of his most treasured literary classics.
A collection of the finest and most important writing of the Roman period, this title gives the reader access to a diversity of texts that shaped Roman thinking and provided the foundations of Western culture. 49 halftones.
A Classical Tibetan Reader answers a long-standing need for well chosen readings to accompany courses in classical Tibetan language. Professor Bentor has built her Tibetan reader out of time-tested selections from texts that she has worked with while teaching classical Tibetan over the past twenty years. She has assembled here a selection of Tibetan narratives, organized to introduce students of the language to complex material gradually, and to arm them with ample reference materials in the form of glossaries customized to individual readings. Instructors will find this reader an invaluable tool for preparing lesson plans and providing high-quality reading material to their students. Students, too, will find the selections contained in the reader engaging. Even novice readers of Tibetan will feel welcomed and encouraged, thanks to the author's astute judgment of student capacity.
A Reader of Classical Arabic Literature is one of a very small group of resources in English for the teaching of intermediate and advanced level classical Arabic. Based on his lecture notes, the late Seeger Bonebakker designed a superb teaching text, which he then asked his UCLA colleague, Michael Fishbein, to help him annotate and augment. The result is a truly valuable reader, one used widely in the United States and Europe, featuring judicious and instructive selections from such works as Ibn al-Qifti's Inbah al-ruwat, al-Tanukhi's al-Faraj ba'd al-shidda, and al-Dhahabi's Siyar a'lam al-nubala', among others.
Investigates the art of reading by examining each aspect of reading, problems encountered, and tells how to combat them.