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City of Refuge is a story of petit marronage, an informal slave's economy, and the construction of internal improvements in the Great Dismal Swamp of Virginia and North Carolina. The vast wetland was tough terrain that most white Virginians and North Carolinians considered uninhabitable. Perceived desolation notwithstanding, black slaves fled into the swamp's remote sectors and engaged in petit marronage, a type of escape and fugitivity prevalent throughout the Atlantic world. An alternative to the dangers of flight by way of the Underground Railroad, maroon communities often neighbored slave-labor camps, the latter located on the swamp's periphery and operated by the Dismal Swamp Land Company and other companies that employed slave labor to facilitate the extraction of the Dismal's natural resources. Often with the tacit acceptance of white company agents, company slaves engaged in various exchanges of goods and provisions with maroons-networks that padded company accounts even as they helped to sustain maroon colonies and communities. In his examination of life, commerce, and social activity in the Great Dismal Swamp, Marcus P. Nevius engages the historiographies of slave resistance and abolitionism in the early American republic. City of Refuge uses a wide variety of primary sources-including runaway advertisements; planters' and merchants' records, inventories, letterbooks, and correspondence; abolitionist pamphlets and broadsides; county free black registries; and the records and inventories of private companies-to examine how American maroons, enslaved canal laborers, white company agents, and commission merchants shaped, and were shaped by, race and slavery in an important region in the history of the late Atlantic world.
An epic tale of freedom and slavery, love and war, and the potential futures of humankind tells of a twenty-first century California clan caught between two clashing worlds, one based on tolerance, the other on repression. Declaration of the Four Sacred Things The earth is a living, conscious being. In company with cultures of many different times and places, we name these things as sacred: air, fire, water, and earth. Whether we see them as the breath, energy, blood, and body of the Mother, or as the blessed gifts of a Creator, or as symbols of the interconnected systems that sustain life, we know that nothing can live without them. To call these things sacred is to say that they have a value beyond their usefulness for human ends, that they themselves became the standards by which our acts, our economics, our laws, and our purposes must be judged. no one has the right to appropriate them or profit from them at the expense of others. Any government that fails to protect them forfeits its legitimacy. All people, all living things, are part of the earth life, and so are sacred. No one of us stands higher or lower than any other. Only justice can assure balance: only ecological balance can sustain freedom. Only in freedom can that fifth sacred thing we call spirit flourish in its full diversity. To honor the sacred is to create conditions in which nourishment, sustenance, habitat, knowledge, freedom, and beauty can thrive. To honor the sacred is to make love possible. To this we dedicate our curiosity, our will, our courage, our silences, and our voices. To this we dedicate our lives. Praise for The Fifth Sacred Thing “This is wisdom wrapped in drama.”—Tom Hayden, California state senator “Starhawk makes the jump to fiction quite smoothly with this memorable first novel.”—Locus “Totally captivating . . . a vision of the paradigm shift that is essential for our very survival as a species on this planet.”—Elinor Gadon, author of The Once and Future Goddess “This strong debut fits well against feminist futuristic, utopic, and dystopic works by the likes of Charlotte Perkins Gilman, Ursula LeGuin, and Margaret Atwood.”—Library Journal
In the heat of late summer, two New Orleans families—one black and one white—confront a storm that will change the course of their lives. SJ Williams, a carpenter and widower, lives and works in the Lower Ninth Ward, the community where he was born and raised. His sister, Lucy, is a soulful mess, and SJ has been trying to keep her son, Wesley, out of trouble. Across town, Craig Donaldson, a Midwestern transplant and the editor of the city's alternative paper, faces deepening cracks in his own family. New Orleans' music and culture have been Craig's passion, but his wife, Alice, has never felt comfortable in the city. The arrival of their two children has inflamed their arguments about the wisdom of raising a family there. When the news comes of a gathering hurricane—named Katrina—the two families make their own very different plans to weather the storm. The Donaldsons join the long evacuation convoy north, across Lake Pontchartrain and out of the city. SJ boards up his windows and brings Lucy to his house, where they wait it out together, while Wesley stays with a friend in another part of town. But the long night of wind and rain is only the beginning—and when the levees give way and the flood waters come, the fate of each family changes forever. The Williamses are scattered—first to the Convention Center and the sweltering Superdome, and then far beyond city and state lines, where they struggle to reconnect with one another. The Donaldsons, stranded and anxious themselves, find shelter first in Mississippi, then in Chicago, as Craig faces an impossible choice between the city he loves and the family he had hoped to raise there. Ranging from the lush neighborhoods of New Orleans to Texas, Missouri, Chicago, and beyond, City of Refuge is a modern masterpiece—a panoramic novel of family and community, trial and resilience, told with passion, wisdom, and a deep understanding of American life in our time.
