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The Cistercian abbeys of northern England provide some of the finest monastic remains in all of Europe, and much has been written on their twelfth- and thirteenth-century architecture. The present study is the first in-depth analysis of the art and architecture of these northern houses and nunneries in the late Middle Ages, and questions many long-held opinions about the Order's perceived decline during the period c.1300-1540. Extensive building works were conducted between the fourteenth and sixteenth centuries at well-known abbeys such as Byland, Fountains, Kirkstall, and Rievaulx, and also at lesser-known houses including Calder and Holm Cultram, and at many convents of Cistercian nuns. This study examines the motives of Cistercian patrons and the extent to which the Order continued to enjoy the benefaction of lay society. Featuring over a hundred illustrations and eight colour plates, this book demonstrates that the Cistercians remained at the forefront of late medieval artistic developments, and also shows how the Order expressed its identity in its visual and material cultures until the end of the Middle Ages.
The Cistercians (White Monks) were the most successful monastic experiment to emerge from the tumultuous intellectual and religious fervour of the 11th and 12th centuries. This book seeks to explore the phenomenon that was the Cistercian Order.
This book is a study of the programmatic oral performance of the written word and its impact on art and text. Communal singing and reading of the Latin texts that formed the core of Christian ritual and belief consumed many hours of the Benedictine monk's day. These texts-read and sung out loud, memorized, and copied into manuscripts-were often illustrated by the very same monks who participated in the choir liturgy. The meaning of these illustrations sometimes only becomes clear when they are read in the context of the texts these monks heard read. The earliest manuscripts of Cîteaux, copied and illuminated at the same time that the new monastery's liturgy was being reformed, demonstrate the transformation of aural experience to visual and textual legacy.
Focusing on the theory and practice of Cistercian persuasion, the articles gathered in this volume offer historical, literary critical and anthropological perspectives on Caesarius of Heisterbach’s Dialogus Miraculorum (thirteenth century), the context of its production and other texts directly or indirectly inspired by it. The exempla inserted by Caesarius into a didactic dialogue between a monk and a novice survived for many centuries and travelled across the seas thanks to rewritings and translations into vernacular languages. An accomplished example of the art of persuasion —medieval and early modern— the Dialogus Miraculorum establishes a link not only between the monasteries, the mendicant circles and other religious congregations but also between the Middle Ages and Modernity, the Old and the New World. Contributors are: Jacques Berlioz, Elisa Brilli, Danièle Dehouve, Pierre-Antoine Fabre, Marie Formarier, Jasmin Margarete Hlatky, Elena Koroleva, Nathalie Luca, Brian Patrick McGuire, Stefano Mula, Marie Anne Polo de Beaulieu, Victoria Smirnova, and Anne-Marie Turcan-Verkerk.
From their introduction in the early twelfth century the Cistercians were one of the leading monastic orders in Britain. Many of the finest monastic remains - Fountains, Rievaulx and Tintern - are Cistercian. This 1986 book is a comprehensive survey of Cistercian art and architecture in the British Isles. The various contributions, all by leading specialists, cover the historical and literary background; the development of Cistercian architecture (especially in the twelfth and thirteenth centuries, when the Cistercians were in the forefront of architectural achievement, playing an important role in the introduction and dissemination of the Gothic style); and art forms such as wall painting, stained glass, tile pavements, and manuscript illumination, as well as liturgy and music. These studies reveal what was distinctively Cistercian in the art and architecture of the Order, and permit a distinct understanding of the remarkable contribution of the Cistercians to the culture of medieval Britain.
In Cistercian Architecture and Medieval Society Maximilian Sternberg offers an account of the social functions of the built environment in medieval monasticism. Few medieval monuments hold so privileged a place in the modern imagination as Cistercian abbeys, yet Sternberg suggests, it is precisely our own, peculiarly modern fascination with the idea of 'Cistercian aesthetics' that has hindered a full view of the complex social meanings of their architecture. This book draws attention instead to the practical and symbolic means by which architecture helped the Cistercians to negotiate the dense web of relations that, in actuality, bound them to other spheres of medieval society. It explores the permeability of monastic boundaries, and considers their effectiveness in reconciling a simultaneous need for interaction and distance between monastic communities and these other social spheres.
The Cistercian Order emerged as a radical breakaway movement at the end of the 11th century with a commitment to reforming the monastic life. Uniformity of customs and practice was sought through the institution whereby abbots from all over Christendom came together for the General Chapter at the mother-abbey of Citeaux. This, and the visitation of all the abbeys by the abbot of their founding house, ensured a degree of cohesion not equalled by any other body, not even the papacy itself. The Order subsequently became one of the most powerful spiritual, cultural and economic forces within medieval Europe, established in over 700 locations by the early 16th century. As a result, the Cistercians may be considered pioneers of the European ideal.
The Cistercian Order in Medieval Europe offers an accessible and engaging history of the Order from its beginnings in the twelfth century through to the early sixteenth century. Unlike most other existing volumes on this subject it gives a nuanced analysis of the late medieval Cistercian experience as well as the early years of the Order. Jamroziak argues that the story of the Cistercian Order in the Middle Ages was not one of a ‘Golden Age’ followed by decline, nor was the true ‘Cistercian spirit’ exclusively embedded in the early texts to remain unchanged for centuries. Instead she shows how the Order functioned and changed over time as an international organisation, held together by a novel 'management system'; from Estonia in the east to Portugal in the west, and from Norway to Italy. The ability to adapt and respond to these very different social and economic conditions is what made the Cistercians so successful. This book draws upon a wide range of primary sources, as well as scholarly literature in several languages, to explore the following key areas: the degree of centralisation versus local specificity how much the contact between monastic communities and lay people changed over time how the concept of reform was central to the Medieval history of the Cistercian Order This book will appeal to anyone interested in Medieval history and the Medieval Church more generally as well as those with a particular interest in monasticism.
Presents the Order's figureheads, practical life and spiritual horizon, and its contribution to medieval Europe's religious, cultural and political climate.