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A complete collection, in three volumes, of the classical articles and reviews of A. E. Housman. These papers were originally published between 1882 and 1936 in a variety of academic journals, many of which are now difficult to obtain. The editors have checked and, where necessary, supplemented and updated all the references and corrected errors in them, but have otherwise presented each paper, in full, with the minimum of editorial comment. At the end of Volume III there are very elaborate and comprehensive indexes of passages, words and topics discussed by Houston. The Kleine Schriften of great scholars are among the most important and useful tools of the classicist's trade. This edition will be of the first importance among such collections and will provide an essential work of reference. Housman's known virtues as a textual critic are decisively confirmed and emphasized now that his papers can be seen in one complete and connected sequence.
A complete collection, in three volumes, of the classical articles and reviews of A. E. Housman. These papers were originally published between 1882 and 1936 in a variety of academic journals, many of which are now difficult to obtain. The editors have checked and, where necessary, supplemented and updated all the references and corrected errors in them, but have otherwise presented each paper, in full, with the minimum of editorial comment. At the end of Volume III there are very elaborate and comprehensive indexes of passages, words and topics discussed by Houston. The Kleine Schriften of great scholars are among the most important and useful tools of the classicist's trade. This edition will be of the first importance among such collections and will provide an essential work of reference. Housman's known virtues as a textual critic are decisively confirmed and emphasized now that his papers can be seen in one complete and connected sequence.
A complete collection, in three volumes, of the classical articles and reviews of A. E. Housman. These papers were originally published between 1882 and 1936 in a variety of academic journals, many of which are now difficult to obtain. The editors have checked and, where necessary, supplemented and updated all the references and corrected errors in them, but have otherwise presented each paper, in full, with the minimum of editorial comment. At the end of Volume III there are very elaborate and comprehensive indexes of passages, words and topics discussed by Houston. The Kleine Schriften of great scholars are among the most important and useful tools of the classicist's trade. This edition will be of the first importance among such collections and will provide an essential work of reference. Housman's known virtues as a textual critic are decisively confirmed and emphasized now that his papers can be seen in one complete and connected sequence.
This volume is pivotal reading for laypersons looking for an accurate understanding of the private life and public career of A.E. Housman. Furthermore, it is also essential for any reader seeking to recover a truer image of the Victorian man who, during his lifetime, issued two collections of Romantic poems, A Shropshire Lad and Last Poems. It will be of particular interest to history buffs, poets, professors and students of classical studies, and instructors in literary criticism, given that it sketches Housman’s biography and examines in detail his scholarship.
A complete collection, in three volumes, of the classical articles and reviews of A. E. Housman. These papers were originally published between 1882 and 1936 in a variety of academic journals, many of which are now difficult to obtain. The editors have checked and, where necessary, supplemented and updated all the references and corrected errors in them, but have otherwise presented each paper, in full, with the minimum of editorial comment. At the end of Volume III there are very elaborate and comprehensive indexes of passages, words and topics discussed by Houston. The Kleine Schriften of great scholars are among the most important and useful tools of the classicist's trade. This edition will be of the first importance among such collections and will provide an essential work of reference. Housman's known virtues as a textual critic are decisively confirmed and emphasized now that his papers can be seen in one complete and connected sequence.
A complete collection, in three volumes, of the classical articles and reviews of A. E. Housman. These papers were originally published between 1882 and 1936 in a variety of academic journals, many of which are now difficult to obtain. The editors have checked and, where necessary, supplemented and updated all the references and corrected errors in them, but have otherwise presented each paper, in full, with the minimum of editorial comment. At the end of Volume III there are very elaborate and comprehensive indexes of passages, words and topics discussed by Houston. The Kleine Schriften of great scholars are among the most important and useful tools of the classicist's trade. This edition will be of the first importance among such collections and will provide an essential work of reference. Housman's known virtues as a textual critic are decisively confirmed and emphasized now that his papers can be seen in one complete and connected sequence.
This commentary discusses Aeschylus' play Agamemnon (458 BC), which is one of the most popular of the surviving ancient Greek tragedies, and is the first to be published in English since 1958. It is designed particularly to help students who are tackling Aeschylus in the original Greek for the first time, and includes a reprint of D. L. Page's Oxford Classical Text of the play. The introduction defines the place of Agamemnon within the Oresteia trilogy as a whole, and the historical context in which the plays were produced. It discusses Aeschylus' handling of the traditional myth and the main ideas which underpin his overall design: such as the development of justice and the nature of human responsibility; and it emphasizes how the power of words, seen as ominous speech-acts which can determine future events, makes a central contribution to the play's dramatic momentum. Separate sections explore Aeschylus' use of theatrical resources, the role of the chorus, and the solo characters. Finally there is an analysis of Aeschylus' distinctive poetic style and use of imagery, and an outline of the transmission of the play from 458 BC to the first printed editions.
The story of King Lear seems to fill in the blank space separating the end of Oedipus Tyrannus and the beginning of Oedipus at Colonus. In both Oedipus at Colonus and the latter part of King Lear we are presented with an old man who was once a King and, following his expulsion from his kingdom on account of a crime or of an error, is turned into a ‘no-thing’. This happens in the time of the division of the kingdom, which is also the time of the genesis of intraspecific conflict and, consequently, of the end of the dynasty. This collection of essays offers a range of perspectives on the many common concerns of these two plays, from the relation between fathers and sons/daughters to madness and wisdom, from sinning and suffering to ‘being’ and ‘non-being’ in human and divine time. It also offers an overarching critical frame that interrogates questions of ‘source’ and ‘reception’, probing into the possible exchangeability of perspectives in a game of mirrors that challenges ideas of origin.
This ambitious book investigates a major yet underexplored nexus of themes in Roman cultural history: the evolving tropes of enclosure, retreat and compressed space within an expanding, potentially borderless empire. In Roman writers' exploration of real and symbolic enclosures - caves, corners, villas, bathhouses, the 'prison' of the human body itself - we see the aesthetic, philosophical and political intersecting in fascinating ways, as the machine of empire is recast in tighter and tighter shapes. Victoria Rimell brings ideas and methods from literary theory, cultural studies and philosophy to bear on an extraordinary range of ancient texts rarely studied in juxtaposition, from Horace's Odes, Virgil's Aeneid and Ovid's Ibis, to Seneca's Letters, Statius' Achilleid and Tacitus' Annals. A series of epilogues puts these texts in conceptual dialogue with our own contemporary art world, and emphasizes the role Rome's imagination has played in the history of Western thinking about space, security and dwelling.