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Fresh out of college, small-town crime reporter Cara Nielsen sees disturbing things that suggest, for the first time in her life, that evil is real. But as the daughter of two secular academics, she pushes that notion aside. When her smart, ambitious boyfriend asks her to marry him and move to a faraway city, it's a dream come true. Four years later, confined to a city apartment with a toddler, Cara fears she is losing her mind. Sleeplessness, isolation, and postpartum hormones have altered her view of reality. Something is wrong in the lost, lonely world into which she's brought a child. Visions hint at mysteries she can't explain, and evil seems not only real-it's creeping ever closer. As her marriage falters and friends disappear, Cara seeks guidance from books, films, therapy, even the saints, when she's not scrubbing the diaper pail. Meanwhile, someone is crying out for help that only she can give. Cara must confront big questions about reality and illusion, health and illness, good and evil-and just how far she is willing to go to protect those she loves. Praise for The City Mother "With The City Mother, Maya Sinha adds an electric new entry to the distinguished ledger of Catholic fiction. Hip and stylish, yet pulsing with mystic energy, her tale of a precarious young family illuminates the unseen operations of grace and evil in a secular age. Sinha's hypnotic storytelling marks a thrilling literary debut." -Mary Eberstadt, author of Primal Screams and Adam and Eve After the Pill "I've been waiting for this novel a long time-a subtle, compelling mystery that brings to life the surreal world of postpartum motherhood and reveals its link to the numinous. I'm already anticipating Sinha's next book." -Abigail Favale, author of Into the Deep
Exciting new work from one of Japan's most acclaimed living poets.
A New York Times Notable Book A Library Journal Best Book of 2021 A “marvelous…superbly effective” (The New Yorker) debut novel about a young woman coming of age with a dazzling yet damaged mother who lived and loved in extremes. Met by rave reviews in The New Yorker, The New York Times, and more, this stunning translation of Violaine Huisman’s “witty, immersive autofiction showcases a Parisian childhood with a charismatic, depressed parent” (Oprah Daily). Beautiful and magnetic, Catherine, a.k.a. “Maman,” smokes too much, drives too fast, laughs too hard, and loves too extravagantly, and her daughter Violaine wouldn’t have it any other way. But when Maman is hospitalized after a third divorce and a breakdown, everything changes. Even as Violaine and her sister long for their mother’s return, once she’s back Maman’s violent mood swings and flagrant disregard for personal boundaries soon turn their home into an emotional landmine. As the story of Catherine’s own traumatic childhood and adolescence unfolds, the pieces come together to form an indelible portrait of a mother as irresistible as she is impossible, as triumphant as she is transgressive. With spectacular ferocity of language, a streak of dark humor, and stunning emotional bravery, The Book of Mother is an exquisitely wrought story of a mother’s dizzying heights and devastating lows, and a daughter who must hold her memory close in order to surrender, and finally move on.
She befriended the one woman she was never supposed to meet. Now she's the key suspect in her disappearance. For fans of The Perfect Mother and The Wife Between Us comes a gripping psychological suspense debut about two strangers, one incredible connection, and the steep price of obsession. Lana Stone has never considered herself a stalker--until the night she impulsively follows a familiar face through the streets of New York's Upper West Side. Her target? The "anonymous" egg donor she'd selected through an agency, the one who's making motherhood possible for her. Hungry to learn more about her, Lana plans only to watch her from a distance. But when circumstances bring them face-to-face, an unexpected friendship is born. Katya, a student at Columbia, is the yin to Lana's yang, an impulsive free spirit who lives life at the edge. And for pragmatic Lana, she's a breath of fresh air and a welcome distraction from her painful breakup with her baby's father. Then, just as suddenly as Katya entered Lana's life, she disappears--and Lana might have been the last person to see her before she went missing. Determined to find out what became of the woman to whom she owes so much, Lana digs into Katya's past, even as the police grow suspicious of her motives. But she's unprepared for the secrets she unearths, and their power to change everything she thought she knew about those she loves best...
