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Paul Lyle provides a comprehensive geological history of this part of Ireland, written within the framework of plate tectonics. Illustrated in colour throughout, this introductory guide provides an attractive and highly accessible account of a remarkably diverse region. The detailed excursion guide notes, maps and field photographs enhance the reader's understanding of a fascinating succession of localities, including the Giant's Causeway World Heritage Site. Published in association with the Department of the Environment (Northern Ireland), whose support has made possible reproduction of all photographic illustrations in colour, the book is an essential purchase for visiting geologists as students, amateurs or professionals.
The Geology of Ireland is about the island of Ireland as a physical whole and includes chapters on marine geology and the history of geology in Ireland. The text is intended for professional geologists and students of geology.
This unique richly-illustrated account of the landforms and geology of the world’s coasts, presented in a country-by-country (state-by-state) sequence, assembles a vast amount of data and images of an endangered and increasingly populated and developed landform. An international panel of 138 coastal experts provides information on “what is where” on each sector of coast, together with explanations of the landforms, their evolution and the changes taking place on them. As well as providing details on the coastal features of each country (state or county) the compendium can be used to determine the extent of particular features along the world’s coasts and to investigate comparisons and contrasts between various world regions. With more than 1440 color illustrations and photos, it is particularly useful as a source of information prior to researching or just visiting a sector of coast. References are provided to the current literature on coastal evolution and coastline changes.
Identity is relational and a construct, and is expressed in a myriad of ways. For example, material culture and its pluralist meanings have been readily manipulated by humans in a prehistoric context in order to construct personal and group identities. Artefacts were often from or reminiscent of far-flung places and were used to demonstrate membership of an (imagined) regional, or European community. Earthworks frequently archive maximum visual impact through elaborate ramparts and entrances with the minimum amount of effort, indicating that the construction of identities were as much in the eye of the perceivor, as of the perceived. Variations in domestic architectural style also demonstrate the malleability of identity, and the prolonged, intermittent use of particular places for specific functions indicates that the identity of place is just as important in our archaeological understanding as the identity of people. By using a wide range of case studies, both temporally and spatially, these thought processes may be explored further and diachronic and geographic patterns in expressions of identity investigated.
A beautifully illustrated field guide to Ireland's geology, which is both varied and spectacular.
Based on a 2013 Theoretical Archaeology Group (TAG) conference session, this book aims to merge the perspectives of artists and archaeologists on making art. It explores the relationship between archaeology and art practice, the interactions between materials and practitioners, and the processes that result in the objects and images we call ‘art’.
This lavishly illustrated volume presents a state of the art survey of the ancient rock art of Britain and Ireland. Bringing together new discoveries and new interpretations, it enhances our understanding and further establishes ancient British and Irish rock art as a significant archaeological assemblage worthy of attention and additional study.