"Harlem Renaissance tales that deal with the problems faced by newcomers to Harlem, ancestor figures who struggle to instill a sense of integrity in the young, problems of violence and vengeance, and tensions of caste and class. This version is expanded to include seven previously unpublished stories"--Provided by publisher.
A fascinating exploration of the urbanism at the heart of Utopian thinking The vision of Utopia obsessed the nineteenth-century mind, shaping art, literature, and especially town planning. In City of Refuge, Michael Lewis takes readers across centuries and continents to show how Utopian town planning produced a distinctive type of settlement characterized by its square plan, collective ownership of properties, and communal dormitories. Some of these settlements were sanctuaries from religious persecution, like those of the German Rappites, French Huguenots, and American Shakers, while others were sanctuaries from the Industrial Revolution, like those imagined by Charles Fourier, Robert Owen, and other Utopian visionaries. Because of their differences in ideology and theology, these settlements have traditionally been viewed separately, but Lewis shows how they are part of a continuous intellectual tradition that stretches from the early Protestant Reformation into modern times. Through close readings of architectural plans and archival documents, many previously unpublished, he shows the network of connections between these seemingly disparate Utopian settlements—including even such well-known town plans as those of New Haven and Philadelphia. The most remarkable aspect of the city of refuge is the inventive way it fused its eclectic sources, ranging from the encampments of the ancient Israelites as described in the Bible to the detailed social program of Thomas More's Utopia to modern thought about education, science, and technology. Delving into the historical evolution and antecedents of Utopian towns and cities, City of Refuge alters notions of what a Utopian community can and should be.
If we choose to trust unconditionally, how many lives could we change? When Pastor Bruce Deel took over the Mission Church in the 30314 zip code of Atlanta, he had orders to shut it down. The church was old and decrepit, and its neighborhood--known as "Better Leave, You Effing Fool," or "the Bluff," for short--had the highest rates of crime, homelessness, and incarceration in Georgia. Expecting his time there to only last six months, Deel was not prepared for what happened next. One Sunday, he was approached by a woman he didn't know. "I've been hooking and stripping for fourteen years," she said. "Can you help me?" Soon after, Bruce founded an organization called City of Refuge rooted in the principle of radical trust. Other nonprofits might drug test before offering housing, lock up valuables, or veto a program giving job skills and character references to felons as "a liability." But Bruce believed the best way to improve outcomes for the marginalized and impoverished was to extend them trust, even if that trust was violated multiple times--and even if someone didn't yet trust themselves. Since then, City of Refuge has helped over 20,000 people in Atlanta's toughest neighborhood escape the cycles of homelessness, joblessness, and drug abuse. Of course, trust alone can't overcome a broken system that perpetuates inequality. Presenting an unvarnished window into the lives of ex-cons, drug addicts, human trafficking survivors, and displaced souls who have come through City of Refuge, Trust First examines the context in which Bruce's Atlanta neighborhood went downhill--and what City of Refuge chose to do about it. They've become a one-stop-shop for transitional housing, on-site medical and mental health care, childcare, and vocational training, including accredited intensives in auto tech, culinary arts, and coding. While most social services focus on one pain point and leave the burden on the poor to find the crosstown bus that'll serve their other needs, Bruce argues that bringing someone out of homelessness requires treating all of their needs simultaneously. This model has proven so effective that a dozen new chapters of City of Refuge have opened in the US, including in California, Illinois, Ohio, Maryland, Virginia, Texas, and Georgia. More than a narrative about a single place in time, this radical primer for behavioral change belongs on every leader's shelf. Heartfelt, deeply personal, and inspiring, Trust First will break down your assumptions about whether anyone is ever truly a lost cause. Bruce will donate a portion of his proceeds from Trust First to the charitable organization City of Refuge.
