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Although little known in the West, Kajiyama Toshiyuki was one of Japan's most prolific and popular writers. Celebrated for his crisp, fast-paced style and incisive analysis, Kajiyama's popularity may be attributed to his finely tuned sense of what many Japanese felt but could not articulate: the feeling of irreplaceable loss that lay beneath post-World War II Japan's highly successful economic recovery. The son of a civil engineer, Kajiyama was born in Seoul in 1930 and remained there until his family was repatriated to Japan at the end of the war. The Clan Records: Five Stories of Korea not only offers a sampling of Kajiyama's work in English for the first time but also represents the first English translations from the Japanese that deal with Korea under Japan's harsh military rule, which lasted from 1910 to 1945. Kajiyama intended these tales to be one of the components of his "lifework," a trilogy that remained unfinished at the time of his death in 1975. Kajiyama had outlined a tour de force that was to have focused on three interlocking landscapes - Korea, the place of his birth and childhood; Hawaii, his mother's birthplace and the setting for the Japanese immigration experience; and Hiroshima, his father's birthplace and the site of the atomic bombing. The Clan Records includes five of Kajiyama's Korea tales, among them the title story "Richo zan'ei," winner of the prestigious Naoki Prize and the basis of a highly acclaimed movie made in Korea in 1967. Laced with local expressions and accurate descriptions of Korean culture, Kajiyama's narratives infuse his Korean protagonists with dignity and courage. They depict sensitive subjects in an unusually subtle and emphatic manner without being patronizing. In these stories, too, Kajiyama avoided the temptation to soften the often brutal consequences of the inhumanity of the Japanese occupation.
A revealing look at the role kin-based societies have played throughout history and around the world A lively, wide-ranging meditation on human development that offers surprising lessons for the future of modern individualism, The Rule of the Clan examines the constitutional principles and cultural institutions of kin-based societies, from medieval Iceland to modern Pakistan. Mark S. Weiner, an expert in constitutional law and legal history, shows us that true individual freedom depends on the existence of a robust state dedicated to the public interest. In the absence of a healthy state, he explains, humans naturally tend to create legal structures centered not on individuals but rather on extended family groups. The modern liberal state makes individualism possible by keeping this powerful drive in check—and we ignore the continuing threat to liberal values and institutions at our peril. At the same time, for modern individualism to survive, liberals must also acknowledge the profound social and psychological benefits the rule of the clan provides and recognize the loss humanity sustains in its transition to modernity. Masterfully argued and filled with rich historical detail, Weiner's investigation speaks both to modern liberal societies and to developing nations riven by "clannism," including Muslim societies in the wake of the Arab Spring.
Given by Eugene Edge III.
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When public history was imported from the United States to China around the turn of the twenty-first century, it was introduced as a sub-field within history, and has developed along that path ever since. Professional historians in China, even some forward-looking ones, see public history as merely presenting a change in the patterns of participation in history-making. This book offers a sharply different view. It contends, essentially, that public history represents more than a research domain within history or within any existing discipline, nor does it fit into any established narratives, but rather, a fundamental change of the entire process of history-making in China. In this process, the public is prosuming history. Public history makes obsolete the old structure for building and acquiring historical knowledge: it challenges the old assumptions, supersedes the rigid academic hierarchy, and stirs the imaginations of the multitudes. With an assemblage of case studies, this work makes a case for a system view of public history making, or public history(ing), and launches a concept, complex public history, i.e. public history(ing) as complex adaptive systems.