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A unique cultural history which describes the various maneuvers of the Synge family in its negotiations with Irish history.
This study of linguistic and cultural conflict in Wales, Scotland and Ireland shows how their forms of Gaelic retreated before the advance of the English language in the British Isles from the Reformation to the 20th century.
In compiling this bibliography, the main purpose was to assemble references to published material of a sociolinguistic nature concerning the Irish language. The intent was not to cover publications treating language per se, but rather to consider those dealing with language in its social context. Represented here are articles, chapters, books and pamphlets bearing upon social, historical, psychological and educational aspects of Irish – including the decline of the language, the restoration effort, the relationship of language to nationality and religion, and studies of important figures in the language movement.
This book is splendid, a worthy successor to such beautifully-produced books on typography as - Verlietis Sixteenth-Century Printing Types of the Low Countries. No reviewer, in a review of this length, can do justice to it, or to the range of types it describes. In addition to 150 illustrations, it contains eight pages of bibliography and five pages of index. It will certainly become a standard work of reference for Irish typefacesí Printing Historical Society Bulletin
The nineteenth century witnessed the growth of Irish cultural nationalism as a dominant force in the country's political and literary life. Remembrance and Imagination is a major study which charts the development and impact of a national self-image through key texts and key episodes and does so by placing the history of two cultural spheres side by side: literature and historical scholarship. The literary and discursive work of writers like Lady Morgan, Maturin, Thomas Moore, Thomas Davis, Yeats and Synge is placed against the background of contemporary debates concerning the true historical and cultural identity of Ireland, while developments in the historical sciences are traced in their impact on the literary imagination. Special attention is given to the influential scholar George Petrie and to the far-ranging and persistent controversy concerning the round towers. The Irish self-image in the nineteenth century attempted to formulate permanence, tradition, and continuity in the face of historical and political divisions and incoherence. The cultivation of a gloried past and of an idyllic peasantry are central preoccupations in Irish national thought. This book analyzes the discourse, rhetoric, stereotypes, and ingrained attitudes with which those preoccupations were invested, both in literature and historical scholarship. The book closes with a reinterpretation of the position of Synge and Joyce in repudiating the nineteenth-century schemata of representing Ireland.