In Cities of Refuge, a single act of violence resonates through several lives, connecting closeby fears to distant political terrors. At the story’s center is the complex, intensely charged relationship between a twenty-eight-year-old woman and the father who abandoned her when she was young. One summer night on a side street in downtown Toronto, Kim Lystrander is attacked by a stranger. Thrown deep into turmoil, in the weeks and months that follow, she confronts her fear by returning to the night, in writing, searching for harbingers of the incident and clues to the identity of her assailant. The attack also torments Kim's father, Harold, a historian of Latin America. As he investigates the crime on his own, the darkest hours from his past revisit him, and he gradually begins to unravel. Entwined in their stories are Kim’s ailing mother, Marian; Father André Rowe, whose mission to guide others involves him in a decision with troubling consequences; Rodrigo Cantero, a young Colombian man living illegally in the city; and Rosemary Yates, a woman whose faith-based belief in the duty to give asylum to any who seek it, even those judged guilty, draws Harold to her, before a fateful choice changes the future for them all. Cities of Refuge is a novel of profound moral tension and luminous prose. It weaves a web of incrimination and inquiry, in which mysteries live within mysteries, and stories within stories, and the power to save or condemn rests in the forces of history and in the realm of our deepest longings.
Bat-Shachar, a teenaged girl, gifted with beauty and intellect, languishes in the household of her father, a prominent Israelite scholar. Intimidated by Bat-Shachar¿s coming of age, her father grows aloof. He scrutinizes her actions, and his discipline is heavy-handed. Her father¿s rages drive Bat-Shachar from home. In the company of the family¿s Canaanite maidservant, Bat Shachar happens upon pagan rituals. The visions she sees shake her to the core of her existence. Tzuriel is a metalworking apprentice. Upon seeing the agony of his people butchered by marauders, he vows to equip his nation for battle. After infiltrating enemy territory to acquire the forbidden skills of crafting iron weapons, Tzuriel faces an awesome fate, borne of a fleeting indiscretion. The paths of Bat-Shachar and Tzuriel intertwine when they must flee from their tribal villages. They race towards a City of Refuge as bloodthirsty enemies pursue them.
Amidst the ruins of the violent, desperate world of 2048 stands a green and flourishing city where four things are sacred-Air, Fire, Water, and Earth. When the ruthless Stewards of the Southlands invade, the people of Califia defeat them using nonviolence and magic. But they'll be back, unless the northerners can liberate the Southlands first..
The daughter of a pagan high priest, Sofea finds solace from her troubles in the freedom of the ocean. But when marauders attack her village on the island of Sicily, she and her cousin are taken across the sea to the shores of Canaan. Eitan has lived in Kedesh, a City of Refuge, for the last eleven years, haunted by a tragedy in his childhood and chafing at the boundaries placed on him. He is immediately captivated by Sofea, but revealing his most guarded secret could mean drawing her into the danger of his past. As threats from outside the walls loom and traitors are uncovered within, Sofea and Eitan are plunged into the midst of a murder plot. Will they break free from the shackles of the past in time to uncover the betrayal and save their lives and the lives of those they love?