Love is never the end of the story, only the begining. Mack Hayden, volatile and dangerous, shows up, all smiles, on Sara's doorstep. Sara has been struggling to build a new life for herself and her ten-year-old brother Doug and teenage sisters Carrie and Abby, after she was forced to give up her dreams and come home to Chicago to take care of them. Now Mack, the brother who had abandoned them three years earlier, is threatening to undercut everything she does. Swinging dangerously from kindness to mystery to cruelty, he begins to win over the children with expensive gifts and fascinating stories, challenging Sara's efforts to keep the family together. With events at home and at work seeming out of control, Sara desperately needs an ally. She finds one in Reuben Lister, a transplanted New Yorker, lonely and guarding his own secrets. Dealing with both the past and the present, Reuben and Sara discover a closeness neither has known before, as they find for themselves what truly makes a family.
"Tender and unsparing, this is a novel to hold onto." —Crystal Hana Kim, author of If You Leave Me “A masterfully written novel, alive and lyrical, a hypnotic rendering of the mess and the tenderness of family life.” —Claire Lombardo, author of The Most Fun We Ever Had A novel about family secrets and a volatile relationship between a mother and her daughters. When Anna’s sister calls with an urgent message, Anna doesn’t return the call. She knows it’s about their mother. Growing up in an Italian American family in working-class Boston, Anna lives a simple but comfortable childhood--filled with homemade meals and front-porch gatherings in a close-knit neighborhood. She and her sisters are devoted to their mother, orbiting her like the sun, trying to keep up with her loving but mercurial nature. When their father gets a new job outside the city, the family is tossed unceremoniously into a middle-class suburban existence. Anna's mother is suddenly adrift, and the darkness lurking inside her ignites. Her daughters, isolated and trapped with her in their new house, do everything they can to keep her from unraveling. Alternating between Anna's childhood and her twenties, when she receives a shattering call about her mother that threatens to blow up her precariously constructed life in New York, Mother in the Dark asks whether we can ever return home when the idea of home is fraught with instability. This story about sisterhood, the complications of class, and the chains of inheritance between mothers and daughters delivers an unvarnished portrayal of the fragile horrors of domestic life and a young woman consumed by her past.
Cape Town is an unlikely setting for Islamic terror, but in Bo-Kaap, the city's peaceful Muslim enclave, Imam Rauf preaches a theology of austerity, obedience and sacrifice. When the multibillionaire Goldwyn family settles in the Western Cape, they learn firsthand the implications of a radical imam's preaching. Cultures collide in the wake of a family crisis as the Goldwyns face off with an insidious form of jihad that has long existed but always been ignored. Mother City leaves readers with a coldly objective impression of the postmodern world where danger lurks at every turn, even in unexpected places, and where unilateral actions beyond state control may indeed constitute the most effective way to protect the West.
"I tore through this urgent, timely, and deeply disturbing tale.”—Andrea Bartz, New York Times bestselling author of We Were Never Here Spine-chilling and sharp, Anne Heltzel's Just Like Mother is a modern gothic from a fresh new voice in horror, and “will disturb readers to their core.” (Library Journal) A GoodReads Choice Award Finalist for Best Horror, and named one of the Best Books of 2022 by LitReactor! The last time Maeve saw her cousin was the night she escaped the cult they were raised in. For the past two decades, Maeve has worked hard to build a normal life in New York City, where she keeps everything—and everyone—at a safe distance. When Andrea suddenly reappears, Maeve regains the only true friend she’s ever had. Soon she’s spending more time at Andrea’s remote Catskills estate than in her own cramped apartment. Maeve doesn’t even mind that her cousin’s wealthy work friends clearly disapprove of her single lifestyle. After all, Andrea has made her fortune in the fertility industry—baby fever comes with the territory. The more Maeve immerses herself in Andrea’s world, the more disconnected she feels from her life back in the city; and the cousins’ increasing attachment triggers memories Maeve has fought hard to bury. But confronting the terrors of her childhood may be the only way for Maeve to transcend the nightmare still to come... "A fierce, frightening novel."—Rachel Harrison, author of Cackle At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Poems inspired by traditional nursery rhymes depict the grim reality of inner city life, including such topics as crime, drug abuse, unemployment, and inadequate housing.
Shortlisted for the Whitbread prize, MOTHER LONDON is a dazzling journey through the heart of a city that the author loved. Spanning generations of characters across a variety of boroughs from the Blitz to the mid-eighties, this is a book about the real London that tourists will never find, a London which is being erased by the spread of high-rise flats and shining skyscrapers. Following a group of released mental patients across the years and streets of London, Moorcock creates a vivid impressionistic portrait of the city, from its downtrodden pubs to its green parks. All of the lead characters hear voices - but are they the murmurings of their damaged minds, or the true voice of the city?