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Music tablature and notation on "What's That" and G string Boogie" by Mark Switzer.
Skole for 5-strenget banjo
(Banjo). A complete guide for beginning and advanced banjo players! From Ken Perlman, here is a brilliant teaching guide that is destined to become the handbook on how to play the banjo. The style is easy to learn, and covers the instruction itself, basic right and left-hand positions, simple chords, and fundamental clawhammer techniques; the brush, the 'bumm-titty' strum, pull-offs, and slides. For the advanced player, there is instruction on more complicated picking, double thumbing, quick slides, fretted pull-offs, harmonics, improvisation, and more. The book includes more than 40 fun-to-play banjo tunes.
The editors, William J. Devlin and Shai Biderman, have compiled an impressive list of contributors to explore the philosophy at the core of David Lynch's work. Lynch is examined as a postmodern artist and the themes of darkness, logic and time are discussed in depth.
"A complete guide to three-finger bluegrass-styles. Basic right hand patterns through many advanced techniques. Information on how to buy a banjo, and playing in groups. Includes an annotated discography."--Cover.
(Ukulele). 100 favorites for solo ukulele arranged in standard notation and tablature including: Annie's Song (John Denver) * Can't Help Falling in Love (Elvis Presley) * Don't Know Why (Norah Jones) * Faithfully (Journey) * Hallelujah (Jeff Buckley) * I Will Always Love You (Dolly Parton) * Killing Me Softly With His Song (Roberta Flack) * Man in the Mirror (Michael Jackson) * Over the Rainbow (Judy Garland) * Stardust (Nat King Cole) * Tears in Heaven (Eric Clapton) * Woman (John Lennon) * You Raise Me Up (Josh Groban) * and more.
(Music Sales America). A thorough survey of three-finger picking classics of the early 1900s, transitional styles of the 1930s, and the Scruggs style of the 1940s and beyond. Includes over 75 bluegrass, old-time fiddle and classic tunes in tablature for 5-string banjo. Songs include: Bugle Call Rag * Cripple Creek * Cumberland Gap * Galway Hornpipe * Home Sweet Home * John Henry * Little Maggie * Maple Leaf Rag * Oh Susannah * Old Joe Clark * Orange Blossom Special * Rocky Top * Salty Dog * Sittin' on Top of the World * Swing Low, Sweet Chariot * Yankee Doodle.
(Banjo). Explore the repertoire of the Great American Songbook with this 70-song colletion, masterfully arranged by Alan Munde and Beth Mead-Sullivan for 3-finger, Scruggs-style 5-string banjo. Rhythm tab, right hand fingerings and chord diagrams are included for each of these beloved melodies. Songs include: Ain't She Sweet * Blue Skies * Cheek to Cheek * Home on the Range * Honeysuckle Rose * It Had to Be You * Little Rock Getaway * Over the Rainbow * Sweet Georgia Brown * and more.
Paul McCartney and John Lennon described him as the Beatles' "favorite group," he won Grammy awards, wrote and recorded hit songs, and yet no figure in popular music is as much of a paradox, or as underrated, as Harry Nilsson. In this first ever full-length biography, Alyn Shipton traces Nilsson's life from his Brooklyn childhood to his Los Angeles adolescence and his gradual emergence as a uniquely talented singer-songwriter. With interviews from friends, family, and associates, and material drawn from an unfinished autobiography, Shipton probes beneath the enigma to discover the real Harry Nilsson. A major celebrity at a time when huge concerts and festivals were becoming the norm, Nilsson shunned live performance. His venue was the studio, his stage the dubbing booth, his greatest triumphs masterful examples of studio craft. He was a gifted composer of songs for a wide variety of performers, including the Ronettes, the Yardbirds, and the Monkees, yet Nilsson's own biggest hits were almost all written by other songwriters. He won two Grammy awards, in 1969 for "Everybody's Talkin'" (the theme song for Midnight Cowboy), and in 1972 for "Without You," had two top ten singles, numerous album successes, and wrote a number of songs--"Coconut" and "Jump into the Fire," to name just two--that still sound remarkably fresh and original today. He was once described by his producer Richard Perry as "the finest white male singer on the planet," but near the end of his life, Nilsson's career was marked by voice-damaging substance abuse and the infamous deaths of both Keith Moon and Mama Cass in his London flat. Drawing on exclusive access to Nilsson's papers, Alyn Shipton's biography offers readers an intimate portrait of a man who has seemed both famous and unknowable--until now.